Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The history of the vampire
The history of the vampire
The history of the vampire
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The history of the vampire
Samantha Carletta
Comm. 100
March 13, 2009
Origins of Vampire and Werewolf Myths
I. Intro
A. "I could feel the soft, shivering touch of the lips on the supersensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there.
1. I closed my eyes in a languorous ecstasy and waited – waited with beating heart."
2. Everyone knows of the famed Dracula, if only in passing
B. Like most people, tales of vampires and werewolves have always fascinated me.
C. I began to wonder just when, how and why these tales came about, so I did a little research.
D. Today I’m going to tell you about the origins and basic beliefs of vampire and werewolf myths and the medical conditions thought to be at the roots of them.
1. Let’s begin with the undead.
II. Body
A. The exact origins of the term ‘vampire’ are unknown as is where exactly the myth originated, but in almost every country, there are legends of these ‘Blood-sucking monsters.’
1. Although, the specifics about vampires vary from place-to-place, when one thinks of the term ‘vampire’ it is the image depicted by Bram Stoker in Dracula that usually comes to mind.
2. A vampire is a person who has returned from the grave and steals the life force from a living creature in the form of their blood.
a. A person can become a vampire they are: criminals, witches, the seventh son of a seventh son, or bitten by another vampire.
b. Vampires can be recognized by their aversion to sun light and fire; they have no reflection or shadow; and in some tales they can shape-shift into a bat, a wolf, or mist.
1.) Physical characteristics are deathly pale skin, lithe build, ‘fangs’ or very long upper canine teeth, they do not age, and often posses an unearthly beauty.
2.) Most importantly,...
... middle of paper ...
...mal, usually, although not always a wolf.
3. Rabies is an often-fatal viral disease that affects the central nervous system of mammals.
a. It is transmitted through the saliva of an infected animal.
b. Soon after being bitten, a person goes through a period of tiredness, headache, fever, cough, and sore throat, followed by extreme irritability, inability to sleep, depression, and hallucinations.
c. One form of rabies called, ‘Furious rabies,’ results in strange behaviors, such as restlessness, aimless wandering, biting other people and an uncontrollable fear of water.
III. Conclusion
A. Tales of vampires and werewolves have been around long before most recorded history and modern medicine is barely staring to uncover the mysteries behind them.
B. As Bram Stoker puts it, “There are mysteries which men can only guess at, which age by age they may solve only in part.”
Just some of The vampire’s numerous powers are: He can turn humans into the Undead, he is virtually immortal, he has the ability to grow younger by drinking blood, he casts no shadow, he casts no reflection, he has the ability to crawl along walls, he has the ability to control animals, he can control the weather and he also has the power to transform his own shape. Here we can see these powers.
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
Bram Stoker’s Dracula has increased the number of vampires in media exponentially, partly because of one man: Vlad the Impaler. He, as well as other various sources, led to what is known as the vampire today.
Vampires have been viewed with fear and fascination for centuries. Of all the vampires in literature, Bram Stoker’s Count Dracula is probably the most prominent vampire. Recently, there has been an upsurge of public interest in socially acceptable vampires, like the Cullens in the Twilight series by Stephanie Meyer. This essay will contrast Stoker’s Dracula with Carlisle Cullen, one of the newer vampires from the Twilight series. They will be examined in terms of their origins and how they dealt with immortality.
As it is presented here, vampirism is not a product of art, it is a path followed by every selfish and powerful one who misuse his powers on the account of others’ happiness. It is the moto of the outcast and those who are deprived of the good nature.
The legend of the vampire has emerged countless times within human imagination over the past few centuries. The first available representation of the mythical creature in prose fiction can be found in John Polidori’s “The Vampyre” (1810). It was not until eight decades later that Bram Stoker popularized the existence of this figure with the publication of “Dracula” in 1897. The folklore of the vampire has come a long way since and can be found in today’s popular media more frequently than ever before. However, with due course of time, the representation of the creature has taken alternate routes and today’s vampires are noticeable different – socially and physically – from their predecessors. One effective path to trace this transformation is to compare arguably modern day’s most famous representation of the vampire, Stephanie Meyer’s “Twilight” with “Dracula”, the foundation from which a large number of modern works draw inspiration. Examining this comparison closely, one finds that a new socially acceptable, sexually abstinent and desirable creature is fast replacing the fearsome and sexually voracious monster, as depicted in early tales of the vampire.
There are many variations to vampire weather modern or ancient. Some can turn into bats or wolves while others can’t. Some can be killed with holy water and sunlight while others can’t. Some cast a reflection while others don’t. Though there are many variations to the vampire all drink blood and can be killed in some
Count Dracula has been the frontrunner for the modern day vampire lore and legends since being printed back in 1897, pop culture took the vampire traits from Bram Stoker’s Dracula and twisted them. In modern portrayals of vampire lore, each author chooses an original aspect from Stoker but then creates a little bit of their own lore in the process. Count Dracula appears to be a walking corpse from the pale and gaunt visual aesthetics to the coolness of his undead skin (Stoker). In some cultures, the vampire is able to transform from the body of a human being to that of a fellow creature of the night, a bat. In the novel Dracula more than one town was easily visualized through the detailed descriptions throughout the novel, thus
From Transylvania to Hollywood, vampires have transformed from unfamiliar, mysterious personalities to one of the most dominant monsters in the horror genre today. Vampires are one of the oldest and most noted creatures in mythology, with many variations of them around the world. Although the most famous version is Bram Stoker’s Dracula, many variants have come before and after telling of the same legend with their own added ideas and modifications to relate to their cultures. Today, there is a multitude of literary and film works that convey and resurface peoples’ fear of vampires. As gothic works like Dracula, by Bram Stoker and Scooby-Doo! and the Legend of the Vampire directed by Scott Jeralds share certain traits reflective of the genre;
In Twilight, Edward Cullen presents the question; “ But what if I’m not the hero? What if I’m the bad guy?” The role of vampires is very controversial. Back in the day they were evil, soulless monsters and people genuinely feared them. However, in the present day it seems that we have grown to love them and even hope to one day be them. There are a plethora of vampire stories and many of them have become immense hits. With so many vampire stories, it is not uncommon that readers are able to identify a vast amount of similarities. Although similar in aspects, there are still many differences between the classic and modern day vampires. Two highly popular stories, in which we can easily identify similarities and differences, are Bram Stoker’s Dracula and Stephenie Meyer’s Twilight.
Over the past several hundred years, werewolves have been an important part of Western Cultures. Werewolves have appeared in blockbuster movies and been the subject of countless books and stories. Werewolves are dark and powerful creatures that terrify us on multiple levels. While they are some of the most violent and merciless monsters that horror has to offer, there is something about the werewolf that we can identify with. Not only can we identify with the characters afflicted with the curse, but we can also identify that the werewolf is a beast and an evil force. The werewolf symbolizes the evil that is contained within us all. In this paper, I will explain the different evils that werewolves symbolize by taking a critical look at the real life history of the werewolf, the werewolf in literature and film, and the opinions of experts on the topic.
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
When the word “vampire” comes to mind, people think of the traditional pale-faced, malicious bloodsuckers, sporting a cape and killing people when they’re sleeping. Wrong! Nowadays, the image of a vampire is a handsome, polite, and loving person who protects humans. The new cultural phenomenon Twilight is building a new degrading image for vampires that slaps the face of all previous authors, directors, writers, etc. who contributed to giving the monster its unique image in the past.
The vampire genre is one that is so widely exploited, that anything can be done with it. It can be made into a horror story made to induce nightmares, into a story that displays humans can be just as monstrous as the monster, or into a romance that proves that love conquers all. The mystery and sensuality that shrouds vampires allows for a vampire story to be anything and everything the writer or reader desires.
The author’s op-ed piece was published in 2009, the very peak of the vampire contagion, where one could find these creatures wherever they looked. This pandemonium that arose from vampires is what drove del Toro and Hogan to pen “Why Vampires Never Die.” Furthermore, the purpose behind this essay is to give an abridged description of the past of vampires for the people who had become fanatics of the creatures. Also, this essay showed how vampires have persisted in pop culture. They suggest that vampires have been remade by diverse cultures at different times, and this change echoes that society's angst and concerns. The novelist’s imply that Stroker’s Dracula may mirror an exaggerated human on a prim...