American Exceptionlism is basically the idea that we are different then other countries in the world. Which I believe is false because the U.S has these rules but there not really writing down rules there just like norms that American should have. There are certain attributes that a American should have there are things you should know as a American. Now what am I talking about it could be many things such as knowing who the president is in the big chair in D.C or having a huge truck that can drive up heels. Having the U.S flag out on Memorial Day. So many things can be things that make American. What I want to solely focus on is the idea that country music is what it is to be an American and accepted in the U.S. Now I know for myself I am not a big country music fan. I know the normal country music singers such as Kenny Chesney, Tim McGraw, Keith Urban, Rascal Flats and etc. Country music I believe is what makes an America America. Now back in the 19 century days being an American was being white and having property and being male. (Foner,) Now when you compare country music to that, most country singers are male and white. And to be a country singer it’s only right if you have large sums of land to own with a big house on it. It’s funny how these two ideas relate to each other in two different centuries. Being male and white can really get you ahead in society. Its idea that isn’t right but it’s the reality of our country. Country music sets the standards on what an American should be life. If you ever google country music the definition of it would say something like an American popular music in the south. (Definition) Key word in the definition AMERICAN and also fiddles. Now all they had in the 1700’s was fiddles to play whe... ... middle of paper ... ...c shouldn’t be seen as what America is like cause it’s not. The U.S is supposed to be the great American melting pot with diverse people and music and jobs and lives and homes and lifestyles. But no one is expressing this cause being different isn’t welcome and that it might be suspicious to other people because you are not doing what they’re doing. References Yahoo. (December 6, 2006). Country Music and Hip Hop: They're Not so Different After All. Retrieved from http://voices.yahoo.com/country-music-hip-hop-they-re-not-so-different- 127930.html?cat=33 D. (November 28, 2013). American Exceptionlism will fail the republic will fail and black men will succeed. Retrieved from http://hiphopandpolitics.com/2013/11/28/today-american- exceptionalism-will-fail-black-men-will-succeed/ Dictionary. Country music. http://dictionary.reference.com/browse/country+music
Country music is “a branch of American Popular Music (Country Music)” that dates back to the 1920s. The music itself is a combination of folk music arising from the southern United States, with “cowboy” music from the Wild West. The beats, the harmony, and the flow are generally simple and allow for listening at ease. Lyrical analysis separates country music from mixing with other categories, as it is associated with ballads and stories – the songs are fit to tell. Any and all accompaniment is, in general, strings, fiddles, and harmonica. While modern music balances the artist with digital sound, country music remains true with unity of said instruments. When describing country, upon interpretation the term “twang” is used; twang can range
Thesis Statement: Originating in the 1920s, country music developed four distinct generations and it reflected American’s lives and values.
Times have changed, and along with the times so has country music. American country music lovers have went from Loretta Lynn and Waylon Jennings, just two of the many classic oldies, to Carrie Underwood and Luke Bryan, two very appealing country music artists. However, it is not only the tune of the music that has changed, it is the image, the appeal, and overall the type of icons the media is portraying these modern music stars as. Icons such as Lynn and Jennings had identifiable features within their music as well as their appearance that spoke sweet southern belle and rugged twang. Whereas Underwood’s and Bryan’s appeal now is much more sexualized than it was during the oldies. These changes affect the way modern day singers are marketed compared to former country music stars, instead of focusing on talent it is now looks.
At the end of the day, racism and prejudice will always exist in some form for whatever reason is most convenient. Additionally, it’s not as if fans of country music are all raging bigots who dream of segregation and a return to slavery-driven southern values. After all, there are plenty of ‘southern pride’ songs that don’t feature race, nativism, and are beloved by most without an ulterior message that is appreciated by Stormfront. After all, Lynyrd Skynyrd’s Sweet Home Alabama features anti-segregation lyrics. Charlie Daniels Band wrote and performed The Devil Went Down to Georgia, lyrically referencing the south as far as Georgia by name alone. Yet both of these are hailed as quintessentially southern pride songs, meaning that southern pride isn’t the same as white pride. The reason the comparison matters, then, is because there is a significant overlap between the two. It is certainly possible to enjoy country music without wishing for a return to Aryan values, and the majority of country music doesn’t advocate it. But enough popular songs feature nativism as a theme to the point that it shouldn’t be ignored. There is a tangible connection between Southern Pride and nativism through music, and a definite connection between nativism and the White Pride movement. Music connects people and spreads ideas; culturally relevant music tends to stay around for a lifetime. Music has power, and the power of hate music is not one that should be
The difference between Americans today and way back when is very different. Johnny Cash and Luke Bryan are both very great men that achieved great things. They are very similar but are also very different. From the 1920s to now, country music has changed drastically from singing about love to having fun and partying, and this shows how different things were important as a whole.
Country music originated in the Appalachian mountains of the Southern United States and has traditional folk roots that date from the early 20th century. The commercial history of country music began in the Southern United States in the 1920’s, during a ‘period of intense modernization’ (Ellison, 1995). It wasn’t until this time that country was considered a viable music genre. It was first identified as ‘hillbilly’ music in 1925 and later became known officially as ‘country’ by its designation on the Billboard Music charts (Shmoop, 2014). Widely considered the ‘Mother Church’ of country, the Grand Ole Opry in Nashville became the home of many emerging and already established artists (Tichi, 1994:21). Coupled with the rise of radio and barn dance programs, country’s popularity increased greatly. Ellison (1995) describes country’s evolution from ‘rustic radio programs’ to a genre with an ‘extensive national network of fans unparalled in other forms of popular music’. During the 1930’s, the Great Depression assisted in the spread of country music throughout the US, with many poor unemployed Southerners migrating north, t...
...ericans can be something, but it does not mean that all Americans are constituent of that same description. It is not fair to generalize when talking about a culture because even if it is not the intention, we can be prejudging a whole country by the actions of few. Anyhow, I do believe that Americans, in the most, show characteristics like their beliefs in a greater being and the praise of others, which make them unique and different. As in any other culture, some people do not care about religion or spirituality and do not even know who are the people that receive honors. In the same way that we cannot talk simplistic, we cannot refer either to a culture too specifically. Anywise, I have described what I think was the perception of the author when she went to a baseball game and had contact with American culture in American ground for the first time in her life.
Country is definitely not my first choice. I really don't like how the country singers all have the same voice style. They sound the exact same. Also, a lot of country songs are all about the same topic. With that and the voices sounding alike, it really makes the songs sound like they are constantly on repeat. The tempos are usually slow and not upbeat. That doesn't make me feel happy like the hip-hop songs do.
The term class consciousness, like any term which attempts to define group mentality, is somewhat imprecise. This lack of precision, of course, lends itself to the provocation of scholarly dispute. Historians of the labor movement in the United States have written volumes about both the meaning of class consciousness and the question of whether American workers possess it, however defined. While there are some demurs, most historians, including the non-Marxists, have accepted a Marxist interpretation of the term "class consciousness."1 Generally, Marxists insist that class consciousness is composed of two elements, a recognition by a particular group that they occupy a common, usually inferior, position within a society, and a commitment to changing that position through some type of political activity. "Class consciousness," according to an oft-cited definition by the English Marxist historian E.P. Thompson, "happens when some men, as a result of common experiences (inherited or shared) feel and articulate the identity of their interests as between themselves, and as against other men whose interests are different from (and usually opposed to) theirs. The class experience is largely determined by the productive relations into which men are born or enter voluntarily.2
The major ways in which these two articles, “I 'm Dying Here," in Jefferson Cowie 's Stayin ' Alive and Southern Rock Musicians ' Construction of White Trash, address the development of “Redneck” culture is through how the media and other social classes portray them and secondly how they as in poor white men in the south embrace and glorify the meaning of redneck and of their culture. These men are labeled as stupid and lazy drunks who are not educated very well, who are unemployed, violent, and racists. They get labeled hillbilly, white trash, and redneck but these men this group of people glorify themselves. Through music they embrace what they are called and even do what everyone is perpetually mocking them for being like. They use propaganda to help them glorify this culture, the use of the confederate flag is the most important and most prominent piece of propaganda used by this culture. This flag symbolizes more than a past way of life but man
Rock and Roll was the start of a new revolution in America. It introduced the world to many of the famous artists that continue to be a part of our lives today. "Artists who became popular in the 1950s such as Elvis, began to pave the way for others such as Jerry Lee Lewis and Buddy Holly" (The History of Rock 'n' Roll until 1960). With the introduction of rock 'n' roll, there came many new changes to the lives of many Americans. Rock and Roll was a major contributor for the change in teens' behavior in the 1950s because it encouraged new freedoms for teenagers, encouraged new fads among teenagers, and caused a generation gap.
Of all musical genres country music is perhaps the one most influenced by a male presence. Country music is often associated with the classic cowboy strumming a guitar around a campfire or riding his horse with a guitar strapped to his back. Even the politics of country music is inclined towards a male-dominated, republican, conservative, pro-war stance (Spong 184). The stereotypical women of country music “behave properly” and passively follow the same values as men do. Therefore, in 2003 when the Dixie Chicks, a three member all female country music band, became the top selling female group of all time it was quite an accomplishment. Their success began in 1997 with an image that embraced their versatility. Martie Maguire and Emily Robison, who are sisters, played fiddle and banjo and provided background vocals to lead vocalist Natalie Maines, gifted with a strong, clear voice. Maines stood out from the others with her forceful stage presence. They wore feminine, bling infused, non-countrified outfits. They were pretty to look at and kind of goofy in demeanor (129). The kind of young women fans could imagine having a lot of fun with, but also the kind that young women could identify with through their music. Songs like “Goodbye Earl” described a strong woman who has had enough of her abusive husband and ends up killing him. However, the band delivered it in a style that was far from morose. It sent a clear message of girl power for many women (129). Many accolades followed from the Academy of Country Music and the Country Music Association (CMA) which included Entertainer of the Year, Top Vocal Group, and album of the Year (Towner 293). During the first five years of their career they sold 28 million copies of the three records...
Country music was brought over by the first European settlers. In medieval times, storytelling was a tradition that allowed history to be recorded when few were able to read and write. When the first British settlers came to America, they brought this tradition with them, along with songs that they had learned in Europe. The people who settled the Appalachian Mountains and the West did not have an easy life and their music gave them an outlet to express their hardships.
According to The Nashville Sound, markers that include “rural origins, stylized sets, seemingly spontaneous performance, accessible performers, and heartfelt songs can characterize country music’s authenticity” (13). The foundations of what country music has originated from are incorporated within these markers and are used to separate the real from the fake. Early country music was a means of coping with a life of work and worries; it also brought communities of the impoverished together in fellowship. The establishment of these markers glimpses into the culture and realities of many country music artists before their fame. Take for instance a family sitting huddled together on a porch on a cool summer evening listening to a family member play the banjo while another sings along. Everyone is enjoying and living in that moment and all worries are far from mind. Country music made people feel at ease and comfortable, it brought people back to their memories of the good old days. This is the way country music sh...
Roy, W. (2010). Reds, whites, and blues social movements, folk music, and race in the United States. Princeton: Princeton University Press.