Carina Brannstrom, in the paper, An Analysis of the Theme of Alienation in Mary Shelley’s Frankenstein, published for a research article address the topic of alienation and declares that this is a major theme through Shelley’s novel. Brannstrom supports her claim by using emotional language, with personal anecdotes and reflections on the story, the use of repetition, explaining how multiple events shared the same experience of alienation in one way or another, and declarative sentences to show confidence in her assertions. The author's overall purpose to explain her views on the book’s overall theme and advises her readers to look deeper into the meaning of the novel. Brannstrom utilizes an frank tone to appeal to her audience’s sense of logic …show more content…
She first starts off with an example at the beginning of the story when Victor's mother dies. The author uses this time to explain how even when people try to do good things, it can lead to fatal instances. Brannstrom than talks about Victor’s change in character, as he becomes more of an evil soul, even though created and raised by decency and love. As the story progresses, the audience realizes that the passion, Victor had been harboring brought an evil out in him, and in some ways alienated himself with his studies. Not knowing what his scientific discovery and work would produce, Victor was adamant about creating this second “being”. However, after seeing it come to life, the scientist was disgusted and terrified of the creature he had made. Brannstrom exclaims that “Victor did not hate the monster he created out of spite, but out of fear”. In addition to this, the author also claims that because“the reputation around this type of appearance, which is associated with monster-like qualities, allows a society in this …show more content…
But after reading Brannstorm pieces, I was able to understand how this was a huge part in Shelley's novel. Although the monster killed and tormented many, this was set in place because of the way he was treated by others. The creator Victor Frankenstein began as a relatively innocent character, with a curiosity for scientific learning, but later we discover how his inner daemon develops. Not only can the daemon be seen within monster, but in this society and its inhabitants as well. The society shames him, even though he was really a gentle and loving creature. Unfortunately, because of this the monster was left in solitude and a broken heart, being not only abandoned by his creator, but by the rest of the world. The cruelty that was placed on the monster doesn’t make him the daemon, but rather the people surrounding him throughout the story. Conflicting views and intolerance within a society brought hatred upon an innocent being, who was looking for love. Shelley does an incredible job of sharing how abandonment, intolerance and inner daemons all come from evil within, and can create a negative ripple effect on those surrounding such situations. Finding identity is extremely hard, as seen in the eyes of a monster. Sometimes thoughts become a jumbled, mixed-up pot, that people are forced to pick out of because they are not secure or comfortable with who they are. They have to deal with the cards they
At first, The Monster is very kind and sympathetic. He has a good heart, as shown when he collected firewood for the family on the brink of poverty. Like every other human creation, he was not born a murderer. All the Monster wanted was to be accepted and loved by Victor Frankenstein and the other humans but instead he was judged by his appearance and considered to be dangerous. The Monster says, “like Adam, I was created apparently united by no link to any other being in existence…many times I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed the bliss of my protectors, the bitter gall of envy rose within me” (page 105). This line is an important part of the novel because the Monster lets it be known how like Adam he was created into this world completely abandoned and like Satan he is angry with those people who have found contentment and satisfaction in their lives. The rejection and unwelcome feeling he is faced with, is the main reason the Monster becomes a killer. Watching another family show love towards each other made the Monster realize how alienated he truly was. He did not know how to deal with his pain and emotions so he murders as
Three of the main characters in Mary Shelley 's 1818 novel Frankenstein have commonalities that may not be immediately recognized but are significant in terms of theme. Robert Walton, a man who sets out to seek new land, Victor Frankenstein, a man who sets out to create new life, and the Creature, who sets out to become accepted, are all different in their own ways but tragically the same. Though the first use of the word "isolation" did not occur until 1833 (Merriam-Webster), Frankenstein is replete with instances in which the three central characters must confront their alienation from others. Understanding a mariner, a mad man, and a monster may seem like a difficult task to accomplish, yet with Shelley’s use of isolation as a theme it
In the novel Frankenstein, Mary Shelley tells us a story about a man called Victor Frankenstein who creates a Creature which he later decides he does not like. The novel Frankenstein is written in an Epistolary form - a story which is written in a letter form - and the letters are written from an English explorer, Robert Walton, to his sister Margaret Saville. Robert is on an expedition to the North Pole, whilst on the expedition; Robert is completely surrounded by ice and finds a man who is in very poor shape and taken on board: Victor Frankenstein. As soon as Victor’s health improves, he tells Robert his story of his life. Victor describes how he discovers the secret of bringing to life lifeless matter and, by assembling different body parts, creates a monster who guaranteed revenge on his creator after being unwanted from humanity.
Isolation in Mary Shelley's Frankenstein Mary Shelley's novel, Frankenstein, has several themes imbedded in the text. One major theme is of isolation. Many of the characters experience some time of isolation. The decisions and actions of some of these characters are the root cause of their isolation. They make choices that isolate themselves from everyone else.
Literature often works as depicted act of betrayal. Many people, friends, and family may portray a protagonist, but they will likewise be guilty of treachery or betrayal to their own values. In the novel Frankenstein by Mary Shelley, there is acts of betrayal between Victor Frankenstein and the monster. In the Novel Victor Frankenstein is a betrayal of life itself because it should be given naturally and not created by a scientist man. The monster is actually the one who is majorly betrayed, he may look like a hideous dangerous monster on the outside but, not one within himself. From the beginning of the novel, Victor betrays the monster, and this betrayal is seen on many levels throughout the novel. The tragic figure in Mary Shelley’s
Analysis of Mary Shelley's Frankenstein. Analyzing a book can be a killer. Especially when it contains tons of subtle little messages and hints that are not picked up unless one really dissects the material. Mary Shelley's Frankenstein is a prime example.
Emotional isolation in Frankenstein is the most pertinent and prevailing theme throughout the novel. This theme is so important because everything the monster does or feels directly relates to his poignant seclusion. The effects of this terrible burden have progressively damaging results upon the monster, and indirectly cause him to act out his frustrations on the innocent. The monster's emotional isolation makes him gradually turn worse and worse until evil fully prevails. This theme perpetuates from Mary Shelley's personal life and problems with her father and husband, which carry on into the work and make it more realistic.(Mellor 32) During the time she was writing this novel, she was experiencing the emotional pangs of her newborn's death and her half-sister's suicide. These events undoubtedly affected the novel's course, and perhaps Shelley intended the monster's deformed body to stand as a symbol for one or both of her losses. There are numerous other parallels to the story and to her real life that further explain why the novel is so desolate and depressing. Emotional isolation is the prime theme of the novel due to the parallels shared with the novel and Shelley's life, the monster's gradual descent into evil, and the insinuations of what is to come of the novel and of Shelley's life.
“Isolation is the sum total of wretchedness to a man,” said 19th century author and philosopher, Thomas Carlyle. Humans are naturally empathetic; without any external human stimulus, the human psyche has no outlet of which to vent this empathetic ability, and the subtle laws that govern our most basic morals and natural tendencies begin to fall apart. In Frankenstein, or the Modern Prometheus, author Mary Shelley incorporates the theme of overwhelming obsession to weave the meaningful and momentous tale of true outcasts that are subjected to the agony of isolation. Victor Frankenstein’s lust for forbidden knowledge leads to the creation of a monster, which he ultimately shuns and abhors with passion. The monster, like a newborn child, is malleable to the world, and as the object of disgust and loathing, is corrupted and driven to murderous deeds by his absolute misery of his lonely isolated life. In Frankenstein, author Mary Shelley creates a powerful story of torment and obsession through the skillful use of the literary devices of symbolism, irony, and foreshadowing.
This philosophical analysis focuses on the main character of Mary Shelley’s Frankenstein, the Monster, and how his crime of killing a young boy and framing an innocent bystander is explained through the arguments made by Mengzi concerning evil natures. This parallel will be made by showing the progression of the Monster from good to evil nature and how his motivation to ruin his creator’s life tainted his fundamental heart. I will first briefly address the action as portrayed in Frankenstein and then discuss how Mengzi’s ideas explain the change in the Monster’s nature.
Humans and nonhuman animals are social creatures by nature and crave intimacy with others. God is the only being that can remain in isolation without intimacy without facing negative consequences. While God does not have intimacy with others he does love all human beings equally. A man living in isolation will eventually lose his mind unlike God. In Frankenstein by Mary Shelley, Victor Frankenstein exhibits a need to be God that makes him believe he can live in isolation and without intimacy like God. Some may argue that Frankenstein has a god complex because of his unshakable belief in himself and consistently inflated feelings of personal ability, privilege, or infallibility;
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.
There are 7 billion people in this world. That is a copious amount, which means there is a wide variety of personalities and types of people. With all of these people, there are lots of differences between them, there are even slight differences between some of the commonalities. In the book Frankenstein by Mary Shelley, two of the main characters are examples of two very different and unique people who have differences even between their similarities. Victor Frankenstein and the Creature have a few similarities that include they are both curious, determined, and guilty; but even within those similarities they are slightly different.
Isolation is often a result of choosing to seek refuge in solitude, however, in many cases, it is a result of brutality from the surrounding environment. In Mary Shelley’s Gothic novel, Frankenstein, a gruesome and painful story serves as a cautionary tale in order to prevent another from a similar downfall. Although Victor Frankenstein is the narrator for the majority of the novel, the audience learns of the destruction that has followed his decisions as well as the forced estrangement upon those he has encountered. In Frankenstein, Shelley uses relatable characters that reflect the harsh superficial aspects of society. Victor’s initial isolation as a child foreshadows the motif of detachment that occurs throughout the novel.
Many critics have argued how much Mary Shelley’s personal life and background should be considered in the reading and interpretation of Frankenstein which contains many autobiographical references and experiences of her own. Analyzing the combination of a complex novel and biographical information readers find evidence that circumscribes her life produces a possible feeling and intentions that the author may have possessed. During the time period of writing Frankenstein, f...
Frankenstein by Mary Shelley portrays an individual in a unique situation trying to overcome daily interactions while being faced with inconceivable misfortunes. Created by Victor Frankenstein, who set out on a journey to bring life to scrapped pieces of waste, he was then abandoned and left to fend for himself in a world he was abruptly brought into. After being abandoned by his creator for his less than appealing looks, this then sparked his inevitable desire for revenge. Eventually leading to the destruction of those associated with his creator. Knowing that he will never fit in, the monster began to act out in hopes of getting back at his creator for what he did. His vulnerability due to missing guidance and parental figures in his beginning stages of life contributed to his behavior. The books and article Family Crisis and Children’s Therapy Groups written by Gianetti, Audoin, and Uzé, Victim Of Romance: The Life And Death Of Fanny Godwin by Maurice Hindle, and Social Behavior and Personality by Lubomir Lamy, Jacques Fishcher-Lokou, and Nicolas Gueguen support why the monster acts the way he does. The monster’s behavior stems from Victor’s actions at the beginning of his life and therefore is not to blame. The creature in Frankenstein is deserving of sympathy even though he committed those murders because the lack of parental guidance, lack of family, and lack of someone to love led him to that. All in all his actions were not malicious, but only retaliation for what he had been put through.