The youngest films of the movie industry were not sheer matter of creative worth, but moderately scientific creations. At the time of the early 20th century era of making films, a cluster of scriptwriters, producers, and directors gradually transformed films into an intermediate tool for expression. A key player to the American film industry was Cecil B. Demille, an American film director and producer, known for both his renowned films in both the silent era and post silent era. DeMille is credited as being a visionary of the film industry, venturing into uncharted territories of film and pushing social norms. Prior to his career as a filmmaker, the film industry was on the verge of arriving at a new period of modernism. The old attitude among citizens that was brought on by Victorianism in the 19th century was progressively fading. The Victorian era had been comprised of, “virtues’ of sexual repression and restriction…. a code of positive morals that include[d] perseverance and an aversion to idleness; a sense of moral uniformity…self control, discipline, self-confidence, [and] self-sufficiency” (Belton 96). In other words, the era bred close-minded individuals, rigid to change and new ideas. As DeMille started his path into the movie business, he highlighted an upcoming subset of individuals and showcased the expanding diversity in the populace of America. Cecil B. DeMille influenced American film cinema to take on more diverse scripts in which the public had never seen before, through the implementation of both foreign actors and characters in his films and interwove them into his theatrical storylines.
A new edition to the course lineup, this week's film classic, Sunset Boulevard. This film will focus on the culture and environment of the Hollywood studio system that produces the kind of motion pictures that the whole world recognizes as "Hollywood movies." There have been many movies from the silent era to the present that either glamorize or vilify the culture of Hollywood, typically focusing on the celebrities (both in front of and behind the camera) who populate the "dream factories" of Hollywood. But we cannot completely understand the culture of Hollywood unless we recognize that motion pictures are big business as well as entertainment, and that Hollywood necessarily includes both creative and commercial
Florida is known for many things like its fresh oranges, its sunshine and warm climate, its beautiful beaches, its Everglades National Park, cigar factories and many more interesting things. There is also one more thing that adds on to Florida’s popularity and it is its film industry. The film industry in Florida is one of the largest in the United States. In 2006, Florida was ranked third in the U.S. for film production, after California and New York, based on revenue generated.
The stars, particularly Hollywood stars, made a huge contribution to attracting vast numbers of people to the cinema.
Hollywood is not simply a point on a map; it is a representation of the human experience. As with any other location, though, Hollywood’s history can be traced and analyzed up to present day. In 1887, Harvey Henderson Wilcox established a 120-acre ranch in an area northwest of Los Angeles, naming it “Hollywood” (Basinger 15). From then on, Hollywood grew from one man’s family to over 5,000 people in 1910. By then, residents around the ranch incorporated it as a municipality, using the name Hollywood for their village. While they voted to become part of the Los Angeles district, their village was also attracting motion-picture companies drawn in by the diverse geography of the mountains and oceanside (15). The Los Angeles area continues to flourish, now containing over nine million people, an overwhelming statistic compared to Wilcox’s original, family unit (U.S. Census Bureau 1). However, these facts only s...
Since the California dream was aided so much by the impact of what Hollywood was doing, it only seems necessary, for the images of Hollywood to determine the mental state of America. In the heart of the dream in Hollywood, the films that were being produced by studios, exhibited a less than satisfactory representation of moral ideals. In this, while the California dream offered a sense of hope to Americans, the way in which it operated was far from the ideal scenario. At this time a shift was occurring from the once idolized images of the flapper, jazz, and gangsters, as more and more people began to question the validity behind the images. In 1921, scandals includi...
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
Before World War I, films were being made mostly European countries and in Japan. When the war interrupted European filmmaking, however, the American film industry began to dominate the world market. In the years between 1917 and 1927 the silent film reached the peak of its development. United States had the largest film industry and American films dominated the international market.
Thomas Schatz cites the 1950’s as the inevitable end of the Hollywood film studio system, with the signs appearing as early as the height of the second World War (472). However, the seeds of discontent and disintegration within the system were apparent as soon as the late 1930’s, exemplified in such films as Destry Rides Again (1939, George Marshall) and Mr. Smith Goes To Washington (1939, Frank Capra). The production of these two films and the paths down which they led their star (James Stewart), directors (at least Frank Capra), and studios (Universal and Columbia, respectively) are evidence of the decline of the studio system. The haphazard production of Destry Rides Again and its subsequent success (financially, but not as an enduring classic film) are indicative of a system eating itself alive: so intent on the production of film after film made with almost the same crews and casts that lasting meaning had been all but completely forgotten in favor of financial success and power within the system. This also demonstrates the decline of the fascist executive order of the studios in favor of the hard work and devotion of those directly involved on the film set as well as the increasingly important role of the talent agent as the intermediary between the talent and the studios. Frank Capra’s eventually freelance auteurship, in the wake of David O. Selznick and his “independent” film productions, particularly evident in the production of Mr. Smith Goes To Washington, was a notable indicator of the studios’ impending loss of power (Schatz 407). These and other independent and freelance artists (such as Alfred Hitchcock and Fritz Lang)...
Sunset Boulevard directed by Billy Wilder in 1950 is based on how Norma Desmond, a huge Hollywood star, deals with her fall from fame. The film explores the fantasy world in which Norma is living in and the complex relationship between her and small time writer Joe Gillis, which leads to his death. Sunset Boulevard is seen as lifting the ‘face’ of the Hollywood Studio System to reveal the truth behind the organisation. During the time the film was released in the 1950s and 60s, audiences started to see the demise of Hollywood as cinema going began to decline and the fierce competition of television almost proved too much for the well established system. Throughout this essay I will discuss how Sunset Boulevard represents the Hollywood Studio System, as well as exploring post war literature giving reasons as to why the system began to crumble.