This is a profoundly moral tale of lost innocence and adult cruelty. Do you agree?
Ammaniti’s novel I’m Not Scared set in Acqua Traverse, Italy 1978 is a powerful text, which explores relevant social themes and issues. Besides being a tale of adult cruelty and lost innocence we cannot ignore the role in which loyalty and betrayal play in the novel. These central themes make this novel a compelling text.
In the novel Michelle journeys from a joyful innocent child into a perceptive and wiser youth. Initially we view Michelle as a child who is very compassionate, willing to “do the forfeit” for Barbara to exempt her from Skull’s cruelty. As the story progresses qualities namely courage and loyalty surface in Michelle. These two qualities are most noticeable when he states, “I’m going to see Fillipo… Who’s Fillipo? He’s a friend of mine”. Michelle’s actions show and justify a belief that he has in a sense “lost his innocence”. Michelle also shows maturity when he acknowledges that his father may not be a loving man, stating, ”Papa was the bogeyman. By day he was good, by night he was bad”. He realises that the adults are cruel and is astounded when he notices his father stating “two ears we’ll cut off. Two!”. Michelle loses his innocence after witnessing the cruelty displayed by the adults as well as being tested by the notions of loyalty and betrayal.
The adults with the exception of Michelle’s mother can all be seen as having key roles in the kidnapping. The treatment ...
Based on what I saw in the movie I determined I would complete this assignment in the following scenario. Claireece Precious Jones was removed from the physical custody of her mother, Mary Johnston, because of the sexual, physical and emotional abuse occurring in the home. Mary Johnston failed to protect Precious from the sexual abuse by her father, Carl Jones. Ms. Johnston also physically and emotionally abused Precious. In my scenario, Precious was in the custody of New York Department of Child Safety and her teacher, Blu Rain, was fostering her. In this scenario I am a licensed clinical social worker who received Previous’ case. Precious was brought to me by her New York Department of Child Safety Specialist for counseling to
A Stolen Life by Jaycee Lee Dugard is an autobiography recounting the chilling memories that make up the author’s past. She abducted when she was eleven years old by a man named Phillip Garrido with the help of his wife Nancy. “I was kept in a backyard and not allowed to say my own name,” (Dugard ix). She began her life relatively normally. She had a wonderful loving mother, a beautiful baby sister,, and some really good friends at school. Her outlook on life was bright until June 10th, 1991, the day of her abduction. The story was published a little while after her liberation from the backyard nightmare. She attended multiple therapy sessions to help her cope before she had the courage to share her amazing story. For example she says, “My growth has not been an overnight phenomenon…it has slowly and surely come about,” (D 261). She finally began to put the pieces of her life back together and decided to go a leap further and reach out to other families in similar situations. She has founded the J A Y C Foundation or Just Ask Yourself to Care. One of her goals was, amazingly, to ensure that other families have the help that they need. Another motive for writing the book may have also been to become a concrete form of closure for Miss Dugard and her family. It shows her amazing recovery while also retelling of all of the hardships she had to endure and overcome. She also writes the memoir in a very powerful and curious way. She writes with very simple language and sentence structures. This becomes a constant reminder for the reader that she was a very young girl when she was taken. She was stripped of the knowledge many people take for granted. She writes for her last level of education. She also describes all of the even...
Working as a teacher serving at-risk four-year-old children, approximately six of her eighteen students lived in foster care. The environment introduced Kathy to the impact of domestic violence, drugs, and family instability on a developing child. Her family lineage had a history of social service and she found herself concerned with the wellbeing of one little girl. Angelica, a foster child in Kathy’s class soon to be displaced again was born the daughter of a drug addict. She had been labeled a troublemaker, yet the Harrisons took the thirty-hour training for foster and adoptive care and brought her home to adopt. Within six months, the family would also adopted Angie’s sister Neddy. This is when the Harrison family dynamic drastically changes and Kathy begins a journey with over a hundred foster children passing through her home seeking refuge.
According to Marx, religion comes from the imagination of the mind, “Man makes religion.” (H/R,p.11) Marx believes in Atheism and that religion is simply justification to our actions and behaviors as “followers.”
The relationship with Michelle is a passionate, yet violent and miserable one. They’re both too caught up in drugs, unable to take care of themselves, let alone each other. Their young love is overshadowed by fights and ultimately destroyed by the abortion of their child.
Antigone remains a static character at stage five throughout the story. Faced with people who do not agree with her decision, Antigone stands tall with what is morally right to her. Kohlberg’s Theory is not only universal but also helps readers understand a character morally. Choosing whether or not to bury her brother, Polyneices, or to follow the law given by Creon, does not derail her moral
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
We have all heard the African proverb that says, “It takes a village to raise a child.” The response given by Emma Donoghue’s novel Room, simply states, “If you’ve got a village. But if you don’t, then maybe it just takes two people” (Donoghue 234). For Jack, Room is where he was born and has been raised for the past five years; it is his home and his world. Jack’s “Ma” on the other hand knows that Room is not a home, in fact, it is a prison. Since Ma’s kidnapping, seven years prior, she has survived in the shed of her capturer’s backyard. This novel contains literary elements that are not only crucial to the story but give significance as well. The Point-of-view brings a powerful perspective for the audience, while the setting and atmosphere not only affect the characters but evokes emotion and gives the reader a mental picture of their lives, and the impacting theme along-side with conflict, both internal and external, are shown throughout the novel.
Once Olivia receives help, it is perhaps too late. In her senior year, she is sentenced to a juvenile camp, and is clearly out of place. “She is so different from the other girls (pg.312)”, her therapist says. “She was one of the rare kids we see who is focused on her future. I wish I could have started with her when she was twelve or thirteen (pg.312).” Olivia’s case illustrates a system that rather than providing guidance and support to abandoned children, it leads them into a criminal world.
When Deborah was only sixteen she became pregnant with her first child by Cheetah and boy she liked when she was younger. Cheetah and Deborah got married and then had their second child. Deborah became very unhappy in the marriage because Cheetah started drinking and doing drugs. He started abusing Deborah. Cheetah pushed Deborah so much she almost killed him if it wasn’t for Bobbette. Deborah’s brothers Sonny and Lawrence were doing well except for Joe. Joe was another case. Joe went to the military, and the family was hoping that would do him good; but he came out worse than when he went in. Joe was threatened and beaten up by a boy named Ivy. Joe was in so much rage he went and stabbed him and killed him. Joe eventually turned himself in to the law, was convicted of second degree murder and sentenced fifteen years in prison.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
According to Chris Hadfield, fear is the unpleasant emotion (caused by dangerous) by the belief that someone or something is dangerous, or likely to cause pain or threat. One of the saying is “Fear is a choice while danger is the reality of a certain situation”- which means we cannot control the level of danger in a situation, but we can choose to feel afraid or chose not to let fear limits our ability to try something new, create or dream from coming true but with practice we can overcome our fear of scary situations. For example, Chris Hadfield mentioned as a little kid, he always dreamt of going on spaceships and becoming an astronomer. However, as he mentioned about his dream, it was impossible to be true if he believed his fears about flying or trying something for the most part known to be dangerous. In my opinion, I agree with what Chris Hadfield mentioned about the fear that it sometimes can be excessive, but it is our choice to overcome these fears by more practice and gaining new experience, but I also think that it can be useful because it can hinder us from doing something that actually could harm us.
Her view is only one-sided as she only sees herself to be correct which is exactly the same as Creon who also believes his law is the right one to follow. “Bernard Knox finds in these words of Antigone allusions to customs and beliefs “older than the polis”. Her reverence for the family dead and her belief in their continued existence seem to have belonged to the earliest religion known to man…[Creon’s] prohibition against funeral rites for Polyneikes is not a violation of an individual conscience-Antigone’s-but an “age-old practice or custom,”…Antigone then pitied against the polis, is seen to represent ancient-perhaps even mesolthic-practices and beliefs that Kreon can neither understand not integrate into his political view as…’tyrant’.” However, Creon even though he is the new king, he has full authority over the city and its people and he will do anything to convey that whatever he says goes. “What? The city is the king’s-that’s the law!” Creon’s sense of justice is flawed and he ends up being a dictator if everyone behaves like him. Even though he does not want to he has to be against Antigone as she has gone against everything the state believes and sentences her to a
The elements at play in the novel and film are quite remarkable for their traditionally universal appeal.3 The fates of two adolescents, one jailed the other unwilling jailer, intersect and are soon bound together in a struggle for survival at the hands of unsuspecting enemies. The filmmaker's aim was to adopt a child's unadulterated point of view in referential opposition to the surrounding adult world. Given the suspenseful plot and the exploration of the young protagonists' fears at coping with a habitat they must disavow, such an aim and narrative scheme were expected to gather much attention.4 The pre-teens Michele, the novel's principal hero, and Filippo the kidnapped child are ultimately elevated from a pit of dirt and fear, the antechamber of death, chiefly by their own heroic praxis. Yet the problematic lack of any meaningful degree of depth in the novel and film seems to lie precisely with its overly schematic construction, tailored to safely weather the otherwise unpredictable market.
Corporate governance is the set of guidelines that determines the control and organization of a particular company. The company’s board of directors is in charge of approving and reviewing changes to this set of formally established guidelines. Companies have to keep in mind the interests of multiple stakeholders, parties who have an interest in the company. Some of these stakeholders include customers, shareholders, management, and suppliers. Corporate governance’s focus is concentrated on the rights and obligations of three stakeholder groups in particular: the board of directors, management, and shareholders. Corporate governance determines how power is split between these three stakeholders. A company’s board of directors is the main stakeholder that influences the corporate governance of a company (Corporate Governance).