However, while at Lowood, Jane is mistreated by Brocklehurst who uses religion as an explanation for their mistreatment. He chastises Miss Temple for providing the children with a decent meal as their food was at poor quality, justifying this with, ‘a judicious instructor would take the opportunity of referring to the sufferings of the primitive Christians to the torments of the martyrs’ as a reasoning to why the girls were left hungry. Another example of Brocklehurst's hypocritical nature is evident in this same chapter where he insists that the girl’s hair must be cut because curls are not Christian and are not modest enough. Hypocritically, his two girls and wife are then shown to have their hair done with ‘fake French curls’ and are in ‘fine silk’ with ‘furs’. These examples show his hypocrisy but as Helen states, he is ‘not a god’ – referring to how Brocklehurst is able to deceit. However, the character of Mr. Brocklehurst was inspired by William Carus Wilson (owner of Clergy Daughter’s school), a Calvinist reverend and moral tyrant who operated the school. Bronte’s experiences at Clergy Daughters' School led her to write about Lowood as Wilson wanted the school to be a place of evangelism and conversion. This clearly shows that Mr Brocklehurst emphasised the cruel treatment of which William Carus Wilson had put upon many young girls.
Brontë uses specific settings and the language of oppression to show how religion controls women psychologically. Miss Abbot, the servant at Gateshead, relates to how ‘God will punish her’ and how God will ‘strike her dead in the midst of her tantrums’ after sending her to the red room for going against the morals within the Victorian society. These quotes from Jane Eyre show a sense of Bib...
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...control individuals differently but it still has a negative effect. However, Jane refers to books such as St. Paul’s letters from the New Testament of the Bible to describe his character. This could show how St. John is a calm and graceful man because of the aftermath of the Old Testament. In comparison, St. John’s sisters (Diana and Mary Rivers) both show heartfelt compassion towards Jane which contrasts with St John’s more dutiful sense.
Overall, Brontë has shown a true religious based novel which widely explores her society and how all women were oppressed by the patriarchal system. Although Jane ends up rejecting all three models of religion, she does not ignore morality or a belief in a Christian God. Her great use of character analysis and thoughts show how this novel, in fact, was widely based on how religion was a great influence within the Victorian era.
Jane Eyre is about a girl named Jane who struggles to find who she really is and with it what she really wants. “As a model for women readers in the Victorian period and throughout the twentieth century to follow, Jane Eyre encouraged them to make their own choices in living their lives, to develop respect for themselves, and to become individuals” (Markley). One of the reasons why this book gained merit was because of its striking presence within its time period. During the “Victorian Age” woman did not have much say in society, so this novel broke boundaries to societal norms that restricted woman from things they have today. “Brontë is able to enact this tension through her characters and thus show dramatically the journey of a woman striving for balance within her nature. A novel creates its own internal world through the language that it uses, and this fictional world may be quite independent from the real physical world in which we live” (Johnson). Bronte creates another world through her enlightening form of writing that has the reader connected to the novel as much as Riordan has on the readers in The Lightning Thief. “Reader, I married him” (Bronte 457). This line from the novel is one of the most iconic lines in literature because after all the terrible things she had to endure, Jane finally
Tremendous spirit. The enviable trait that Jane Eyre from Charlotte Bronte’s Jane Eyre possesses is what stimulates her to achieve self-actualization despite the fact that she is a woman. True feminism isn’t as violent as a handful of vicious extremists claim it to be. The accurate definition of feminism is “the doctrine advocating women’s social, political, civil, educational and all other rights as equal to those of men.” Women of Charlotte Bronte’s era did not have basic rights such as the aforementioned. The feminist movement in the Victorian Era had only just begun and Jane Eyre was far ahead of her peers. Published in 1847, the bildungsroman novel of Jane Eyre was an intricate one, with subtle feminism carefully woven in it, particularly through the actions and thoughts of Jane Eyre, the protagonist. Her quest for self-worth and identity lead her to overcome the various stigmas that women in that era were faced with. These ambiguities reflect the tensions real Victorian women of faith experienced in trying to meet multiple often conflicting demands in their lives. Such challenges were complicated further by the fact that 19th century Evangelical Christianity- attentive to the realities of sin, sorrow, sacrifice, and loss- was no easy creed for women and men. (Lamonaca) Jane Eyre’s battles for authentic love, good reputation and indifferent attitude towards social classes dominated English women’s lives. The heroine tackles gender roles and breaks all the mannerisms of the time to inject an early dose of feminism in the English audience. Jane’s transformation from naïve child to independent woman stunned the public and gave women the inspiration to make their own decisions and defy the norms of their era.
The eponymous heroine of Charlotte Bronte’s novel, Jane Eyre, is surrounded by a Victorian world and grows from an unruly child into a Victorian woman. At the beginning of the novel, Jane is passionate and flies into rages when injustices are committed against her. Her passion and unruliness are first shown in Chapter 1 when she vehemently fights back against her cousin John’s unprovoked attacks, hitting him and calling him a “wicked and cruel boy!” (30). Through her actions, Jane demonstrates her inability to control her anger and her desire to make others pay for the sins that they have committed against her. Jane’s lack of self-control is shown again before she leaves for the Lowood School, as she yells at her Aunt Reed for one final time, telling her, “I am glad you are no relation of mine…I will say the very thought of
Bronte is known as one of the first revolutionary and challenging authoress’ with her text Jane Eyre. The society of her time was male dominated, women were marginally cast aside and treated as trophies for their male counterparts. Their main role in life was to be a mother and a wife, “ Literature cannot be the business of a woman’s life……the more she is engaged in her proper duties, the less leisure she will have for it.” A quote from a letter Robert Southey wrote to Bronte. A clear sign of the mentality and opposition Bronte was up against. A woman’s “proper duties” of course being to tend and wait on her “master’s” every whim and need. Women during Bronte’s time had no clear voice, none that was of any merit, they were a silent category of society, silenced by their male oppressors. Bronte’s book was in fact written before the first women’s rights movement had happened, yet it puts forward an image of an independent strong character, of a passionate and almost rebellious nature. A character “refusing subservience, disagreeing with her superiors, standing up for her right’s, and venturing creative thoughts.” I put forward that Bronte throughout her text not only revises the themes of male power and oppression, but reconstructs them also. The text is a female bildungsroman of it’s time, sometimes subtly and sometimes overtly tackling the patriarchal view of women.
Jane Eyre, written by Charlotte Brontë, was published in 1847 by Smith, Elder & Company, in London. This year is exactly ten years into Queen Victoria’s sixty-four year reign of the British Empire. The Victorian Era was renowned for its patriarchal Society and definition by class. These two things provide vital background to the novel, as Jane suffers from both. Jane Eyre relates in some ways to Brontë’s own life, as its original title suggest, “Jane Eyre: An Autobiography”. Charlotte Brontë would have suffered from too, as a relatively poor woman. She would have been treated lowly within the community. In fact, the book itself was published under a pseudonym of Currer Bell, the initials taken from Brontë’s own name, due to the fact that a book published by a woman was seen as inferior, as they were deemed intellectually substandard to men. Emily Brontë, Charlotte’s sister, was also forced to publish her most famous novel, Wuthering Heights, under the nom de plume of Ellis Bell, again taking the initials of her name to form her own alias. The novel is a political touchstone to illustrate the period in which it was written, and also acts as a critique of the Victorian patriarchal society.
Charlotte Bronte’s Jane Eyre chronicles the growth of her titular character from girlhood to maturity, focusing on her journey from dependence on negative authority figures to both monetary and psychological independence, from confusion to a clear understanding of self, and from inequality to equality with those to whom she was formerly subject. Originally dependent on her Aunt Reed, Mr. Brocklehurst, and Mr. Rochester, she gains independence through her inheritance and teaching positions. Over the course of the novel, she awakens towards self-understanding, resulting in contentment and eventual happiness. She also achieves equality with the important masculine figures in her life, such as St. John Rivers and Mr. Rochester, gaining self-fulfillment as an independent, fully developed equal.
Bronte wrote Jane Eyre to emphasize her beliefs behind the purpose of women, and how society lacked to understand them as who they were created to be. The issue of lack of opportunity for women to engage in intellectual preparation and continuation is prevalent within the character of Jane. Expectation of women’s role was a social norm, with a lack of diversity or individuality. Bronte challenges this issue through the character of Jane, whom experiences a tug-of-war sensation between being herself, who she wants to be and should be, and what society wants her to be, and pushes her to be. Bronte was trying to explain that women have the same capability as men to be productive individuals of society, but they are held back from establishing their potential. The most unique understanding of Bronte’s challenge to society is the understanding that the characteristics and personality of Jane as a female is shamed and criticized, however these features are identical to those of a successful and representable man in
Mrs Reed keeps Jane only because of a promise she made to her husband on his deathbed. This abuse and neglect from her relatives forces Jane to be resentful and full of hatred. Later on Jane begins to stand up for herself. Once Jane begins to rebel to the abuse done by John and Mrs Reed, it is as if an uncontrollable beast had been unleashed inside of her.
The development of Charlotte Bronte's character, Jane Eyre, becomes vital to her novel Jane Eyre, and the other characters in which she is involved. She is an intelligent, plain featured, honest young girl whose reaction to her situations brings more depth to her personality. She is forced to deal with oppression, discrimination, and at times poverty, which disrupt her strong will, dignity, and desire for freedom. At the beginning, Jane possesses a passion for pride and the idea of freedom and these characteristics, along with her integrity, are tested continuously throughout the novel by the many personalities with whom she encounters. Living in a male dominant world Jane is expected to remain obedient and docile and her passion sometimes keeps her from being able to do this. She is a rarity among obeying female characters and we see this throughout the book.
In Charlotte Bronte’s Jane Eyre, Jane’s spiritual state is the product of the religious ideologies of her environment. I will focus on the characters of Mr. Brocklehurst, Helen Burns, and St. John. Each character manifests a different mode of interpellation, each of which attempts to hail Jane Eyre into the dominant religious ideology of the novel. Mr. Brocklehurst is a repressive state apparatus (RSA), Helen Burns lives with a false consciousness and acts as an ideological state apparatus (ISA), and St. John is the ultimate ideological state apparatus Jane is hailed by.
...ed to be his wife, I can imagine the possibility of conceiving an inevitable, strange, torturing kind of love for him, because he is so talented.”(389) this quote shows that Jane does not love St. John and if she stays with him she wont be happy to be with him.
St. John’s two sisters, like Jane were very intellectual and loved to read. Jane loved having conversations with them, as they were as intellectual as she was. These characters raised Jane’s expectations of society.
Bronte’s Jane Eyre is brimming with feminist ideology rebuking Victorian-Era gender-roll ethics and ideals. As a creative, independent woman with a strong personality and will growing up during this period of female repression, Bronte wrote Jane Eyre as a feminist message to society. She criticizes the average, servile, ignorant Victorian woman, and praises a more assertive, independent, and strong one. She does this through her protagonist Jane, who embodies all of Bronte’s ideal feminine characteristics. She is a strong woman, both mentally and physically, who seeks independence and is in search of individuality, honesty, and above all equality both in marriage and in society in a world that does not acknowledge women as individuals.
... were usually about movement up the social ladder or because of the fact that the woman was "worthy of the work, and competent to accomplish it." Love was a factor, which many people negated. Brontë condemned this negation. The patriarchal religious system, Calvinism, instilled a view in its members that men were far superior to women in many respects, including morality. In Victorian society the most 'moral' people seemed to be figures like Brocklehurst, who were in reality hypocrites. They were seen as pious and likely to be the chosen few to enter the gates of Heaven. Brontë conveys Brocklehurst's character as being shallow and he eventually loses his business because of lack of humanity.
Charlotte Bronte’s Jane Eyre represents the role of women in the Victorian era by giving the reader an insight into the lives of women from all social classes. Jane Eyre therefore represents figures of the Victorian time yet the character of Jane Eyre, herself, can be seen as very unconventional for the Victorian society.