A Celebration of Life
“I Sing the Body Electric” is one of twelve poems that comprised the 1855 first edition of Walt Whitman’s self-published masterpiece, Leaves of Grass. Like other poems, especially “Song of Myself,” it is a celebration of life. It is hard to believe this classic was written during the Civil War era. A time historically riddled with slavery and injustice, of mass death and discord, as well as the expansion of industrialization, the movement out west and population growth. This 19th century classic defines an age-old problem. In brief, the human body is too often disrespected, abused, underappreciated, or taken for granted. According to Whitman, "If anything is sacred the human body is sacred," (Routledge, section 8), and “if the body were not the soul, what is the soul?” (Routledge, section 1). An analysis of “I Sing the Body Electric” assists us in recognizing our eternal state of existence and well-being; a state only conceived through a unified consciousness of the human body and soul. In it Whitman poetically expresses his appreciation and respect for the intricate, spiritual unification between the human body and the soul.
The idea of a unified consciousness is not limited to a mid-19th century America. As a matter of fact “. . . long before the first glimmerings of modern science, physicians and non-physicians alike have acknowledged that the way people felt in their minds could influence the way they responded in their bodies” (Gohde). “By the 1840s and 1850s, functional disorders of the nervous system (also called "neuroses") and the emotional causes that precipitated them had become a major area of clinical study" (Gohde).
Whitman utilizes a verbose approach to his poem “I Sing the Body ...
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...New York: Garland Publishing, 1998), reproduced by permission.Web.11 May 2014. < http://www.whitmanarchive.org/criticism/current/encyclopedia/entry_71.html>.
Routledge Encyclopedia of Walt Whitman. edited by J.R. LeMaster, Donald D. Kummings.
Whitman, Walt “From I Sing the Body Electric” 1855. The Compact Bedford Introduction to Literature. 9th ed. Boston:Bedford /St.Martin’s 2012.786-788. Print. 10 May 2014.
Wikipedia contributors. "Walt Whitman." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 7 Apr. 2014. Web. 11 May. 2014.
WriteWork contributors. "“Walt Whitman: Appreciation of the Human Body Through Poetry”" WriteWork.com. WriteWork.com, 21 April, 2014. Web. 11 May. 2014.
Whitman, Walt. "Song of Myself." The Norton Anthology of American Literature.. Gen. ed. Nina Baym. 8th ed. Vol. C. New York: Norton, 2012. 24-67. Print.
When I read poetry, I often tend to look first at its meaning and second at how it is written, or its form. The mistake I make when I do this is in assuming that the two are separate, when, in fact, often the meaning of poetry is supported or even defined by its form. I will discuss two poems that embody this close connection between meaning and form in their central use of imagery and repetition. One is a tribute to Janis Joplin, written in 1983 by Alice Fulton, entitled “You Can’t Rhumboogie in a Ball and Chain.” The second is a section from Walt Whitman’s 1,336-line masterpiece, “Song of Myself,” first published in 1855. The imagery in each poem differs in purpose and effect, and the rhythms, though created through repetition in both poems, are quite different as well. As I reach the end of each poem, however, I am left with a powerful human presence lingering in the words. In Fulton’s poem, that presence is the live-hard-and-die-young Janis Joplin; in Whitman’s poem, the presence created is an aspect of the poet himself.
During the late romantic period, two of history’s most profound poets, Emily Dickinson and Walt Whitman, emerged providing a foundation for, and a transition into Modern poetry. In its original form, their poems lacked the characteristics commonly attributed to most romantic poets of the mid to late nineteenth century who tended to utilize “highly stylized verses, having formal structures, figurative language and adorned with symbols” (worksheet). Unique and “eccentric use of punctuation” as well as “irregular use of meter and rhyme” were the steppingstones for this new and innovative style of writing (worksheet). Even though these two writers rejected the traditional approach, both remained firmly dedicated to their romantic idealism of the glass of water being “half full” opposed to “half empty.” Noted for his frequent practice of catalogs and parallelism, Whitman stirred up much controversy with his first edition of “leaves of Grass” in 1855. Many critics responded negatively to the ...
American Bards: Walt Whitman and Other Unlikely Candidates for National Poet. Chapel Hill: University of North Carolina, 2010. Print.
Walt Whitman is one of America’s most popular and most influential poets. The first edition of Whitman’s well-known Leaves of Grass first appeared in July of the poet’s thirty-sixth year. A subsequent edition of Leaves of Grass (of which there were many) incorporated a collection of Whitman’s poems that had been offered readers in 1865. The sequence added for the 1867 edition was Drum-Taps, which poetically recounts the author’s experiences of the American Civil War.
Very few people will contest that Walt Whitman may be one of the most important and influential writers in American literary history and conceivably the single most influential poet. However many have claimed that Whitman’s writing is so free form as evident in his 1855 Preface to Leaves of Grass and Song of Myself that it has no style. The poetic structures he employs are unconventional but reflect his very democratic ideals towards America. Although Whitman’s writing does not include a structure that can be easily outlined, masterfully his writing conforms itself to no style, other then its own universal and unrestricted technique. Even though Whitman’s work does not lend itself to the conventional form of poetry in the way his contemporaries such as Longfellow and Whittier do, it holds a deliberate structure, despite its sprawling style of free association.
Walt Whitman’s hard childhood influenced his work greatly, he was an uneducated man but he managed to become one of the most known poets. Whitman changed poetry through his work and is now often called the father of free verse. Especially through Leaves of Grass he expressed his feelings and sexuality to world and was proud of it. He had a different view at life, his hard childhood, and his sexuality that almost no one understood made him introduce a new universal theme to the world. Almost all critics agree that Walt Whitman was one of the most influential and innovative poet. Karl Shapiro says it best, “The movement of his verses is the sweeping movement of great currents of living people with general government and state”.
By its title, it is possible to think that singing to myself is designed from an egocentric and colorful perspective. However, this would constitute a base error, since what looks for Whitman is to capture all of nature to be expressed throughout his mouth and therefore, what results from this exercise, necessarily, have to be recognized. In other words, when Wh...
(A critique of Walt Whitman’s themes and ideas in Song of Myself 6, 46, 47)
*Whitman, Walt. Song of Myself. The Heath Anthology of American Literature. 3rd ed. Ed, Paul Lauter. Boston,NewYork: Houghton Mifflin, 1998.
Stedman, Edmund Clarence. "An Important American Critic Views Whitman." Critical Essays on Walt Whitman. Ed. James Woodress. Boston: G.K. Hall, 1983. 116-127.
Walt Whitman is arguably America’s most influential poet in history. Born Walter Whitman in May 31st, 1819 to Walter Whitman and Louisa van Velsor, he was immediately nicknamed ‘Walt’ to distinguish him from his father. He came to life in West Hills on the famous Long Island, the second of nine children that grew up in Brooklyn. He came to be fondly known as ‘the Bard of Democracy’, mainly because that was a main message in his work. He is also celebrated as ‘the father of the free verse’. He was a liberal thinker and was vehemently against slavery, although later on he was against the abolitionists because, according to him, they were anti-democracy. He managed to marry transcendentalism with realism in his works. His occupation was a printer school teacher and editor.
Although Whitman uses a great deal of structural ways to stress his ideas, he also uses many other ways of delivering his ideas. First of all, Whitman portrays himself as a public spokesman of the masses. The tone of the poem is a very loud, informative tone that grabs ones attention. The emphasis placed on the word “all” adds to the characterization of Whitman as a powerful speaker. Furthermore, Whitman takes part in his own poem. Participating in his own poem, Whitman moreover illustrates the connection between everything in life. Lastly, Whitman, most of all, celebrates universal brotherhood and democracy.
He crossed the boundaries of the poetry literature and gave a poetry worth of our democracy that contributed to an immense variety of people, nationalities, races. Whitman’s self-published Leaves of Grass was inspired in part by his travels through the American frontier and by his admiration for Ralph Waldo Emerson (Poetry Foundation). He always believed in everyone being treated equally and bringing an end to slavery and racism. Through his poetry, Whitman tried to bring every people in America together by showing them what happiness, love, unison, and real knowledge looked. His poetry and its revolution changed the world of American literature
One very important topic that major American authors Walt Whitman and Emily Dickinson incorporated into their writing was the idea of the “self” or “self-identity”. Both Walt Whitman and Emily Dickinson were prolific major American poets and many of the topics they chose to write about involved aspects of transcendentalism. Though Whitman and Dickinson wrote about some of the same topics, they did not share the same meanings, especially with the description of “self”. Published in 1855 within a poetry collection called Leaves of Grass, “Song of Myself” gives a look into how Walt Whitman felt about self-identity. Whitman uses a first person narrator to describe the “self” as the celebration of the individual through personal exploration and gaining personal experience. In Emily Dickinson’s poem, “I heard a Fly buzz when I died” published in 1896 as part of Poems by Emily Dickinson (third series), she alludes that the key to identifying the “self” is sight.