An Analysis of The End of Something
One area of literature emphasized during the Modernist era was the inner struggle of every man. Novels written before the 20th century, such as Moll Flanders and 20,000 Leagues Under the Sea, dealt with external conflict, a conflict the reader could visualize in an action. Along with other writers of Bohemian Paris, Ernest Hemingway moved away from this process and began using outward actions as symbols for the inner conflict dwelling inside the protagonist. Hemingway's short story The End of Something is an example of how trite dialogue and simple descriptions accentuate the mental strife of the character Nick.
The story's plot is not complex: Nick and his girlfriend Marjorie are canoeing down a river they once knew as children. Once on the bank of the river, the two of them partake in the same activities but do them in silence. When Marjorie tries to begin a conversation, Nick is not responsive. Marjorie asks Nick if there is a problem, and Nick says he is not in love anymore. Marjorie then leaves, and the story ends with Nick lying down by himself while his friend Bill (who enters the story several sentences after Marjorie leaves) eats a sandwich while looking onto the river.
However basic the story's sequence is, Hemingway's literary innovations are dominant within the text. Through experimentation with tempo, language, and plot structure, Hemingway garners an emotional response out of the reader, leaving him shocked that so much content could be captured in so simple a story.
Most authors read at a relatively steady rate throughout their story, with dialogue sections running faster than descriptions. Hemingway breaks this conventional nature in The End of Something. The...
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...mes up and asks how things went with Nick. Hemingway quickly describes Bill's entrance, but ends the paragraph with "Bill didn't touch him, either." This one line is Hemingway's entire story; Marjorie felt like there was something between the two of them, while Nick wasn't touched. Hemingway re-emphasizes this in the last line of the story, when Bill takes a sandwich and looks at the fishing rods. While Nick is caught up in the moment and sad about what he did, Bill, representing Nick's life, is not moved.
The End of Something is a simple story about two youngsters breaking up. Its four-page length would lead some to believe the story to be light and easily something to glance at instead of thoroughly read. However, Hemingway does a wonderful job of turning the four pages about a common occurance into an event that any reader can feel and will never truly end.
Such power of overtaking islands and colonizing them led some people to fight back in belief that they could come out from under the ruling of the United States. “The United States spent 400 million to stifle the revolt, and more than 126,000 U.S soldiers fought against the Filipinos rebels” (Schaller 670). The attempt of rebelling against the United States shown them how strong and determined the United States were in keeping their power and control. Continually the price paid was nothing compared to the gains they
From past experiences in ones life, whether it be the death of a long aged gold fish to a deceased elder, one knows the pain and suffering that goes on afterwards. For one to finally move on and continue life without a tear in their eyes may take a while, yet having that immense step means to put the emotions aside and live life. Hamlet's father was murdered, and he soon sees his mother move on so quickly and marries his uncle, to continue being the queen. Hamlet's love for his father does not fade away within a two month span like his mother; he refuses to accept the fact that his father was killed, instead of a natural death. Because of this, Hamlet does not know what to do with his life. He mentions "O, that this too too sallied flesh would melt,/ Or that the Everlasting had not fixed/ His canon `against self-slaughter" (129-132). Immediately does Hamlet questions the existence of his own life, as he feels the need to melt and disappear, ultimately referring to suicide. The problem we face...
In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1208-1209. Hemingway, Ernest. A.
Instead of denial and isolation, which is the first stage according to Kubler-Ross, Hamlet dwells in a state of depression. The University of Arkansas for Medical Sciences Department of Psychiatry states “Depression occurs as a reaction to the changed way of life created by the loss. The bereaved person feels intensely sad, hopeless, drained and helpless” (www.uams.edu). Hamlet’s depression is revealed in his fourth soliloquy. “Whether ‘tis nobler in the mind to suffer/ Or take arms against a sea of troubles,/ And by opposing them? To die, to sleep;” (Shakespeare III.i.57-60) Meditative and weary Hamlet gives up on any hope for the future. He contemplates suicide making obvious his profound state of despair. Hamlet’s thoughts of suicide continue in this painful speech, “His canon ‘gainst self-slaughter! Oh God! God!/ How weary, stale flat and unprofitable,/ Seem to me all the uses of this world!/ Fie on’t! Ah fie! ‘tis an unweeded garden” (I.ii.132-135) Here are a sickness of life, and even a longing for death, that strengthens Hamlet’s intense depression.
The play does not open with the protagonist, nor with the direct disclosure of the problem. It points to unanswered questions and reveals anxiety and unrest. There is said to be a ghost, but the reason and purpose for the ghost's appearance are unknown. Basically, we can say that the first scene creates an atmosphere and the basis for the disclosure of the specific problem. The first point dramatically established is that there really is a ghost, although the questions raised by its appearance are unanswered. Horatio, the scholar and the skeptic, comes to test the report given by the simple soldiers. The empirical proof that Horatio seeks is there; the ghost appears and it is seen to have a specific identity, that of the deceased King Hamlet. But the reason for his presence is not disclosed and the men on the platform, confronted by the upsetting mystery, have to guess in the dark, literally and metaphorically. Unable to offer an explanation, Horatio sees the apparition in convention terms as an omen of some evil. This is immediately connected with the expository fact that there are feverish military preparations in the kingdom. The indication is that there are pre-existing questions brought into the open in connection with the ghost. The specific question relating to preparations for war, concerning the kingdom and not necessarily the ghost, is answered by Horatio; he gives us expository background concerning the immediate past in the kingdom of Denmark, involving King Hamlet and King Fortinbras of Norway, we hear there was open, chivalric combat between them in which the Danish King vanquished and killed Fortinbras, as a result of which he obtained (fairly) the land which was gained by the Norwegians. But additionally we hear th...
Hamlet. The son of a king. A man who could have had it all, but instead he chose the much more painful route of revenge and a life of bloodshed. The downfall of Hamlet is comparable to trying to hide a lie one has told. The deeper we try to cover the lie, the worse it gets and harder it becomes to do the right thing. The deeper the reader explores into Hamlets life, the messier and messier it becomes. With a mind full of suicidal thoughts and insanity with no effort to contain it can only lead one thing, and Hamlets downfall is the ultimate example. Pain, suffering, and extreme
The paragraph starts with a description of his liking for New York, using lucid examples of why he does, such as “the satisfaction that the constant flicker of men and women...gives to the restless eye” (Fitzgerald 56). He goes on to picture himself picking up women from Fifth Avenue, becoming involved romantically, fantasizing about being welcomed into their homes. There is a shift in tone, however, after this fantasy, wherein Nick expounds his isolation: “I felt a haunting loneliness sometimes” (Fitzgerald 56). His heart sympathizes with the individuals having to work nights, in order to feed themselves, instead of seizing the moment and partaking in the pleasures the city has to offer. These vivid descriptions work to present Nick’s character and mental process, and are central to his development as
In the drama “Hamlet” the character of Hamlet around which, the whole story revolves has been portrayed by Shakespeare through the constant internal conflicts that leads him towards the doomed end, hence in the drama the character of Hamlet exhibits how psyche governs the transitional behaviors that shapes up the ultimate fate in both positive or negative way.
Hamlet none other than the underlying thought of doubt, shape the play and its characters in such a dramatic way. In fact the plays main questions and events all come about due to some doubt and uncertainty from any multitude of characters. Although a common theme for many no other one character portrays this literary theme and crippling condition then the stories main focus and protagonist, prince Hamlet. Hamlet struggles with believing the evidence brought to him of his fathers death, and goes through much indecision and pondering about life, death and his future endeavors before he eventually fufils his purpose. Hamlet even after he’s chosen his path is crippled by his chronic indecision and failure to act, and in the end is brought down by it. Through Hamlet we are clearly shown that doubt and thought have there place, but too much can and in hamlets becomes his downfall.
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Within the Shakespearean tragic drama Hamlet there are a number of themes. Literary critics find it difficult to agree on the ranking of the themes. This essay will present the themes as they are illustrated in the play – and let the reader prioritize them.
Claudius’ first speech effectively reveals his character to the audience. Shakespeare’s use of diction and doubling suggests Claudius’ façade conceals his true intentions. Claudius’ artful yet manipulative use of language and his diplomatic foreign policy, prove him to be a commanding politician. This speech sets the stage for the rising action of the play. It plays a major role in revealing plot elements key to an understanding of the play and enables the audience to make an impression of Claudius and decide for themselves his possible role in King Hamlet’s death.
Perhaps the most notable aspect of Shakespeare’s play, Hamlet, is its intense focus on its eponymous character.
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...
Crwaford, Alexander W. "Claudius and the Condition of Denmark." Shakespeare Online. Shakespeare Online, 20 Aug. 2009. Web. 2 Feb. 2012. .