An Exhibition of Portraits by Alice Neel
An exhibition of portraits of the family by Alice Neel, one of the finest painters of her generation, is at the Norton Museum of Art February 14 through March 29, 1998. Both critics and the subjects of her paintings have written of Neel's ability to portray the dynamics of relationships. Kinships focuses on particular family relationships: siblings, domestic pairs, parents and children, and members of her own family. The exhibition was organized by the Tacoma Art Museum, and is sponsored by The Elizabeth Norton Society.
Born in 1900, Alice Neel worked as a figurative painter during the decades of WPA realism, postwar abstract expressionism, and 1970s minimalism. She persevered in her work despite a turbulent personal life that included a year of hospitalization after a nervous breakdown, the destruction in 1934 of over two hundred and fifty paintings and drawings, and little attention to her work until the 1960s. Her art demonstrates a vigorous working manner, an unsparing skill in observation and a generous tolerance for the unpredictability of human nature.
Neel disliked being called a portraitist, but rather labeled herself as a "collector of souls." She believed that each person has an identity, an essential core of personality, and it was this that she sought to reveal in her paintings. She often captured aspects of relationships of which her subjects were not aware, and combined in her work her stringent analysis of their interactions with a broad acceptance of the depth of human emotions. She painted her subjects as distinct individuals, in the poses that were natural to them; poses that, in Neel's words, "involve ... all their character and social standing ... what the world has done to them, and their retaliation."
The compositions, as well as the subjects' body language, of such works as The Black Spanish American Family or Annemarie and Georgia, allows the viewer to observe how family members draw together tenderly or reluctantly, look away, touch one another, draw back, or open up. The arms of the parents often encircle their children in Neel's paintings. The early Mother and Child, Havana, 1926, uses this pose to depict a simple, secure relationship.
However, in later works, such as Mother and Child (Nancy and Olivia), 1967, the poses are more attuned to the ambivalent emotions present in...
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...t on Neel's own art. No better evidence exists than her portraits of pregnant nudes. It was a subject she first approached in 1964, ultimately painting a total of seven such portraits, with Evans's being her last. The subject had a powerful resonance at a time when women were newly educating themselves about the form and function of their anatomies. The Boston Women's Health Book Collective published Our Bodies, Ourselves in 1973, while Adrienne Rich's classic Of Woman Born: Motherhood as Experience and Institution appeared in 1976. As opportunities for women widened dramatically, debate and discussion about their biological destinies and responsibilities intensified. Neel's paintings of pregnant women offered no clear opinions or solutions. But, in retrospect, as with all of Neel's best work, Margaret Evans Pregnant endures as both a portrait of a person and a picture of a time.
Ann Temkin is the Muriel and Philip Berman curator of modern and contemporary art at the Philadelphia Museum of Art. She organized the Alice Neel exhibition that opens at the Whitney Museum of American Art next month and travels to the Philadelphia Museum of Art, February 18 through April 15, 2001.
Vera Olivia Weatherbie was an accomplished painter in her own right, regarded more so now than during her lifetime. She was born in 1909 in Vancouver and attended Brittania Secondary School. She grew up in the Strathcona neighbourhood near Chinatown in Vancouver’s East end. Her parents were strict, conservative Presbyterians, yet somehow she was able to persuade them to let her attend the Vancouver School of Decorative and Applied Arts (VSDAA) at the young age of 16.
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
Self-Portrait with Two Pupils, Marie Gabrielle Capet and Marie Marguerite Carreaux de Rosemond was done Adelaide Labille Guiard in 1785. It was done in Paris, France and the medium is oil on canvas. Adelaide Labille Guiard was born in 1749 and died in 1803. She was one of few to practice and master at miniatures, pastels and oil paintings. Due to male dominance in these practices, women were not accepted as pupils, due to society perception that women are not able to follow instructions as easily as men.
Alice Neel's most talked about painting, a Self-Portrait of herself, shocked the world when she painted herself in the nude at the age of 80-years-old. Neel, a 20th Century American Portrait Artist, painted models for over 50 years before turning the attention to herself (Tamara Garb). Neel wasn't a pinup girl and had depicted herself as the complete opposite (Jeremy Lewison). Unlike Neel, women avoided self-portraits of themselves, and nude self-portraits barely made it to canvas (Tamara Garb). Because of these reasons alone, Neel's Self-Portrait attracted scrutiny (Jeremy Lewison). Though Neel declared the painting to be frightful and indecent (Ibid), it still directed its focus on femininity, and the challenges women had to endure in our
Corn, or maize, plays a vital role in many areas of the world today, and each location views and handles corn in a different way. How they manage corn can show small details about the area and culture as a whole. Not only is corn a staple today, it also had a huge presence in the ancient Native American’s lives; corn is sometimes revered as a deity and other times as a gift to the people from the Creator or a hero of the culture.
Braille Institute: Empowering visually impaired people to live fulfilling lives. Braille Institute. 2010. Web. 22 Nov. 2010
Shea, R. 2004. Marcia Myers: Twenty Years Paintings & Works on Paper 1982–2002. Manchester, United States: Hudson Hills.
Aztecs are most famous for maize. It can be stored for long periods of time, which makes it valuable as a future safety net, and it can be used in many forms, which we still utilize today.
... person what is going to happen with the family, being deported changes not just the life of the person being detained but the lives of the family as well. “The participants shared their thoughts and beliefs regarding the immigrants they work with, and emphasized the devastating consequences of deportation. The most compelling description of thedeportation experience was offered by the Community Leader:“el sueñoAmericano se convierte en una pesadilla” [the American dream becomes a nightmare]. He explained that when a member of the family is deported [“every aspect of life is affected”].”(Lopez, Anna, Boie, Loana p.44). The way that deportation and immigration harms the family is really unfortunate and it is not something that people want to go through because when a member of a family is lost it sends that family into a endless spiral of thoughts, fears and anxiety.
The Popol Vuh doesn’t fall short in referencing and glorifying maize. One such reference in the Popol Vuh categorizes maize as a way to determine fate; if an ear of maize is planted and dries up, it indicates death. The article, “The Flowering of the Dead” concludes, “In Atiteco religion, ‘Flowering Mountain Earth’ is a place at the world’s centre whose primary manifestation is a maize plant or tree.” (Carlsen 27). A “Flowering Mountain Earth” is the center of the world that represents life, beauty, and the gods. Among this place, maize is an important object that animates and projects the qualities of a Flowering Mountain Earth. Maize is axis mundi, the center of the world. It is a staple crop in the Maya people; it is essential to the people and heavily relied on. The Maya saw maize as a fetish that truly gave them everything. Without it, everything that ties the Maya together falls apart. Successful growth of maize represents the life and well-being of the Maya, while a dying maize plant all but points to death and the failure of civilization. It is with the importance of maize in Maya culture, that it is omnipresent throughout the Popol
The people of early Mesoamerica had an abundance of different foods. One main food they had though in the 3 main groups (Aztecs, Olmecs, and Mayans) was maize. Maize is a corn like plant derived from teosinte that was domesticated around seven thousand B.C. to five thousand B.C.. Maize was about seventy percent of the Mesoamerican diet and around twenty one percent was meat . The Olmec’s had corn, beans, squash, and chili peppers (194). Each of their food items went in to a balanced diet of carbs, minerals, and vitamins. According to Concise Thematic Analysis “The Olmec system produced a food surplus that freed members of the community to take on specialized roles” (194) which just goes to show how much was around for them. Mayans ate corn and beans as their most important part of their diets, but also had some small domestic meats such as dog, turkey, duck, and fish. The Mayans also had honey and alcoholic drinks made from a stingless bee. The Aztecs had a good variety of plant foods as well with maize topping the charts of their diet with having other stable foods such as sweet potatoes, tomatoes, beans chilies, squashes (also big in their diet), carrots, etc. They also, had a lot of animals to choose from but they did not
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
While a quick glance at the painting reveals a soft, gentle female form with a background of intriguing landscape, further study introduces an added layer of mystery. The way the woman glances slightly to the side as well as her small smile makes viewers feel that she knows some secret. Yet, at the same time, she appears to be a very kind, friendly and approachable.
The ancient Mayans, a diverse group of indigenous people who lived in the Yucatan Peninsula, had one of the most sophisticated civilizations in the Western Hemisphere. They were responsible for a number of remarkable scientific achievements in agriculture, astronomy and communications.Early Mayans developed a farming society, they were able to adapted to their environment buy using a system of clearing the dense rain forests called slash and burn which made farming easier. their farming consisted of their most important crop, maize. They would also cultivated beans, squash, maize together they called this process the three sisters this was important to the Mayan because it was a nutritionally complete diet. Astronomy was one of the greatest achievements of the Mayan Empire, The Mayans knew how many days were in a year and also developed a calendar according to their knowledge of astronomy. Another great achievement of the Mayan Empire is their system ...
Maya civilization was based mainly on agriculture and religion. Maya every day life revolved around an innumerable number of earth Gods. The most important God was chief, ruler of all Gods. The Mayans prayed to these God’s particularly about their crops. For example, they prayed to the Rain God to nourish their crops. They practiced their religion during ceremonies conducted by priests. They also practiced confession and even fasted before important ceremonies (Gann and Thompson 1931 118-138). The Mayans also b...