The Chrysanthemums central conflict has to do with Mrs. Allen’s self-esteem. She feels under appreciated as a women. The hard work she puts into her garden is not admired as much as the work her husband puts into the sale of the cattle. In this story Elissa Allen is approached by a traveler in his wagon offering to fix pots, pans, or sharpen her knives. He is very determined to try and get her to offer him work but she firmly continues to say no. The traveler begins to talk to her about her chrysanthemums which makes her happy and makes her feel good about herself, so she ends up giving him work. As Elissa and her husband ride into town for dinner she notices her flowers left on the side of the road, and then realizes that he was just trying
Her care for her plant is similar to her care for her children, both unconditional and unending despite the less-than-perfect “garden” that it is in (their house). A theme at the beginning of the play is the value and importance of dreams. Each person in that house has a goal that they want to reach but is delayed in the process of achieving it: from Mama’s big house and lawn in the suburbs, to Beneatha’s dream of medicine, to Walter’s liquor store, which in fact he never stops thinking about (no matter how hard Mama’s disapproves).... ... middle of paper ...
Chrysanthemums was painted in the middle years of Renoir’s career. It is a vibrant portrayal of a vase of chrysanthemums in a vase on a table, with a simple, yet poignant background. Although in today in France, chrysanthemums may symbolize bereavement and death 4, Renoir’s depiction is of a flourishing plant, teeming with life and activity. Renoir employs a cooler palate in this work; Blue greens and cool reds are used to create shadows, depth, and contrast to the painting which help to engage the viewer. The flowers sit comfortably in a vase on what appears to be a patterned white table cloth draped loosely over a small circular table. This painting is an excellent example of Renoir’s artistic style; His favor o...
The two short stories have different characters, plot and setting and yet they have a common ground in which human beings are deeply involved. In short, the setting of each work powerfully suggests a rather calm, dull and peaceful mood at a superficial level; however, the main characters are struggling from the uncontrollable passions and exploding desire at heart. First of all, in "The Chrysanthemums" the Salinas Valley is depicted as somewhat dull, like "a closed pot." In addition, its geographical setting represents an isolated atmosphere, and, furthermore, Elisa's actions of handling chrysanthemums can be translated into a static, inactive one. However, when it comes to her concealed passion, the whole picture in this piece can be interpreted in a different way. In fact, Elisa is portrayed as "over-eager, over-powerful" in a sharp contrast to the unanimated space in which she lives. On top of that, Elisa expresses her volition to explore uncharted worlds like the peddler who happens to visit her farm house. Also, it must be noted that, even though Elisa does not reveal her desire openly largely due to the authoritative patriarchal system, Elisa's interior motive is directed toward the violent, bloody prizefights. In other words, the imbalance between the relatively restricted setting and Elisa's vaulting desire to wander into the unknown territory is chiefly designed to strengthen the overall imagery of Elisa, whose drive to experience the violent outer world. At the same time, it can be inferred that appearance (setting) and reality (Elisa's human nature) are hard to understand.
Renner, Stanley. “The Real Woman Inside the Fence in ‘The Chrysanthemums’.” Modern Fiction Studies. Vol. 31. No.2. (Summer 1985). 305-317. print; reprinted in Short Story Criticisms. Vol.37. eds. Anja Barnard and Anna Sheets Nesbitt (Farmington Hills: The Gale Group, 2000). 333-339. print.
John Steinbeck's "The Chrysanthemums" shows the true feelings of the main character, Elisa Allen, through the use of setting and her interactions with other characters in the story. By way of vivid descriptions, Elisa's feelings of dissatisfaction over the lack of excitement in her life are portrayed. Her role as a mere housewife and then the subsequent change to feelings of a self-assured woman are clearly seen. These inner feelings are most apparent with the portrayal of Elisa working in the garden with the chrysanthemums, the conversation she has with the man passing through, and finally, when she and her husband are going out to dinner.
Eugenia Collier’s “Marigolds” is a memoir of a colored girl living in the Great Depression. The story does not focus on the troubles society presents to the narrator (Elizabeth), but rather is focused on the conflict within her. Collier uses marigolds to show that the changes from childhood to adulthood cause fear in Elizabeth, which is the enemy of compassion and hope.
In the short story “The Chrysanthemums” John Steinbeck uses symbolism to reflect the characteristics of his main character Elisa Allen. Elisa, a married woman uncovers her deeply smothered femininity in an inconspicuous sense. Her life in the valley had become limited to housewife duties and the only sustenance that seemed to exist could merely be found in her chrysanthemum garden. Not until she becomes encountered with a remote tinker-man out and about seeking for work, does she begin to reach many of the internal emotions that had long inhibited her femininity. The tinker subtlety engages an interest in Elisa’s chrysanthemum garden that encourages Elisa to react radically. When Elisa realizes that there are other ways to live she attempts to lift the lid off of the Salinas Valley, but unfortunately the tinker’s insincere actions resort Elisa back to her old self and leaves Elisa without any optimism for her hollow breakthrough. Steinbeck’s somber details of the setting, strong description of the chrysanthemums and meaningful illustration of the red flower-pot reveal the distant, natural, ambitions Elisa Allen desired to attain.
Many readers who analyze Steinbeck's short story, "The Chrysanthemums", feel Elisa's flowers represent her repressed sexuality, and her anger and resentment towards men. Some even push the symbolism of the flowers, and Elisa's masculine actions, to suggest she is unable to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fulfill her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisa's chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from "The Chrysanthemums" will be given in an attempt to illustrate that Elisa's character qualities, and gardening skills, are the survival traits she's adopted in order to survive, and keep her femininity and vulnerability in a man's world.
All of this insight and analysis of the meaning behind Elisa's chrysanthemums is what opens up the undisclosed doors of this story. If one did not look further into the story, it would seem as if the author was providing a bunch of unnecessary pieces of information about a specific day in the life of Elisa Allen. The chrysanthemums, being the key to the story, give a more in-depth understanding of this woman's life and her struggles that would otherwise not be acknowledged.
How does one compare the life of women to men in late nineteenth century to mid-twentieth century America? In this time the rights of women were progressing in the United States and there were two important authors, Kate Chopin and John Steinbeck. These authors may have shown the readers a glimpse of the inner sentiments of women in that time. They both wrote a fictitious story about women’s restraints by a masculine driven society that may have some realism to what women’s inequities may have been. The trials of the protagonists in both narratives are distinctive in many ways, only similar when it totals the macho goaded culture of that time. Even so, In Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing we hold two unlike fictional characters in two very different short stories similar to Elisa Allen in the “Chrysanthemums” and Mrs. Louise Mallard in “The Story of an Hour”, that have unusual struggles that came from the same sort of antagonist.
Relationships between people are important to maintain. During one’s lifetime, these relationships will change for the better or worse. In the novel, Flowers for Algernon, the author, Daniel Keyes, presents a change in the main character’s relationship with many people. Charlie Gordon, a 32 years old man who is mentally disabled takes the risk of undergoing a surgery that will make him intelligent. As Charlie’s intelligence increases, he finds out a lot about himself and becomes a different person. He learns the meaning of love, and experiences this newfound feeling with Alice Kinnian. Charlie’s teacher at Beekman College for Retarded Adults, Miss Kinnian, is one of the only people who is concerned and genuinely cares about him. When they part
The story written by John Steinbeck called “The Chrysanthemums” could be named “The Story of an Afternoon” because of the time range it took the tragedy to occur is around the time of a few hours. John Steinbeck’s “The Chrysanthemums” is similar to Kate Chopin’s “The Story of an Hour” in the sense of tragic, irony, happening to women in a small amount of time. In both stories women are bamboozled by men, they become misguided and gain a desire. Aiming to achieve the desire causes them to see a false reality and in ruination.
Jackson, Shirley. "Flower Garden." Introduction to Literature: Reading, Analyzing, and Writing. 2nd ed. Ed. Dorothy U.Seyler and Richard A. Wilan. Englewood Cliffs: Prentice, 1990.
The drifter feigns great interest in Elisa’s chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him "if you ever come across some nice chrysanthemums I wish you’d try to get me a few seeds" (paragraph 56).
The main conflict in “The Flowers” is the clash between ignorance and experience. At the beginning of the story, Myop is portrayed as a naïve and innocent child who was unaware of racial discrimination. Her ignorance was demonstrated when she went outdoors from her house to the smokehouse, singing: “She was ten, and nothing existed for her but her song…and the tat-de-ta-ta-ta of accompaniment.” (Walker) This childish behaviour of Myop’s forced her to close her eyes from viewing the previous reality of her race. However, after she had noticed the lynched man on her way home, her innocence dissipated and she began to realize the agony and tortures that African-Americans underwent in the past. Myop’s transformation in personality was displayed