Alfred Hitchcock's Auteur Theory

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Alfred Hitchcock’s 1960 film Psycho challenged the strict Motion Picture Production Code in Hollywood through the film’s stunning demonstrations of violence and sexual nature that exposed audiences to an aspect of narrative that had seldom existed in cinema beforehand. In 1998, Gus Van Sant delivered his own particular translation of Hitchcock’s iconic film, which was criticized for being a copy as opposed to a remake, owing to it being nearly identical in both script and scene. The discourse concerning these two films has yet to address the unmistakable distinction of authorship, a component film scholars characterize as the auteur theory. As with the discussion of auteur theory, film scholars Andrew Sarris, Peter Wollen and Virgina Wright

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