Alvin Ailey Revelations Essay

Carolina Braga

Steven Mihalik

ENG 160-16

February 9th, 2015

Celebrating the 55th Anniversary of Revelations: Review for Dance Magazine Revelations may have first been performed in the 1960s, but it is far from outdated. 55 years later, Revelations is still significant and impactful in the world of dance. More than just a popular dance piece, Revelations has become a cultural treasure. It is the signature choreographic work of the Alvin Ailey Dance Theater, and it was first performed in New York City on January 31st, 1960. In a time when America was gradually becoming ethnically diverse, Alvin Ailey played a vital role in carrying this progression into the dance world. Ailey uses Revelations to tell the story of African-Americans from slavery

The sadness and seriousness of the dance is expressed by the color tones in the costumes and lighting. The whole scheme is dark and neutral; there is no color throughout the whole piece. The lighting the entire time is very dim. The background is completely black and a very dim light is shined on the dancers when they are dancing. This makes the tone very somber, and when paired with the music and costumes, really makes the entire mood of the dance come together. The costumes are very plain and simple. They are sleeveless tank tops and gaucho pants for the men, and a plain long brown dress for the girls. It should also be noted that they are barefoot, and have no accessories on. The choice of these costumes sets a realistic backdrop. Additionally, these costumes demonstrate their lack of individuality and freedom since they are all wearing identical

The dancers begin in unison in a large clump. They dance together with slow movements; reaching up with their arms straight and palms open. It is to be noted that when they stretch their arms up, they tilt their head and look up as well. Throughout the piece the dancers repeat this movement, which represents reaching and praying to God. The dancers are constantly reaching up, embodying their despair and their yearning for help. As the dance progresses, the dancers repeatedly break out of the clump in the center and do different movements and their own sequences. After this, they always go back to their clump and do synchronized movement. Their constant breaking away from the group symbolizes their continual want to be free, as well as their persistency. On the other hand, their constant going back to the group shows how African-Americans will always be joined together by their culture, prayer, and hardships. Additionally during the piece, multiple dancers will run up to another dancer and jump or hold onto them, and then they do a couple of movements together. This shows how they are reliant and dependent on each other, and how they need each other throughout their suffering. Lastly, Much of the movement in this section possesses the downward energy characteristic of African dance, which symbolizes a connection to the earth. The choices Ailey made choreographically communicates all