Alfred Hitchcock: The Master Of Suspense

256 Words1 Page
bulb-icon

Recommended: The Alfred Hitchcock Signature in his Films

Create The Master of Suspense, or in other words, Alfred Hitchcock, was an eminent person in movie and filmmaking history (obviously!). He was the director of many classic horror films such as Psycho, The Birds, Rope, Rear Window, and other expertly-crafted masterpieces. He also made a thrilling and suspenseful impact on audiences around the world. Hitchcock has become a household name (http://www.alfredhitchcock.com/life-and-legacy/biography/) throughout his movies. Also, he had a T.V. show, Alfred Hitchcock Presents (many sources) with many frightening stories that delighted anyone tuned in.
Innovate
Alfred Hitchcock-The Master of Suspense-probably innovated the most out of all the directors in the world! He not only brought new

Show More
Related

  • Spike Lee Do The Right Thing Analysis

    913 Words  | 2 Pages

    ...ormation of novel to film, sees Hitchcock’s responsibility as auteur. Suggesting Hitchcock as ‘creator’, attributes to Vertigo’s “perfection” (Wood, p.129) as Wood argues. Stylistic features known classically to Alfred Hitchcock movies is also what defines Hitchcock as a classic auteur, his style generates a cinematic effect which mixes effectively with his use of suspense. In returning to Cook’s discussion, she references Andrew Sarris, who argues that the “history of American cinema could be written in terms of its great directors,” (Cook, p. 411) showing the legitimacy of authorship in popular American cinema. Ultimately Cook goes on to address the changes in authorship from the 1950’s until today, featuring developments in authorship within Cinema. Overall, both Cook and Wood presented a balanced discussion on the legitimacy of Alfred Hitchcock’s auteur status.

    Read More

  • Alfred Hitchcock's Psycho

    666 Words  | 2 Pages

    Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".

    Read More

  • Comparing Hitchcock’s Films, Shadow of a Doubt and Vertigo

    487 Words  | 1 Pages

    Francois Truffaut, when referring to Hitchcock said that “he exercises such complete control over all the elements of his films and imprints his personal concepts at each step of the way, Hitchcock has a distinctive style of his own. He is undoubtedly one of the few film-makers on the horizon today whose screen signature can be identified as soon as the picture begins.” Many people have used Hitchcock as the ultimate example of an auteur as there are many common themes and techniques found amongst his films. Even between the two films “Shadow of a Doubt” and “Vertigo,” many commonalities occur.

    Read More

  • Alfred Hitchcock's Rear Window

    1921 Words  | 4 Pages

    As the credits roll we see the blinds of a three-pane window slowly being lifted up, after they finish the camera moves forward revealing to our gaze the reality on the other side of the open window. It faces the back of many other buildings, the courtyard they enclose, and a sliver view of the backstreet. More importantly, it faces many other windows just like it. Behind each one of those there are people, going about their day, doing mundane tasks, unaware of being observed. In his 1954 movie “Rear Window” Alfred Hitchcock invites us to engage in the guilt free observation of the lives of others. The main character, photographer L. B. Jefferies, is home stuck with a broken leg encased in a cast that goes all the way to his hip, providing the perfect excuse for him to amuse himself in this hot Manhattan summer by engaging in the seemly harmless act of looking into the many windows he can see from his back apartment. Casual, harmless, voyeurism has been part of the human behavior for ages but in the sixty years since the movie was released it has gained increasing traction. Reality television, Movies, TV shows, YouTube, blogging, Instagram and Facebook are examples of modern tools that allow us to engage in the observation of others while remaining protectively hidden from their returning gaze. In its essence the casual voyeuristic actions we engage in while observing others when using these new media tools follows the same pattern of behavior described in the movie, with the same positive and negative consequences. Casual voyeurism distinguishes itself from pathological voyeurism, which is characterized by a preference in obtaining sexual gratification only from spying others, by the removal of the sexual component from the equat...

    Read More

  • Alfred Hitchcock’s Vertigo

    1271 Words  | 3 Pages

    The film, Vertigo (1958) directed by Alfred Hitchcock, is classified as a genre combination of mystery, romance, suspense and thriller about psychological obsession and murder. Filmed on location in San Francisco and on the Paramount lot in Hollywood, California in 1957, the cultural features of the late 1950’s America were depicted in the films mise en scène by costume and set designs current for that time period. The film was produced at the end of the golden age of Hollywood when the studio system was still in place. At the time Vertigo was produced, Hollywood studios were still very much in control of film production and of actor’s contracts. Hitchcock’s groundbreaking cinematic language and camera techniques has had great impact on film and American popular culture and created a cult following of his films to this day.

    Read More

  • Psycho, The Movie

    2312 Words  | 5 Pages

    This was no news to Hitchcock's fans. In a 1947 press conference the great director laid out his philosophy of the mystery-horror genre: "I am to provide the public with beneficial shocks. Civilization has become so protective that we're no longer able to get our goose bumps instinctively. The only way to remove the numbness and revive our moral equilibrium is to use artificial means to bring about the shock. The best way to achieve that, it seems to me, is through a movie."

    Read More

  • Freudian Psychology In Rear Window, By Alfred Hitchcock

    712 Words  | 2 Pages

    As a filmmaker, whose individual style and complete control over all elements of production, Alfred Hitchcock implied a great deal in the motion pictures that he made.

    Read More

  • The Alfred Hitchcock Signature in his Films, Shadow of a Doubt and Vertigo

    382 Words  | 1 Pages

    All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.

    Read More

  • Psycho: The character of Norman Bates

    802 Words  | 2 Pages

    ...and changed the horror genre forever. Alfred Hitchcock's use of actor, lighting, sound, scripting and mise-en-scène kept the audience on the edge of their seats and second guessing themselves. Hitchcock's idea of Norman cconnected with the audience and, even today, his character continues to deceive many. From Norman's nervous ticks to his murderous side 'Mother', it was planned flawlessly. Norman Bates was a combination of an author, director and actor, perfectly adapted to screen and perfectly portrayed.

    Read More

  • Spellbound By Alfred Hitchcock

    370 Words  | 1 Pages

    Ingrid Bergman and Gregory Peck star in this mystery/thriller that dabbles in psycho-analysis and the troubles of the mind. Constance Peterson is a renowned psycho-analyst, whose ability to analyze data is unquestionable, but who has no life outside of her work. This all changes the day the new Chief of Staff, Dr. Edwardes (Peck) arrives. It is love at first site, and Constance’s barriers break down in a flash.

    Read More

  • Hitchcock’s Work at an Auteur in his Movie, Vertigo

    446 Words  | 1 Pages

    Hitchcock has characteristics as an auteur that is apparent in most of his films, as well as this one.

    Read More

  • Common Themes and Elements in Psycho and The Birds

    656 Words  | 2 Pages

    Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.

    Read More

  • Orson Welles' The Magnificent Ambersons

    2357 Words  | 5 Pages

    “The biggest mistake we have made is to consider that films are primarily a form of entertainment. The film is the greatest medium since the invention of movable type for exchanging ideas and information, and it is no more at its best in light entertainment than literature is at its best in the light novel.” - Orson Welles

    Read More

  • Examples Of Suspense In Stranger Things

    742 Words  | 2 Pages

    Suspense is the feeling that you don’t know what's gonna happen next. You are on the edge of your seat ready for something about to happen, but you just don’t know what is about to happen. It has kept audiences coming back to the theaters for a long time. It makes a scene more entertaining, impactful, and it makes the audience anxious, and excited to see what comes next. Plus, you can put suspense in any genre of movie. Horror, Mystery, Crime, Whodunits, Romantic, Comedy and many others. The TV show “Stranger Things”, it’s opener is a fantastic example of suspense. It contains foreshadowing, mystery, dilemma, and mood. In the beginning, it has someone running away from something that is chasing him in a lab, he runs into an elevator thinking

    Read More

  • Cinematography and the Film Citizen Kane (1941)

    867 Words  | 2 Pages

    The highly acclaimed Citizen Kane creates drama and suspense to the viewer. Orson Welles designed this film to enhance the viewer’s opinion about light and darkness, staging, proxemics, personal theme development, and materialism. Creating one of the most astounding films to the cinematography world, Welles conveys many stylistic features as well as fundamentals of cinematography. It is an amazing film and will have an everlasting impact on the world of film.

    Read More

More about Alfred Hitchcock: The Master Of Suspense

Open Document