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Gender roles and stereotypes issues paper
Gender roles and stereotypes issues paper
Gender roles and stereotypes issues paper
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“The Story of an Hour” is the story revolving around a young woman, Louise Mallard, who has a heart problem, and she receives news of her husband’s death by the train accident. Her sister, Josephine, told her about the news. At first, she is upset, her body cold, and her mind and heart were empty. But as she grieves, she realizes she is free to live a life that she dreams of living instead of that which her husband would have had her live. Unfortunately, at the end, she discovers that her husband is not dead, and dies of a possible heart attack. “The Story of an Hour” reinforces gender roles in that Mrs. Mallard was expected to follow her husband’s lifestyle choices, only breaking free when he was dead and gone. In the beginning of the story, …show more content…
Mallard, and other men, are presented as strong, decision-making characters who are in charge. In the story, Mr. Mallard doesn’t appear a lot until the end. Brently Mallard is the breadwinner of the family, making the money--and, therefore--the decisions in the household. It states that his “powerful will [was] bending hers in...blind persistence” (Chopin 146). This shows that Mr. Mallard made decisions for his wife, even if she did not agree with them. This can also be seen when Mrs. Mallard whispers, “Free! Body and soul free,” showing that Mrs Mallard was finally free from her husband’s will after his death (Chopin 147). His death gives her a chance break away from the norm, to do what she likes and make her own decisions apart from a man’s will. The men also take care of the women, such as Richards, who “hastened to forestall any less careful, less tender friend in bearing the sad news” to Mrs. Mallard of her husband’s death (Chopin 145). This role of the man was in order to protect women from news or situations that might harm them. Mr Mallard and the other men are the ones make all of the big decisions in life for the women, typical of their role as the leader in a patriarchal society. Richards is a friend of Mr Mallard, “Her husband’s friend Richards was there, too, near her” (Springboard 145). He being there to support Mrs. Mallard after learning the news paints her as needing to be taken care of by more than her sister and she needs a man
Chopin uses contrast between independence between men and women. Ms. Mallard’s sentences on p. 57 “Free, free, free!” and on p.58 “Free! Body and soul free!” it can be indicated that she did not have much independence and had a taste of freedom. The way she had an excited tone when saying those sentences, shows she stayed in one place, being home and depended on her husband. On p. 57 both sentences
Mrs. Mallard?s freedom did not last but a few moments. Her reaction to the news of the death of her husband was not the way most people would have reacted. We do not know much about Mr. And Mrs. Mallards relationship. We gather from the text that her freedom must have been limited in some way for her to be feeling this way. Years ago women were expected to act a certain way and not to deviate from that. Mrs. Mallard could have been very young when she and Brently were married. She may not have had the opportunity to see the world through a liberated woman?s eyes and she thought now was her chance.
“The story of an hour” is a short story written by Kate Chopin on 1894. It narrates the story of a woman called Louise who was married to a man called Brently Mallard. A friend of Mr. Mallard arrived to the house afraid of telling her some terrible news about her husband. Apparently he was involved on a train crash and this friend knew about the ill heart condition of Mrs. Mallard. Both her sister and her husband’s friend were aware that the news about Brently’s death could be mortal for Louise, and they did not know how to tell her the outcome of this terrible accident.
The struggle the other characters face in telling Mrs. Mallard of the news of her husband's death is an important demonstration of their initial perception of her strength. Through careful use of diction, Mrs. Mallard is portrayed as dependent. In mentioning her "heart trouble" (12) Chopin suggests that Mrs. Mallard is fragile. Consequently, Josephine's character supports this misconception as she speaks of the accident in broken sentences, and Richards provides little in the way of benefiting the situation. In using excess caution in approaching the elderly woman, Mrs. Mallard is given little opportunity to exhibit her strength. Clearly the caution taken towards Mrs. Mallard is significant in that it shows the reader the perception others have of her. The initial description the author provides readers with creates a picture that Mrs. Mallard is on the brink of death.
In “The Story Of An Hour” Louise Mallards husband dies and she is finally free from feeling oppressed. When her sister told her that her husband dies she felt free and joyful. She imagines all the things she could do know that he is dead. She wasn´t happy in the relationship she felt trapped in the house.
...t the end of the story shows that liberation of women in a society ruled by a patriarchal mindset is doomed to fail (Wan 169). According to Wan, the story of an hour is a true depiction of representation of women in the nineteenth century when movements against oppression of women began to emerge (170). Although the outcomes were not as tragic as depicted in the story, it was obviously a journey filled with many challenges, and the fact that a viable resolve is yet to be achieved to date shows the issue of gender equality is grim.
"The Story of an Hour," published in 1894, highlights woman self-assertion when the protagonist, Louise Mallard, rejoices after hearing of her husband's death. Unlike most women may have reacted, Mrs. Mallard does not hear the story of her husband's death "with a paralyzed inability to accept its significance," implying that her relationship with her husband was troubled. After all, she is not shocked at the prospect of being alone. On the contrary, she is jubilant once she realizes that she no longer has a husband to impose on her (Hicks). She envisions "a long procession of years that would belong to her absolutely." No longer would she have to sacrifice for her husband. She is "free, free, free!"
Mallard comes to the realization herself that life would be more pleasant now that she is a widowed individual. She may now “live for herself” rather than a falsified housewife (Chopin 124). Imagery once again proves helpful in interpreting Chopin’s theme. Just as when she was crying wildly, Mrs. Mallard’s “bosom [rises] and [falls] tumultuously” as she begins to realize the magnitude of her situation (Chopin 124). Societal code tells her that she should not take joy in the death of her husband, but she cannot hold it back any longer. Chopin compares Mrs. Mallard’s lack of command of her own emotions to the absence of control she has over her actions and body by stating that she was “as powerless as her two white slender hands would have been” (Chopin 124). This simile represents the accepted male versus female roles in society: males have authority and power while women must follow their
Back then, women had a no say in things and were not allowed to work. The men made all of the money, so marrying the only option for women. Divorce was not an option because with no money and no job, running away would prove to be pointless. Therefore, when her husband dies, she can finally break away from the role she is forced to play which is that of the perfect wife, and can stop holding herself back. In fact, after a brief moment of sorrow she is overjoyed with the sense of freedom and just as she is going to open the door and leave forever, Mr. Mallard opens the door very much alive.
Mallard, however, has no clue that his wife feels this way about his actions “he was not unkind intentionally”. If anything she was uncomfortable with talking to her husband about how she felt due to society’s influence in shaping their marriage and each party’s role within the marriage. Early on, Mrs. Mallard seemed unsatisfied with her part in the marriage, “with a face whose lines bespoke repression” (Chopin 15), her physical appearance even gave way to her dissatisfaction. Contrary to modern times, divorce was not an option, the only way out of a marriage, that allowed the wife to have a life of her own, was for the husband to make her a widow. When Mrs. Mallard spoke the words “free, free, free” she indeed felt liberated, as if she had been given a new breath of life.
Mallard had a love/hate relationship with her husband. She loved him dearly, but it was very apparent that in some ways she did not always like him very much and that showed in her actions after she found out he died. “She knew she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her; fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.” (Chopin in Gardner, Lawn, Ridl & Schakel, 2013, p. 60-61). That clip leads you to believe that the husband sometimes looked at her as if he did not love her also. Mrs. Mallard makes it very clear that is sad that he has died, but is not sad that she is “free” from him. “And yet she had loved him – sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being! “Free! Body and soul free!” she kept whispering.” (Chopin in Gardner, Lawn, Ridl & Schakel, 2013, p. 61). From the story you cannot tell why Mrs. Mallard feels the way that she feels about her husband, but whatever the reason is, she was very happy to get away from it and start her new life, husband
“The Story of an Hour” was a story set in a time dominated by men. During this time women were dependent on men, but they always dreamed of freedom. Most people still think that men should be dominant and in control. They think that without men, women can’t do anything and that they can’t be happy. Well this story has a twist.
Mallard states that she is going to live her new life independently now that Mr. Mallard is gone; she accepts her newfound freedom and believes that she is now an independent woman. Mrs. Mallard was oppressed by Mr. Mallard, and Chopin hints at this oppression: “Chopin seems to be making a comment on nineteenth-century marriages, which granted one person - the man - right to own and dominate another - the woman,” (“The Story of an Hour” 266). The men and women should be treated equally in marriage and should be free, which relates to Mrs. Mallard feeling oppressed by Mr. Mallard. She realizes that she was below her husband her whole married life: “What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!” (Chopin 645). Her inferiority to her husband controlled her; his death allows her to start over as an independent being. Mrs. Mallard is known to have heart trouble, but readers do not understand what that trouble is until they soon find out: “Later, when we see Mrs. Mallard ‘warmed and relaxed,’ we realize that the problem with her heart is that her marriage has not allowed her to ‘live for herself,’” (Hicks 269). The readers find out that Mrs. Mallard’s mystery heart trouble dealt with her being confined by Mr. Mallard in marriage, which she soon turns away from. Mrs. Mallard’s internal struggle is caused by rushing into marriage; she did not develop herself before developing a relationship with someone else, such as Mr. Mallard: “Love is not a substitute for selfhood; indeed selfhood is love’s pre-condition,” (Ewell 273). Mrs. Mallard may have felt constrained by Mr. Mallard in her marriage because she did not know herself before. If she had known herself before the marriage, she would have known her own constraints and opinions, instead of feeling oppressed by Mr. Mallard. Mrs. Mallard accepts her freedom and independence. She decides to live
Key Elements:The story of an hour · Plot: Standard plot. A woman who receive the notice of her husband's death, and when she begins to felt freedom her husband appear again and she can't accept it and fall died. · Characterization: Few characters a. Mrs. Mallard or Louise: Mallard's wife. Was afflicted with hearth trouble.
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.