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All the Pretty Horses by Cormac McCarthy may seem like an ordinary tale of a young man and his heroic Western journey but in reality, it is a complex web of the actions and reactions of characters, specifically the actions of the women in John Grady Cole’s life and his reactions to them. His actions can be directly tied to a decision that one of the female characters in the story has made. Their roles directly affected the path he took throughout the story, suggesting that this is not just a coincidence but moreover a correlating sequence of events. As a Western novel, the plot development that women principally dictate John Grady’s fate is unusual, yet important to his character and the story’s events.
This pattern is first present with his mother, Mrs. Cole, who abandons him when he is very young. She left to follow her dreams but in doing so she also ruined her relationship with her son. In result, John Grady grew up estranged from both her and a father that wished to have little to do with him. When she returned to sell the family ranch after John Grady’s grandfather died, she took away the last thing he truly wanted. He only wanted a place that was his home; a normal, constant dream. His mother sold the ranch without consideration for her son’s well-being, happiness, or opinion. Her decisions spurred his adventure with his best friend, Lacy Rawlins, into the countryside of Mexico. Once on the road, John Grady goes to see her act in a play in San Antonio. There he also sees her with a well-off man in a hotel, thus implying that she had taken a lover since divorcing his father. She has a tense relationship with her son that started his behavior in the direction it has now taken.
As their trek continues further into the count...
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...en of All the Pretty Horses dictated how the story’s plot. It is extremely worth noting how John’s fate is twisted as a result of the women he encounters. His mother prevents him from running the ranch of his dreams and causes him to runaway to Mexico. Alejandra practically sends him to jail when she tells her father about their love affair and breaks his when she chooses her family over him. Alfonsa pays for John and Rawlins to be released from prison, but also ruins any chance he had of resuming his relationship with her grandniece. While these women forged John’s life, Maria, Luisa, and Abuela cannot be forgotten as the supporting female characters. McCarthy wrote this as an interesting plot twist that was very uncommon in any Western cowboy story. The female characters were meant to challenge John in a way the men of a traditional Western tale are never able to.
McCarthy’s plot is built around a teenage boy, John Grady, who has great passion for a cowboy life. At the age of seventeen he begins to depict himself as a unique individual who is ambitious to fulfill his dream life – the life of free will, under the sun and starlit nights. Unfortunately, his ambition is at odds with the societal etiquettes. He initiates his adventurous life in his homeland when he futilely endeavors to seize his grandfather’s legacy - the ranch. John Grady fails to appreciate a naked truth that, society plays a big role in his life than he could have possibly imagined. His own mother is the first one to strive to dictate his life. “Anyway you’re sixteen years old, you can’t run the ranch…you are being ridiculers. You have to go to school” she said, wiping out any hopes of him owning the ranch (p.15). Undoubtedly Grady is being restrained to explore his dreams, as the world around him intuitively assumes that he ought to tag along the c...
Cormac McCarthy’s novel All The Pretty Horses depicts the constant search for justice in a world plagued with injustice. John Grady, while never given the justice owed to him, never gives up on his search for a place wherein he can find justice. Through John Grady’s experiences we can more clearly view the idea that, even though you may never find justice in the world sometimes it’s more important to focus on your quest for justice than your outcome.
At the same time, the author makes clear the harsh realities and disappointments of John Grady’s chosen way of life. When John Grady leaves Texas at the age of 16, he seems to have a plan. He wants to become a cowboy and have a close relationship with nature. John Grady’s character is hopelessly romantic; he takes action without caring about repercussions. In All the Pretty Horses, John Grady falls in love with people or things that are unable to love him back at the same level.
The times are changing and he's unwilling to give up the past. The world is becoming modernized and people like him, cowboys and ranchers, are slowly disappearing. He runs away from home because he desires to find peace within himself as well as a place where he can feel he belongs. Here begins the adventure of John Grady and his best friend Lacey Rawlins. It is important to note here the means of travel. The story is taking place after World War II, a time when cars are fairly common, yet these boys decide to go on horseback, like in the fading old days. This is just another concept of how they are unwilling to give up a fading past. When they first begin their journey, the boys are having a good time. In a sense they?re two buddies on a road trip with no real motive. Rawlins even mentions, ?You know what?I could get used to this life.? Then they meet Blevins, the foil in the plot that veers the two boys of their course and also has plays a role in the lasting change of their personality. Their meeting with him gives an insight into Grady?s character. Rawlins is against letting Blevins come along with them, but because of John?s kind nature he ends up allowing Blevins to come. It?s because of this kindness and sense of morality, he gets into trouble later on.
Actions are valued more than words, silence is an acceptable form of communication, manliness is next to godliness, and respect and loyalty are key. These are a few guidelines that belong to the infamous cowboy code John Grady lives up to in “All the Pretty Horses”. According to critic Jane Tompkins, the code consists of "self-discipline; unswerving purpose; the exercise of knowledge, skill, ingenuity, and excellent judgment; and a capacity to continue in the face of total exhaustion and overwhelming odds.”
Horses are the most noticeable symbol in the whole book. Horses are a necessity to the boys. The horses are political and economic assets to Grady, Rawlins and Blevins. Specifically for John Grady, horses are more important to him than humans. He constantly dreams of him running with horses and always
Many of the short stories within the collection The Things They Carried, written by Tim O’Brien, can be compared and contrasted in regards to elements including theme, characters, and technique. In “Sweetheart of the Song Tra Bong,” the character Mary Anne Bell appears to be apparently similar to the character Martha from “The Things They Carried,” in that both are young women who have relations with a soldier in the war. Though upon further analysis of Mary Anne, it appears she is far from alike to Martha. Rather, an unexpected parallel can be drawn between the characters Mary Anne and Elroy Berdahl, from “On the Rainy River,” in that both appear to be epitomes of masculinity. The peculiar connection between these characters developed by Tim O’Brien shines a light on the ambiguity of conventional gender roles of men and women.
Whilst there has been countless attacks on the Native American people the Battle of Wounded Knee, if you can in fact call it a battle, is the event that can be held as the most accountable for the destruction of the native American culture; the obliteration of their hope and dreams. The Battle of Wounded Knee resulted in the death of three hundred Native Americans, half of which were women and children. White Plume, in the article In the Spirit of Crazy Horse, explains that “the whole Sioux Nation was wounded at that last terrible massacre, and we’ve been suffering ever since”. This sentiment is expressed throughout the remaining article as well as in Sherman Alexie’s Reservation Blues.
For readers who observe literature through a feminist lens, they will notice the depiction of female characters, and this makes a large statement on the author’s perception of feminism. Through portraying these women as specific female archetypes, the author creates sense of what roles women play in both their families and in society. In books such as The Grapes of Wrath by John Steinbeck and The Great Gatsby by F. Scott Fitzgerald, the roles that the main female characters play are, in different instances, both comparable and dissimilar.
Though Cormac McCarthy’s All The Pretty Horses and William Faulkner’s The Unvanquished are completely different, their style and plot techniques share more similarities than differences. All The Pretty Horses and The Unvanquished both depict the importance of honor in a persons life, whether it be honor through vengeance, honoring family, or honoring the tradition of woman, these two novels teach that honor can create a stronger person.
To begin with, the narrator husband name is John, who shows male dominance early in the story as he picked the house they stayed in and the room he kept his wife in, even though his wife felt uneasy about the house. He is also her doctor and orders her to do nothing but rest; thinking she is just fine. John is the antagonist because he is trying to control
...man controlling the life of the woman who must accept it, until the very end. At the end of the story, the narrator says, “I have escaped in spite of you and Jane, and I’ve pulled of most of the paper so you can’t put me back!” (Gilman, 1892, p.193). At this point the narrator made the connection between her and the woman she sees in the wallpaper and explains how she has finally escaped, suggesting her breaking out of the bars that controlled her. She shows rebellion against John when she does not open the door and makes her own choices, which not only makes her free it destroys the sense of the gender roles in the relationship, as she pretty much emasculates her husband.
“All the Pretty Horses”, a novel written by Cormac McCarthy tells the tale about a man and his friend travelling the plains of Mexico after leaving their homes in Texas. As the novel’s name alludes to, horses are a central theme in the story as they represent manhood and freedom when John Grady, the protagonist, and his friend Rawlins get thrown in jail. McCarthy’s novel became critically-acclaimed which gained him more recognition, as well as a movie adaptation directed by Billy Bob Thornton. Even though Thornton’s adaption has the basics of the novel’s story it does not appropriately grasps its depth. While Thornton’s version stays faithful to the dialogue from the book’s included scenes it does fall short by having an erratic pace, having
Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.
Women roles have changed drastically in the last 50 to 80 years, women no longer have to completely conform to society’s gender roles and now enjoy the idea of being individuals. Along with the evolution of women roles in society, women presence and acceptance have drastically grown in modern literature. In early literature it was common to see women roles as simply caretakers, wives or as background; women roles and ideas were nearly non-existent and was rather seen than heard. The belief that women were more involved in the raising of children and taking care of the household was a great theme in many early literatures; women did not get much credit for being apart of the frontier and expansion of many of the nations success until much later.