In the essay The Myth of Sisyphus, Albert Camus attempts to give answers to some tough questions. He wants to know if life is worth living or how we can make it worth living, as well as whether or not it is possible to live with certainty. To him, the absurd man realizes that life is absurd after his expectations are repeatedly contradicted and he realizes the world is an unreasonable place that cannot be explained. These unreasonable expectations of certainty ultimately cause many absurd men to think that life is not worth living when they are faced with what they feel is a hopeless situation. Camus offers an alternative to the problem the absurd man faces and it is not suicide or “Philosophical suicide”. Other philosophers commit philosophical suicide by suggesting that there is enough evidence, whatever it maybe, that one should survive on hope alone or make some leap. But Camus thinks that if a person is honest and truthful to themselves that they know they are nothing more than “a stranger” in this world. So how does one live a life worth living when faced with absurdity?
A good example of what might happen to someone going through an existential crisis described by Camus happens in the short story The Wall by Jean Paul Sartre. It is a story of three men that are sentenced to be executed and their time spent leading up to it. The main character Pablo at first loses basically all desire to live because he knows that his death is imminent. I am going to attempt to try and describe what I believe Albert Camus might think of the characters from the short story The Wall. I will from the point of view of Camus and explain what Pablo and the other characters might have done differently to use their freedom to the best of their ab...
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...w us the best way to use our freedom and build a life worth living, someday.
In conclusion, I feel like Camus has the most optimistic outlook out of all the philosophers we have talked about, including Sartre, as well as the most realistic when it comes to using your freedom and making a life worth living. If the characters in The Wall were to embrace some of Camus's ideas Juan and Tom might have been able to calm down and make the most of their situation. If we want to make a life worth living we must accept the absurdity and the sooner the better. That is the only way that we can become content with our lives . It is bad deal for humans, but if we are forced to live in a meaningless world we ought to make the best out of it by maximizing our experiences because from what we can tell living is better than dying because it is something impossible to experience.
However, he provides an alternative more substantial solution in such a way that does not let the universe triumph. What one must do to overcome this absurdity to is to be scornful of the fact that the universe has created such an individual with the ability to contemplate on his or her own existence. Suicide is an option that takes the easy route out of this absurdity, implicating the difficulty of life is too much to handle. Camus acknowledges his conscious and revolts, or becomes scornful of that fact, and refuses the option of suicide. By choosing to embrace the absurdity of the meaningless of one’s own existence, then freedom to create your own meaning and purpose is
Of the many themes and philosophies that Camus struggled with during his life and presented to the world through his writings, one of the more prevalent was that of the absurd. According to Camus, the world, human existence, and a God are all absurd phenomenons, devoid of any redeeming meaning or purpose. Through Mersaults’ epiphany in The Stranger, where he opens himself to the “gentle indifference of the world”, we see how Camus understands the world to be a place of nothingness, which demands and desires nothing from humans. He further explores this philosophy in The Plague, where the world of indifference is understood as a world of fear, which takes a symbolically tangible form in the plague itself. In The Plague the citizens of Oran fear that which they cannot control, understand or fight. They are faced with the most fundamental experiences of life and death, and it is only in the end that a very few find a way to cope with and understand these two ultimatums.
This is the same with other paths of life with existentialism questioning the authenticity of using things such as religion to fill such void leading to many nihilistic tendencies as well as alienation for oneself and the world around them. What is their left for some who comes to terms with these ideas perhaps suicide. Camus explores the effect of this dilemma which can be seen in his first novel A Happy Death where the two characters are have a conversation about what it is to love life with one of them proposing that for him” Loving life is not going for a swim. It's living in intoxication, intensity. Women, adventures and other countries.” To which the other responds by saying “To think the way you do, you have to be a man who lives either on a tremendous despair, or on a tremendous hope.” Representing that either that the character has embraced life’s meaninglessness and carried on by living life to its fullest or being so hopeful to the point where he’s blind to the cold truth of
Homer’s epic poem, The Odyssey, tells the story of Odysseus’ journey to his home in Ithaca, ten years after the Trojan War. Throughout Odysseus’ journey to reach home, he proves that he is an epic hero by overcoming many extraordinary circumstances that test his loyalty, ability to resist temptation, and the power of his cunning over his strength.
From the first few sentences of Albert Camus’ The Outsider, the protagonist, Meursault, is characterized as an amoral man. He is seemingly indifferent to the death of his own mother, despite the fact that societal principles would suggest he be deeply emotionally affected. His thoughts are instead centered upon the sun, which in return dictates his actions. In the novel, the sun is a representation of the societal weight which urges individuals to conform to norms. The presence of the sun indicates the stages of the development of Meursault’s belief in existentialism. As his understanding of existentialism grows and he realises his independence from society, references to the sun’s harsh effects gradually become absent. Furthermore, the sun is used as a metaphor for death to exhibit the inevitable nature of dying, another fundamental component of existentialism. Through such references to the sun, the novel is able to assist the reader in appreciating existentialism by exhibiting the gradual development of Meursault’s philosophy and by evoking emotions which sensitize the reader to feel the beauty of existentialism.
I, Albert Camus, am a famous French author who had written The Stranger in 1942. I was born in Algeria, and my experiences there had deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy involving the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper. In 1947, I retired from my journalist career and continued to write fiction and playwrights for the theatre (Simpson). Although I primarily consider myself a writer instead of a philosopher and I deny being an existentialist, the philosophy I most agree with is indeed existentialism. As one will find in my novel, The Stranger, the main character Meursault views the world and situations through an outside perspective, extreme detachment, and a lack of empathy. His characters tend to view the world as an outsider because I personally grew up in many groups
Albert Camus provides a unique look at humanity and the intricacies of living in an absurd world full of hopeless suffering in “The Plague.” Many facets of Camus symbolism within the book can only lead the reader to ponder “Should I kill myself?” while leaving them with the answer “No, life is worth it if I make it worth it. I can overcome suffering.” First, Camus use of parallelism to atrocities, specifically war, function to highlight that death and suffering derives from both humanity and nature. Second, to Camus, humanity needs to stare death in the face by questioning the usefulness of existence and if it is justified to live even if you are suffering. Third, to Camus, god is dead, he is just a tool for humanity to give their lives meaning.
Albert Camus provides a unique look at humanity and the intricacies of living in an absurd world full of hopeless suffering in “The Plague.” Many facets of Camus symbolism within the book can only lead the reader to ponder “Should I kill myself?” while leaving them with the answer “No, life is worth it if I make it worth it. I can overcome suffering.” First, Camus use of parallelism to atrocities, specifically war, function to highlight that death and suffering derives from both humanity and nature. Second, to Camus, humanity needs to stare death in the face by questioning the usefulness of existence and if it is justified to live even if you are suffering. Third, to Camus, god is dead, he is just a tool for humanity to give their lives meaning.
Ever since civilizations began forming around 3,500 B.C (TimeMaps), there has been a gradual formation of social hierarchies. As humanity advanced, the progression of more needs was met, and the emphasis on knowledge and understanding of existence became more important. Philosophy is the study of the fundamental nature of knowledge, reality, and existence. The prominent question of its study is to interpret the meaning of our existence. In recent times, a philosopher named Albert Camus won the Nobel Prize for his literary essay, "The Myth of Sisyphus." In this article, Camus brought to light many theories, but the central question posed was, “Proceeding from the premise that, in light of the apparent purposelessness of life, suicide is the only truly serious philosophical problem" (Ward 80). This statement gives an explanation behind the fundamental motivation behind our existence. You can theorize that, by living in an irrational world (Uncertainty), obstacles are inevitable, but to construct our viewpoint about them gives us ultimate control of navigating it.
An absurd hero is developed by the six tenets of existentialism: anxiety, death, the void, existence precedes essence, absurdity, and alienation. These six tenets explain the overwhelming question, “Why do we exist?”. To understand why we exist, one must first question why the absurd happens. Camus did such. Camus develops the plot of his existential novel through a plethora of absurd events that boosts the overall theme of the novel. One example of this is how the town of Oran turns it back on the sea at random moments of time. This is very strange, why would a town that is isolated between the sea and a mountain range want to turn away from the one source of its salvation and one of the few ways it could connec...
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
Albert Camus posed the question, "Should I kill myself, or have a cup of coffee?" It was in this question that my intellectual curiosity was truly awoken as a tenth grader. My fascination stemmed both from the absurdity of the question and upon further insight from the absurdist interpretation. If everything results in death what is the meaning in our daily actions? My response to this question changed twice before I came to a personal conclusion to Camus' seemingly rhetorical question. At first I conveniently believed that having a cup of coffee was the correct answer. However, after exploring absurdism I began to understand Camus' viewpoint and quickly switched to having no response, because even though I began to comprehend the 'meaninglessness'
At the centre of the existential angst, dominating the great movements of life, there lays an essential absurdity. England in the aftermath of the two wars inherited this absurdity that upheld the human predicament in a world where “nobody thinks, nobody cares. No beliefs, no convictions and no enthusiasm.” Camus in The Myth of Sisyphus diagnoses humanity’s plight as purposeless in an existence out of harmony with its surroundings. This irrationality and pointlessness of experience is transferred to the stage where by all semblance of logical construction and all intellectually viable argument is abundant. In the same strain, developed the Angry Plays of the Theatre of the Absurd. Beckett, Adamor and Pinter with the difference of attempting
opinion on existential nihilism. Existential nihilism is the philosophy that life has no intrinsic meaning, and rejects all religious and moral conformity. The main character meursault, displays all of these traits throughout the book. Camus gives the reader an alternative outlook on the life and how there is no right or wrong way of living because in the end, whether that be sooner or later everyone is going to have the same end fate. Camus demonstrated his belief of existential nihilism through the external and internal
Albert Camus was an existentialist. He was also not a religious person and even though he was born and raised a Catholic; he soon quit his religious faith and turned into an atheist, believing that religion was “philosophical suicide”. He described his attitude toward religion in the lines “I would rather live my life as if there is a God and die to find out there isn't, than live my life as if there isn't and die to find out there is.” Yet, it is seen that even though he denied being an existentialist, he is seen to have ‘brooded over such questions as the meaning of life in the face of death.’ “Men are convinced of your arguments, your sincerity, and the seriousness of your efforts only by your death.” This quote shows that Camus believed death was what created people in society and brought their life into the spotlight.