The book Alias Grace by Margaret Atwood is a beautifully articulated work of literature. The book presents a Victorian mode spiced up with spooky plot twists. Although the book presents a Victorian mode it is not entirely comprised of Romantic ideals. Atwood is a modern writer who was influenced by the major paradigms of both American and Canadian history. Since she was a child, she was fascinated by the true story of Grace Marks. Grace Marks was a teenage, Canadian domestic worker of the nineteenth century who was convicted upon the murder of her employer (Thomas Kinnear) and his mistress (Nancy Montgomery). In this novel, Atwood reimagines Grace’s enigmatic story. And in doing so, she embodies a signature theme, the injustices of women’s lives which also conveys the literary importance of the book. Also, she portrays the hypocrisy and ignorance of Victorian culture. Atwood also cleverly uses the characters’ conversations to convey topics such as prostitution, spiritualism, and treatment for the insane. This is one factor that makes Atwood’s style unique. Alias Grace has a style that is thoroughly logical yet complicated. This is not the case with the author’s tone which remains indifferent throughout the book. And so, this intriguing novel is one of unique style, indifferent tone, a signature theme that conveys the injustices of women’s lives that was influenced by all of the important eras pertaining to both American and Canadian Literature.
Atwood presents a style unlike any other in her book, Alias Grace. Throughout the novel, Atwood inserts excerpts from other literary works to help illustrate the very complex Grace Marks. This is not common amongst modern writers. Another aspect that makes Atwood’s style unique, at least in this book, is her change of perspective. The book constantly changes from one perspective to another. Most of the book is either a narrative or a conversation (mainly between Dr. Simon Jordan and Grace Marks). Sometimes the book is in first person omniscient as seen through the eyes of Grace, and at other at other times, the book is in third person in a series of letters (and this is what may seem complicated to the reader). This shows Atwood’s grand creativity. Another aspect regarding Atwood’s style is her creative and descriptive diction. A good example of this can be...
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...with one of which is blame. This can be seen in the quote, “. . . once you are found with a man in your room you are the guilty one, no matter how they get in.” This is an example of how the book not only shows the superiority of men but also how women are always the one who get the blame. This was definitely true of Victorian times, and is usually the case today. This quote is very significant in that it foreshadows who will be seen as guiltier between McDermott and Grace when it is time for the trials. And after Grace is found to be guilty, she becomes known as a “celebrated murderess.” As can be concluded, Atwood’s signature theme in this book deals with the injustices of women’s lives.
The novel Alias Grace by Margaret Atwood is a compelling story of a young woman convicted for murder. The novel is especially unique in its style, and although its tone remains indifferent, it conveys a unifying theme concerning injustices which women must face. And the novel gave Atwood the chance to embrace her fascination with the strong, clever, diligent, talented, thought-provoking, intelligent Grace Marks. And so, Alias Grace is a great book unlike any other.
Herbert Hoover was sworn into office when the economic status of the country stood at its highest and the nation was accustomed to a prosperous way of living. When the stock market plummeted and took its toll on the citizens from coast to coast, it was out of his control. The approach however that was taken to deal with the matter is what will ultimately separate Hoover and Roosevelt when the debates to categorize the greatest and worst presidents the nation has seen begin. Hoover was known for false promises as he would speak optimistically to his audience and never deliver. The people began to resent his words knowing they would all fall through eventually. Roosevelt in his inaugural address knew the people were tired of hearing speeches that never pulled through and only spoke with truth as he stated:
In 1929, the stock market crashed, bringing great ruin to our country. The result, the Great Depression, was a time of hardship for everyone around the world. The economy in the US was lower than ever and people were suffering immensely. During these trying times, two presidents served- Herbert Hoover and Franklin Delano Roosevelt (F.D.R.) Both had different views on how the depression should be handled, with Hoover believing that the people could solve the issue themselves with no government involvement, and with F.D.R. believing that the government should work for their people in such difficult times.
Catharine Maria Sedgewick’s heroine and title character of Hope Leslie does not convey the expected behaviors of a woman living in 17th century Puritan society. Hope Leslie is not a passive young woman that relies on the Bible for all advice and guidance. She does not stay quiet if something is on her mind. She refuses to allow the innocent to receive persecution for the wrong reasons. Hope is assertive, aggressive, courageous, bold, and quite outspoken. The characteristics that she portrays are atypical to those portrayed by 17th century women. Instead, Hope’s attitude and behavior more closely resemble that of a female from the 21st century living in an era not meant for her.
Because of the plague known as the Great Depression, Herbert Hoover is often seen as one of the worst presidents in American history. He enacted policies such as the Hawley-Smoot Tariff that flushed America deeper into the depression. Hoover didn't understand that to solve a crisis such as a depression, he needed to interact directly with the people by using programs such as social security and welfare. Instead, Hoover had the idea that if he were to let the depression run its course, it would eventually end. There are three things that can be used to define Hoover's presidency during the depression, his actions, his mentality toward fixing things, and the fact that he helped pave the way for the “New Deal”
...pression. It was this that created Hoover’s conservative image. Moreover, Hoover's opinions changed from being against any government interference in the economy to being in support of the government encouraging employment by creating more jobs. Hoover differed from most presidents represented in Schlesinger's theory because touched upon private interest, transition, and public purpose, all within the one term of his presidency. Roosevelt was falsely credited with ending the Great Depression as a result of the success of his many programs instituted with the purpose of fighting against unemployment. He is therefore recognized by many as the more effective of the two presidents, which would then indicate that liberalism was more effectual than conservative ideas. However, in reality, Roosevelt was little more successful than Hoover in ending the Great Depression.
All of the things mentioned above only got worse and this would last until 1941, when the U.S entered World War II. Hoover, “thought the crash was part of a passing recession”, but after the crash happened, he worked very hard trying to fix the economy. He founded government agencies, encouraged labor harmony, supported local aid for public works, fostered cooperation between government and business in order to stabilize prices, and struggled to balance the budget. His work focused on indirect relief from individual states and the private sector, with emphasis on “supporting each state effectively” with volunteerism and “appealing for funds” from outside the government, but as the Depression became worse, calls grew for increased federal intervention and spending. But Hoover refused to involve the federal government in forcing fixed prices, controlling businesses, or manipulating the value of the currency, all of which he felt were steps towards socialism. He was inclined to give indirect aid to banks or local public works projects, but he refused to use federal money for direct aid to citizens, believing the dole would weaken public morale. Instead, he focused on volunteerism to raise
In the Harlequin romance Time of the Temptress, by Violet Winspear, the author seems to be trying to write an intelligent story of romance, bettered by its literary self-awareness. She fails on both counts. Winspear appears to recognize that more valued literature tends to involve symbolism and allusions to other works. It seems she is trying to use archetypes and allusions in her own novel, but her references to alternate literature and culture are embarrassingly obvious and awkward. Another inter-literary connection, though, is more difficult to notice unless the book is pondered -- something the typical romance reader is not likely to do. Although Winspear attempts to give her book literary value by tying it to Gone With the Wind, because of the limitations of her chosen genre, and her own apparent inabilities as a writer, she cannot grasp the depth that makes Gone With the Wind a highly regarded romance work.
Thesis: Because the Great Depression quickly changed America's view of liberalism, Roosevelt can be considered a liberal and Hoover a conservative, despite occasionally supporting similar policies.
In the novel, Alias Grace, written by Margaret Atwood, Grace Marks is presented as the central figure. Seen as an antagonist by the public is really disturbing for Grace. She is a very obedient and truthful individual. Although many people call Grace Marks a murderess throughout the whole book, not everyone knows the burden of being falsely accused of murder. Anyone being locked up for 26 years would go insane, which Grace gladly did not.
Bouson, J. Brooks. Margaret Atwood the robber bride, the blind assassin, Oryx and Crake. London: Continuum, 2010. Print.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
In Kate Chopin’s “The Story of an Hour,” female heroine Louise Mallard’s judgment is questioned after her inability to show emotion following her husband’s death. Instead of feeling desperate and hopeless, Louise feels a sense of freedom and liberation. This depiction of an independent woman prevails in The Awakening as Chopin discusses a woman who battles to fulfill traditional Victorian female ethics in the midst of undergoing a physical and emotional awakening. Edna and Louise are similar because neither woman is happy with accepting conventional gender roles. In The Awakening, Chopin discusses the different female roles that Edna Pontellier, Adele Ratignolle, and Mademoiselle Reiz’s represent to emphasize the different ideas that women
Jane Eyre has been acclaimed as one of the best gothic novels in the Victorian Era. With Bronte’s ability to make the pages come alive with mystery, tension, excitement, and a variety of other emotions. Readers are left with rich insight into the life of a strong female lead, Jane, who is obedient, impatient, and passionate as a child, but because of the emotional and physical abuse she endures, becomes brave, patient, and forgiving as an adult. She is a complex character overall but it is only because of the emotional and physical abuse she went through as a child that allowed her to become a dynamic character.
The supernatural is arguably one of the most prominent things that fuels Macbeth’s unchecked ambition throughout the play. In fact, the very thing that began his journey into insanity was his conversation with the three witches and Banquo in Act 1, scene 3. The witches said “All hail, Macbeth, that shalt be king hereafter!”, and if he hadn’t of met or listened to the witches then his fate could’ve possibly been avoided altogether. Banquo in contrast didn’t listen to the witches, and if Macbeth had done the same then neither of them would have died. Of course Macbeth’s downfall can’t be entirely blamed on the witches or the supernatural in general. The supernatural wouldn’t have affected him in the first place if he hadn’t been too prideful and gullible to begin with.
I read this book out of interest for another Henry James piece, liking Daisy Miller so much. I found that this book, as in Daisy Miller, has a female point of interest throughout. Isabel Archer is a young American girl brought to Europe after her father has died in America. Isabel is an independent girl, easily noticed by many others in her circle. I felt that Isabel was a woman in her time, in that she took notice of things that she wouldn’t have without certain without the opportunities she was given. In America she would have see and done other things, but in Europe she saw so much opportunity. I like the carefree attitude she had, but with the regard for her elders and common courtesy. The example in the book about being a proper young lady when it was not looked at very well that she stay up ‘alone’ with her cousin and another young man. She had asked her aunt to help her and tell her when she is doing, or about to do something saw as improper. I admired that. I think nowadays young women would revolt against proper if it meant something they did not wish to do.