Alienation in All Quiet on the Western Front

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Alienation in All Quiet on the Western Front

According to the Webster's New World College Dictionary, alienation

is 1. Separation, aversion, aberration. 2. Estrangement or detachment. 3.

Mental derangement; insanity.

The theme of All Quiet on the Western Front is about how World War

I destroyed a generation of young men. It has taken from them the last of

their childhood years, it has destroyed their faith in their elders, it has

taught them an individual life is meaningless--and all it has given in

return is the ability to appreciate basic physical pleasures. According to

Paul, though, the men haven't entirely lost human sensitivity: they're not

as callous as they appeared in Chapter 1, wolfing down their dead

companions' rations. It's just that they must pretend to forget the dead;

otherwise they would go mad.

Remarque includes discussions among Paul's group, and Paul's own

thoughts while he observes Russian prisoners of war (Chapters 3, 8, 9) to

show that no ordinary people benefit from a war. No matter what side a man

is on, he is killing other men just like himself, people with whom he might

even be friends at another time.

But Remarque doesn't just tell us war is horrible. He also shows us

that war is terrible beyond anything we could imagine. All our senses are

assaulted: we see newly dead soldiers and long-dead corpses tossed up

together in a cemetery (Chapter 4); we hear the unearthly screaming of the

wounded horses (Chapter 4); we see and smell three layers of bodies,

swelling up and belching gases, dumped into a huge shell hole (Chapter 6);

and we can almost touch the naked bodies hanging in trees and the limbs

lying around the battlefield (Chapter 9).

The crying of the horses is especially terrible. Horses have

nothing to do with making war. Their bodies gleam beautifully as they

parade along--until the shells strike them. To Paul, their dying cries

represent all of nature accusing Man, the great destroyer.

In later chapters Paul no longer mentions nature as an accuser but

seems to suggest that nature is simply there--rolling steadily on through

the seasons, paying no attention to the desperate cruelties of men to each

other. This, too, shows the horror of war, that it is completely unnatural

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