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describe the house on mango street
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American Social Classes in the Book The House on Mango Street The House on Mango Street is a book written from the perspective of a young child, Esparanza. This girl views her life in an extremely poetic fashion; she explains almost everything in a manner that is very decorated and distant from normal speech. Each chapter consists of a different aspect or event pertaining to Esparanza's life. She concerns herself with things that seem trivial or simply unimportant. An example of her seemingly pointless rambling is the chapter titled "Hairs." In this chapter, she explains the hair of each person in her family using an overabundance of similes. She puts much effort into building the greatness of her mother's hair by comparing it to the smell of freshly baked bread and to little rosettes. Esparanza seems to be an unhappy little girl to say the least. She wishes to have a different name, have a different home, eat lunch at school rather than go home to eat, etc. When she speaks of her name, Esparanza refers to sadness; she is particularly fond of the idea of changing her nam...
The House on Mango Street is a novel by Sandra Cisneros. It is set in a poor, Latino neighborhood around 1960. The main character, Esperanza, is expected to get married in order to support herself. However, Esperanza strives for independence, and seeks to end the cycle of abusive patriarchy that holds Mango Street in thrall. Through the use of syntax and figurative language, Cisneros establishes that a sense of not belonging can fuel an individual’s desire for a better future.
The House on Mango Street, a fictional book written by Sandra Cisneros is a book filled with many hidden messages. The book revolves around a young girl named Esperanza who feels out of place with the life she has. She sees that the things around her don’t really add up. The story is told from Esperanza’s perspective and the events she goes through to find herself. Through the strategy of fragmenting sentences, Cisneros establishes that the sense of not belonging, creates a person’s individuality that makes them who they are.
However, each work is special and focuses on a different aspect of life as compared to the other. In addition, the thematic ideas between the two works are often correlated and often overlap between the two. Moreover, the multiple thematic ideas in the novel and the movie can still apply to the people of today as they also go through many hard times much like Celie and Esperanza. The House on Mango Street is able to focus on abuse of women, and discrimination of the female gender much like The Color Purple. However, The House on Mango Street is able to elaborate on the topic of maturity especially through the various experiences of Esperanza. Nevertheless, many important lessons can be learned from both the novel and the movie, among these include treatment of women, discrimination, and maturity. The novel and the movie do a wonderful job at emphasizing and focusing on these relatable topics that are vital to the growth of
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
The American Dream, yes everybody has one, it can be from living in a large house and having a million dollars to just having the privilege to live in America and try to make something better for themselves in this new life or new start they are trying to grasp. There are many traditions and dreams of every American today while some dreams are practical and some are not and most of all their dreams are from the heart. The American dream is really simple--it consists of a house a job a car three kids and one dog but this is not always the case.
Paul Fussell's naïve asserationation that the American Dream perpetuates social class mobility as an unlikely concept is both shortsighted and flawed. The comparison was made that social classes of today are akin to caste systems that infamously plagued past societies. His concept of a caste system means is that one's social class is determined almost solely by the social class of their parents. What should be mentioned is that in the modern first world, one has is susceptible to advance or regress into another social class now more than ever. What this doesn't imply is that 2016 is necessarily the year of opportunity, or that recent years were more opportunistic than say thirty or forty years ago.Rather that this day and age in particular is far more volatile in terms of class stability.
There are many things that affect how people see each other. Judging others on their looks, personalities, and lifestyles is as natural as sleeping. A common subject of judgement has always been social class; each class has judged one another for centuries. Looking at another class is like looking into the window of another world that is shrouded in mystery; especially the upper class. The idea of being wealthy is surrounded by a stereotype that life is easy and everything is perfect. F. Scott Fitzgerald teaches in The Great Gatsby that this is not true through three different social classes in the 1920s: old money, new money, and no money. Although status makes life easier it can negatively affect the personalities of people with old money, new money, and no money.
The social environment during the revolution was complex, and only became more so as the colonies declared their independence. The colonies themselves could be divided along several lines including Northern, Mid-Atlantic and Southern colonies. They could also be considered by their populations as small or large colonies. These geographic and population based lines were likely as important as class lines during the American Revolution. The classes fell into three main categories. The gentry, the middle class and the lower class or poor. The economic class played a large role in the opportunities available at the time. Gentry typically held political offices while the middle class struggled to acquire enough property to attain voting rights. A few in the middle class might hold office as well. The poor or lower class which included slaves, servants and day laborers were not able to vote or hold office (Social classes in colonial America, n.d.).
There are many similarities and differences between the upper-class, middle-class, working-class, mixed income and low-income urban neighborhoods. There are many different social distinctions within each class and each class has their own way of living. Here are some of the difference and similarities between each class:
In the story, “A&P” by John Updike, the student identifies the differences of social classes between Sammy, a checkout clerk and Queenie, a wealthy girl that visit’s the store. Though not from the same class structure, Sammy is compelled to interact with the girl, however fails in doing so because she is considered privileged.
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a mature young lady through her difficult life experiences and the people she comes across. It is through personal encounters and experiences that Esperanza begins to become sexually aware and acceptance her place and self-definition in her community.
The "American Dream" supposedly allows everyone to climb the "social/economic ladder," if they wish to do so. Anyone that works hard is supposed to be able to move to a higher class. However, society often prevents social mobility. Social classes dictate who moves to a higher class and who does not. In the late eighteenth and early nineteenth centuries, this issue was especially prevalent. The rigidity of classes was often an underlying theme in many novels during this time period. For example, The Age of Innocence and The Great Gatsby both feature the exclusive nature of social classes as a motif. In both The Age of Innocence and The Great Gatsby, the rigidity of social classes and the desire for social mobility leads to the downfall of several
In the novel, The Great Gatsby, Fitzgerald peers into American life during the roaring 1920s. In the story, Fitzgerald not only discusses the ideas of power and greed but also that of social stratification. Fitzgerald focuses on the thought of a contemporary society: In chapter 3 Gatsby's holds a party that s both a description and parody of Jazz Age decadence. It presents the fortitude of conspicuous use, and is an amalgam of the boorish and the reputable. Fitzgerald accentuates the unique social classes through the descriptions of Gatsby himself, the guest’s behaviors, and the conclusion of the party, in order to suggest the superficiality of society.