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Myths versus truth of old west
Frontier myth america
Frontier myth america
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Recommended: Myths versus truth of old west
In the American old west myths,legends,and fairy tales are all highly exaggerated and hard to find real ones,but some you read are true. The American Old West was a brutal environment that can very easily be considered the deadliest of the world due to its environments that it suits some but in total this world is where the Myths,Legends,and Fairy tales come from there for some are fake but some are real.Ex-Billy the kid. The Religion that the old west was known for was the Catholic religion that they would and still do believe in jesus and god but Myths that come from this culture are mostly false some are true such as the moth man and his ways of praying on the weak.As well as the traditions in this place were harsh and brutal. Gives the …show more content…
Because it explains the most significant problems to explain deeper and also it is important to have because it is the purpose of which the hero embarks on to insure that his story is true or fake and will never change from his course or her. Because it is what defines the hero and what problems he'll face in his journey. Hansel and Gretel,witches,indians and William Bonney. Because i chose this segment because it best fits me an the journey that the heroes or protagonists faced were great examples of what i was telling. It gives distinct information to what the reader wants to know or need an the words that some writers use can inform very …show more content…
They were all religious and they all had to do with war and catastrophe. Everything that the old west was known for was presented this presentation.
They will receive the present history as well as the past history from us and that will drive them to make better decisions to help their religion and there american history better.
Legends
Games, Steve Jackson. "Legends of the Old West."sjgames.com Ann Dupuis, 1991. Web. 08
May 2017.
Myths
Wong, David, Tristan Cooper, David Decker, Joe Oliveto, Ben Denny, Justin Crockett, and Chris
Radomile. "5 Ridiculous Myths Everyone Believes About the Wild West."cracked.com Ann, 1997. Web. 08 May 2017.
Cultural Research User, Super. "Home of the Wild West." The Wild West. The Western Indian, 2012. Web. 08 May
The West is a very big part of American culture, and while the myth of the West is much more enticing than the reality of the west, it is no doubt a very big part of America. We’re constantly growing up playing games surrounded by the West such as cowboys and Indians and we’re watching movies that depict the cowboy to be a romanticized hero who constantly saves dames in saloons and rides off into the sunset. However, the characters of the West weren’t the only things that helped the development of America; many inventions were a part of the development of the West and helped it flourish into a thriving community. Barbed wire, the McCormick reaper and railroads—for example—were a large part of the development in the West—from helping to define claimed land boundaries, agricultural development and competition, and even growth of the West.
McMurtry, Larry. 2005. Oh What a Slaughter: Massacres in the American West: 1846-1890. 10th Ed. New York, NY: Simon and Schuster.
The setting of the essay is Los Angeles in the 1800’s during the Wild West era, and the protagonist of the story is the brave Don Antonio. One example of LA’s Wild West portrayal is that LA has “soft, rolling, treeless hills and valleys, between which the Los Angeles River now takes its shilly-shallying course seaward, were forest slopes and meadows, with lakes great and small. This abundance of trees, with shining waters playing among them, added to the limitless bloom of the plains and the splendor of the snow-topped mountains, must have made the whole region indeed a paradise” (Jackson 2). In the 1800’s, LA is not the same developed city as today. LA is an undeveloped land with impressive scenery that provides Wild West imagery. One characteristic of the Wild West is the sheer commotion and imagery of this is provided on “the first breaking out of hostilities between California and the United States, Don Antonio took command of a company of Los Angeles volunteers to repel the intruders” (15). This sheer commotion is one of methods of Wild West imagery Jackson
PBS, n.d. Web. 17 Mar. 2014. Bowman, John Stewart, and Alvin M. Josephy, Jr. The World Almanac of the American West. New York, NY: World Almanac, 1986. Print.
The West: From Lewis and Clark and Wounded Knee: The Turbulent Story of the Settling of Frontier America.
The enduring cultural expressions of the frontier were adapted into unique narrative traditions known as the “Western”. The Western genre portrays a story of conquest, competing visions of the land, and the quintessential American frontier hero who is usually a gunfighter or a cowboy. These Western archetypes can be observed in, The Outlaw Josey Wales, a film that employs revenge motifs that lead into and extended chase across the West and touches on the social and cultural issues of the American frontier.
Miller makes clear the impact of wilderness on early American life. While the Old World mentality presented wilderness as mysterious and filled with demons, the new American nation viewed it differently. Rather than possessing a sense of fear, their belief in the divine mission to spread democracy and civilization inspired them to journey west. Accordingly, they did so with a sense of excitement and a thirst for discovery. As such, I wholeheartedly agree with Miller’s view that the early romantic images of the American landscape were expressions of a new cultural nationalism. According to Miller, these early countrymen viewed the new nation as “...a place apart, an unpeopled wilderness where history, born in nature rather than in corrupt institutions,
New Perspectives on the West. The West-Sitting Bull. PBS, 2001. Web. 21. Retrieved November 12, 2011, from http://www.pbs.org/weta/thewest/people/s_z_sittingbull.htm.
The West has always held the promise of opportunity for countless Americans. While many African Americans struggled to find the equality promised to them after the Civil War, in the West black cowboys appeared to have created some small measure of it on the range. Despite this, their absence from early historical volumes has shown that tolerance on the range did not translate into just treatment in society for them or their families.
Sanitary conditions in the West were practically non-existent. In the cities, horse manure covered the streets. Housewives emptied garbage, dishwater, and chamber pots into the middle of the city streets where free-roaming pigs devoured the waste. The pigs left their urine and feces on the streets. It was not easy to wash clothes. Many people had clothes splattered with manure, mud, sweat, and tobacco juice. Privies, or necessary houses were often to close to the homes with a very noticeable odor on hot and/or windy days. If a family had a kitchen, all the members washed at the sink each day, without soap, rubbing the dirt off with a coarse towel. Eventually, many cold bedrooms had a basin, ewer (pitcher), cup, and cupboard chamber pot. Bed bugs and fleas covered many of the travelers’ beds. “Isaac Weld saw filthy beds swarming with bugs.” These insects followed the travelers, crawling on their clothes and skin.
To many families the prospect of owning land was the central driving force that brought them to the land known today as the wild Wild West. Much propaganda wa...
In American Indian Stories, University of Nebraska Press Lincoln and London edition, the author, Zitkala-Sa, tries to tell stories that depicted life growing up on a reservation. Her stories showed how Native Americans reacted to the white man’s ways of running the land and changing the life of Indians. “Zitkala-Sa was one of the early Indian writers to record tribal legends and tales from oral tradition” (back cover) is a great way to show that the author’s stories were based upon actual events in her life as a Dakota Sioux Indian. This essay will describe and analyze Native American life as described by Zitkala-Sa’s American Indian Stories, it will relate to Native Americans and their interactions with American societies, it will discuss the major themes of the book and why the author wrote it, it will describe Native American society, its values and its beliefs and how they changed and it will show how Native Americans views other non-Natives.
The story of the American West is still being told today even though most of historic events of the Wild West happened over more than a century ago. In movies, novels, television, and more ways stories of the old west are still being retold, reenacted, and replayed to relive the events of the once so wild and untamed land of the west that so many now fantasize about. After reading about the old west and watching early westerns it is amazing how much Hollywood still glorifies the history and myth of the old west. It may not be directly obvious to every one, but if you look closely there is always a hint of the Western mentality such as honor, justice, romance, drama, and violence. The most interesting thing about the Old West is the fact that history and myth have a very close relationship together in telling the story of the West.
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.
John Ford’s classic American Western film, Stagecoach (1939) shows many examples of political life and social behavior during it’s time. The plot is about nine travelers onboard a stagecoach from Tonto, Arizona to Lordsburg, New Mexico Territory. In the beginning, the passengers of the Stagecoach are unfamiliar with each other. However, their relationships grow as they get to know each other during their journey. Each character claims a different social position.