Russia is home to many great writers, all of whom owe inspiration to romantic era author and poet Alexander Pushkin. Pushkin is considered the father of modern Russian literature and is often compared to the likes of England’s Byron or Shakespeare. Pushkin challenged literary norms and was a vital voice in Russian society. Although Alexander Pushkin’s greatest piece, “Eugene Onegin”, is a narrative tale it says much about Russian character and culture itself as influenced by the time and circumstance. Pushkin was born May 26, 1799 into Moscow nobility. In 1817, Pushkin accepted a foreign affairs job in St. Petersburg, the capital at the time (Edmonds, 1). This was his first encounter with politics which he soon became engrossed in. His support …show more content…
As well as examine natural human emotions and the human condition, much of his work explored themes like loneliness, loss, love and desire. A major theme throughout his work is the idea that when one is young they are filled with hopes, dreams and desire but as they grow older it fades and they become jaded, apathetic or just run-down due to the hardships and cruelty of real life. This, along with his social commentary and criticism of the autocratic system greatly influenced writers like Leo Tolstoy and Fyodor Dostoyevsky. Pushkin introduced Russia to western genres, ideas and writers. He defined Russian literature with his sensitive style and rich vocabulary, which greatly influenced the Russian language for he was able to express deep feelings and emotions in a simpler, more comprehensive manner. Alexander Pushkin’s novel in verse, “Eugene Onegin”, is considered a Russian classic; it is a great example of Pushkin’s poetic vision. Eugene Onegin, the protagonist, has served as a model for many Russian literary heroes; he was the definition of the superfluous man, “a talented and capable individual who does not fit into social norms” (Princeton, 1). Onegin has a disregard for social values, is cynical, unsympathetic, careless and existentially …show more content…
Pushkin depicts this process through the use of imagery and metaphors; he compares Onegin’s dreams and passion to rotting leaves saying what once was beautiful has decayed and fallen away. “My dreams, my dreams! What has become of their sweetness? What indeed has become of my youth?” (Pushkin, XI). Onegin is profoundly hurt and lonely, he has lost all innocence and faith, and that is his greatest tragedy, his perpetual loneliness. His loss of passion is what turns him into a superfluous, cynical and apathetic man. Another aspect of Russian society that is explored in “Eugene Onegin” is the superficiality of it; “People are so like their first mother Eve: what they are given doesn't take their fancy. The serpent is forever enticing them to come to him, to the tree of mystery. They must have the forbidden fruit, or paradise will not be paradise for them.” (Pushkin, CXI). Pushkin is alluding to the biblical tale of Adam and Eve, although they had everything they could ever want, they weren’t satisfied; they were intrigued by the outward appearance of the tree, in this way all humans are alike, we only want what is on the surface, hype/extravagance and outward beauty intrigue us. Superficiality is fundamentally unsatisfying. That is why all that intrigued him in youth has lost his fancy, as Onegin grows older, passions, games, and social amusements lose their appeal; “Alas! His
This was, of course, only a humorous exaggeration, a case of political satire. Yet beneath the humor, there lies a very profound testament to the belief that Russia's political culture has been inherited from its czarist days and manifested throughout its subsequent development. The traditions from the pre-Revolution and pre-1921 Russia, it seems, had left its brand on the 70-years of Communist rule. The Soviet communism system was at once a foreign import from Germany and a Russian creation: "on the one hand it is international and a world phenomenon; on the other hand it is national and Russian…it was Russian history which determined its limits and shaped its character." (Berdyaev, "Origin")
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Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
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The short story, “Ivan Fyodorovich Shponka and His Aunt”, explicates the life of a man named Ivan Fyodorovich Shponka. We see him briefly in his young years, followed by his life in the army, and his return to the farm where his strong characterized aunt resides. We can see immediately that this man lives in constant cleanliness and dutiful paranoia; these are some of his desires that he wishes to exhibit to others. We can also see his fears, which reside in the confiscation of his masculinity and independence. This short story has many elements that resemble others in the Nikolai Gogol collection.
Dostoyevsky's writing in this book is such that the characters and setting around the main subject, Raskolnikov, are used with powerful consequences. The setting is both symbolic and has a power that affects all whom reside there, most notably Raskolnikov. An effective Structure is also used to show changes to the plot's direction and Raskolnikov's character. To add to this, the author's word choice and imagery are often extremely descriptive, and enhance the impact at every stage of Raskolnikov's changing fortunes and character. All of these features aid in the portrayal of Raskolnikov's downfall and subsequent rise.
Wood, A. (1986). The Russian Revolution. Seminar Studies in History. (2) Longman, p 1-98. ISBSN 0582355591, 9780582355590
("Sergei Eisenstein is Dead in Moscow”, New York Times, 1948). Eisenstein’s more popular works include: Strike, The Battleship Potemkin, October, Alexander Nevsky, and Ivan the Terrible (Hoobler 77-80). To this day, Eisenstein is held in hi...
The arena for this ideological contest is Petersburg, full of slums, revolutionary students and petty titular councilors. Scientifically and artificially constructed in the midst of marshland, the city itself is a symbol of the incompatibility of logical planning with humankind's natural sensibilities. The city did not grow randomly or organically, but entirely by czarist decree. Nonetheless, it is a dank and depressing place to live, at least for those in the vicinity of Haymarket Square, where the story takes place. Joseph Frank, Dostoevsky's biographer, says of ...
Franklin, Simon and Emma Widdis, eds. National Identity in Russian Culture: An Introduction. Cambridge: Cambridge UP, 2004.
7) Vernadsky, George. A History of Russia: Fourth Edition, Completely Revised. New Haven: Yale University Press, 1954.
Riasanovsky, Nicholas V., and Mark D. Steinberg. A History of Russia. 7th ed. Oxford: Oxford, 2005. Print.
Dragomirov, M.I. "Dragomirov on Prince Andrey and the Art of War". Tolstoy: The Critical Heritage. Ed. A.V. Knowles. London: Routledge & Kegan Paul, 1978. 153-158.