Ambition By Moonlight - Original Writing
The wind howled through Francis' mass of tatty black hair, that looked
like a bird's nest, making it stream out behind him. He found it hard
to keep his balance walking against the wind; it was like it was
trying to lift him up and wisp him off, back to his warm welcoming
house where he should be at this very moment. The long, thick grass
was covered in frost; it looked like someone had sprinkled a thin
layer of salt crystals across the field. It crunched under his feet,
making Francis cringe, as he cautiously moved onwards, head bowed
against the wind. He could feel the cold, deep down in his bones,
despite wearing his thick trousers and fur coat. Suddenly he saw the
last bit of the light from the village disappear in some shadows,
Francis stopped abruptly and looked up slowly. First of all he noticed
the old wooden signpost with its writing barely legible, craning his
neck further he saw the mass of bare branches from the towering trees
of the wood. The branches looked like frail hands and seemed to be
trying to snatch him to haul him into the woods
Francis was frozen in his step, transfixed by the woods in front of
him, even though he could only see the very edge of the woods it still
frightened him and made him jump at the slightest sound. Then all of a
sudden the moon appeared bright in the sky from behind the clouds that
appeared to have been swept aside by a large hand. It hung in the sky
like bricks, lighting the field like a vast beacon. It was then
Francis could have sworn he saw a small figure like that of a child,
watching him, and appearing strangely familiar but he couldn't put his
finger on whom it could be. Yet as quickly as he had seen it, it
vanished, Francis shook his head telling himself he was just seeing
things.
Francis started to edge towards the woods, but just before he entered
In the play And When We Awoke There Was Light and Light by Laura Jacqmin, she analyzes the ethical issues revolving around service in America. The main character Katie, struggles with this common ethical issue just like all other Americans when making a life decision that challenges one’s morals. Katie struggles with conflicting messages about service, not being fully committed to helping David, her pen pal from Uganda and then realizing in the end that David is more important than Harvard.
Sexuality is very diverse, in some instances normality is based on the cultural context of the individual 's society. In "The other side of desire" by Daniel Bergner, the author goes in depth into the lives of four individual 's whose lust and longing have led them far down the realms of desire. The current paper addresses the four individual 's Jacob, the Baroness, Roy, and Ron each exhibits a paraphilia that may or may not meet the full criteria in the DSM-5. Furthermore, each person’s specific paraphilia is conceptualized and explained in depth. Countertransferential issues anticipated before working with these individuals is analyzed and clarified. Also, the apprehension of sexual arousal and sexual behaviors is conceptualized into normality
the distance. His first thought was that it was a plane that had crashed in the
Love has many definitions and can be interpreted in many different ways. William Maxwell demonstrates this in his story “Love”. Maxwell opens up his story with a positive outlook on “Love” by saying, “Miss Vera Brown, she wrote on the blackboard, letter by letter in flawlessly oval palmer method. Our teacher for fifth grade. The name might as well have been graven in stone” (1). By the end of the story, the students “love” for their teachers no longer has a positive meaning, because of a turn in events that leads to a tragic ending. One could claim that throughout the story, Maxwell uses short descriptive sentences with added details that foreshadow the tragic ending.
then saw an eagle flying east. Then he had to begin his journey. He then goes to
Kate Chopin’s “The Story of an Hour” tries to shed light on the conflict between women and a society that assign gender roles using a patriarchal approach. Specifically Margaret Bauer highlights, that most of Chopin’s works revolves around exploring the “dynamic interrelation between women and men, women and patriarchy, even women and women” (146). Similarly, in “The Story of an Hour” Chopin depicts a society that oppresses women mostly through the institution of marriage, as women are expected to remain submissive regardless of whether they derive any happiness. The question of divorce is not welcome, and it is tragic that freedom of women can only be realized through death. According to Bauer, the society depicted in Chopin’s story judged women harshly as it expected women to play their domestic roles without question, while on the other hand men were free to follow their dream and impose their will on their wives (149).
Sam Woods is a very important character in the novel In the Heat of the Night. He is a racist, and throughout the novel you will notice many changes in his attitude towards Negros.
3. Chapter 1, page 5, #3: “Moving through the soaked, coarse grass I began to examine each one closely, and finally identified the tree I was looking for by means of certain small scars rising along its trunk, and by a limb extending over the river, and another thinner limb growing near it.
In the poem pride, Dahlia Ravikovitch uses many poetic devices. She uses an analogy for the poem as a whole, and a few metaphors inside it, such as, “the rock has an open wound.” Ravikovitch also uses personification multiple times, for example: “Years pass over them as they wait.” and, “the seaweed whips around, the sea bursts forth and rolls back--” Ravikovitch also uses inclusive language such as when she says: “I’m telling you,” and “I told you.” She uses these phrases to make the reader feel apart of the poem, and to draw the reader in. She also uses repetition, for example, repetition of the word years.
The man thought that it would be best just to run from the figure and get out of the forest as soon as possible, but the more the man ran the more he saw the figure, it was as if there were many of them wherever he looked, the man started to slow down to pull out his camera and flashlight, just to record if anything bad happened and anybody need to find him.
In his novel The Hours, Michael Cunningham creates a dazzling fabric of queer references managing to intertwine the lives of three different women into one smooth narrative. In this essay, I will discuss what makes The Hours queer literature, how the novel has contributed to the queer genre, the cultural significance of the novel, and I will discuss several points made in Jeanette McVicker’s critical article “Gaps and Absences in The Hours.” My aim, however, is not to say that Michael Cunningham’s The Hours is strictly a queer novel, but to highlight what makes the novel queer and to discuss Cunningham’s idea of sexual orientation as a fluid entity.
In the novel, Darkness at Noon, by Koestler, Rubashov learns about himself, and makes an effort to cross the hazy lines between his conscience and his beliefs. Rubashov's realization of the individual aspect of morality is a gradual process, satisfying his internal arguments and questions of guilt. His confession to Gletkin reflects the logic that Rubashov had used (both by himself and his political regime), as well as his internal conflicts. He questioned the inferior value of the human, in respect to the priceless value of humanity. Rubashov's ideas on communism, he found, were blurred by his dedication to the Soviet revolutionaries, and ordeal that compromised his life to solve. In many ways, Rubashov was an antagonist to himself. One way Rubashov defeated his goal was by giving in to suit others. "The Party denied the free will of the individual - and at the same time it exacted his willing self-sacrifice… There was somewhere an error in the calculation; the equation did not work out."(204) Rubashov's confession implies a submission of his personal ego to a larger purpose, and he questions himself as to whether it is worth it. His ideals were not his own, but rather the ideals that the communist revolutionaries forced him to have. Rubashov was a man who thinks extremely logical in every situation; he follows every idea "…down to its final consequence."(80) He is an elite intellectual, but even as Ivanov and Gletkin question his line of thinking, Rubashov constantly asks himself the same questions. He justifies his rational by reminding himself that he is working for a more perfect society, no matter what the cost. As stated in the first partition of his confession, he heard only ...
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity. Through her juxtaposition, she undermines the stereotypes that continue to characterize Africa as backwards and traditional, proving instead that colonialism has produced a cross culture where the two are intertwined.
The short story, “Unlighted Lamps,” by author Sherwood Anderson is about a relationship between a father and his daughter. Their relationship is a stressful one because neither of them talk to each other, nor show their emotions. Throughout the story, you find out why their relationship is the way that it is, and why it is hard for her father to talk to her. The unlighted lamps in the story represent flashbacks of memories wherever light dances across something.
“Marlowe’s biographers often portray him as a dangerously over–ambitious individual. Explore ways this aspect of Marlowe’s personality is reflected in ‘Dr. Faustus.’ ”