Alain Robbe-Grillet and The Secret Room
On page 2032 of the class’s anthology, there is a work by Alain Robbe-Grillet entitled “The Secret Room”. What interests me about this work is that I thought that this topic or story is deep and hard to get the idea. So, I wanted to know about Alain Robbe-Grillet and wanted to get the idea. In this connection, the question that I want to research is who Alain Robbe-Grillet is and what is this story about.
First of all, Robbe-grillet, he was born in Brittany, France, where was the place for scientists and engineers. At first, he was not a writer. He earned the degree in mathematics and natural science. He started working at National Institute of Statistics and published an article on livestock possibilities before deciding to work part time in his sister’s biology laboratory and write a novel. The first novel he wrote was “A Regicide” in 1949. But, it didn’t published until 1978 which was the time after he became a successful novelist.
Robbe-Grillet was one of the foremost filmmakers and the novelists of the French new novel, of the twentieth century. Frustrated about the lack of progress and innovation in the art of the novel since the nineteenth century, Robbe-Grillet and Nathalie Saurrate began to write complex novels that interrogated and challenged conventional narrative modes, novels that altered or abolished fictional elements such as character, plot, setting, point of view, and chronological time in favor of repetitions, an absence of emotion, minute objective and sometimes geometric descriptions, the lack of authorial analysis, and the deconstruction of time. His films also reflect his desire to challenge the conventions of filmmaking, but he is recognized principally as a novelist.
The novels of Robbe-Grillet all challenge their readers to reevaluate the way they read, the way they think, and the way they visualize the world around them. The novels are vastly different from each other. “The Erasers“ concerns a police inspector, Wallas, and his search for a man who has supposedly killed another man who, in actuality, was not killed. The novel is set in a small Belgian city, a city with a considerable network of canals and bridges and boulevards that all look the same; throughout the novel, the city becomes a type of labyrinth, adding an ambiguous complexity of space to the novel's non linear chronology.
“The Erasers” is more accessible than his later novels like “Jealousy“ and “In The Labyrinth”, both penultimate examples of the New Novel.
Perhaps the most evident display of transformation comes in the form of Isabelle’s social and moral evolution which is stimulated by her illicit relationship with Stephen in Part 1 of Faulks’ naturalistic novel. Isabelle’s husband, Azaire is a symbol of the “old wealth” in the Belle Époque era; he is a factory owner and enjoys an important social presence within Amiens: “There would have been no doubt that this was a property of a substantial man”...
“The Secret Room” holds true to the Robbe-Grillet style. It is a solitary scene, fastidiously itemized, with no clarification of who, why or how. Yet, toward the end, the impact is solid, the feelings are mixed however there are a lot of remaining details left hanging in a manner of speaking. The story apparently introduces a homicide riddle; the reprobate is a dim caped man; the stripped lady the "conciliatory casualty" is tied, dead. The lady has been shackled in a spread-bird position, making sex with her conceivable as well as ensured she would have been not able stand up to. She is lying on a dark velvet spread, tossed over purple pads. The dark spread is typical of death. The man goes left alone "deed fulfilled;" this may indicate occurrences when a lady is not
It is concerning that Ms. IC presents with little sleep for days, also might not consume food or fluids for days, poor judgment and behavior, plus her medical history of mania. Due to dehydration, faulty judgment and unable to meet her own physiologic need as well as to set limits on her own behavior, she is at risk for injury. In addition, her communication patterns (speaking readily and overly talkative), inappropriate dress and amusing behaviors show that she is decreasing defensive coping skills, therefore, she is not in a stable physical and mental status.
-Healy David. Mania: A Short History of Bipolar Disorder. The John Hopkins University Press. Baltimore. 2008. Print
Bipolar disorder, also known as manic depression, is a psychopathology that affects approximately 1% of the population. (1) Unlike unipolar disorder, also known as major affective disorder or depression, bipolar disorder is characterized by vacillating between periods of elation (either mania or hypomania) and depression. (1, 2) Bipolar disorder is also not an illness that remedies itself over time; people affected with manic depression are manic-depressives for their entire lives. (2, 3) For this reason, researchers have been struggling to, first, more quickly diagnose the onset of bipolar disorder in a patient and, second, to more effectively treat it. (4) As more and more studies have been performed on this disease, the peculiar occurrence between extreme creativity and manic depression have been uncovered, leaving scientists to deal with yet another puzzling aspect of the psychopathology. (5)
In order to understand the effects of said malfunctions, it is vital to brief crash course in what it means to be bipolar. This disorder is typically characterized by periods of intense mania, followed closely by deep, unadulterated depression with “mixed” periods sprinkled throughout. Manic periods are characterized by intense feelings of euphoria. This may seem like a positive, however these phases typically lead to bouts of impaired judgment. Behaviors can become grandiose in nature and look extremely hyperactive. The person may have raised libido, want to stay up all night, and exhibit overall decreased inhibition. The depression that follows these bouts of ecstasy comes quickly, and they are both dark and unforgiving. Individuals with bipolar disorder lack a middle groun...
Bipolar disorder is characterized by mood swings to both ends of the emotional spectrum or ‘pole’ (book cite). It ranges from major depressive disorder to manic episodes that can last for days to weeks in length (book cite). When the subject goes into major depression, it is obvious, because they take less pleasure in activities they used to enjoy or refrain from doing any activities at all. Manic episodes give the subject a god like viewpoint on everything and are characterized by extreme happiness. During a manic episode the subject often refuses to believe facts that other people are telling them and in extreme cases believe they are a mythical god or a different person altogether. Another sign of mania is fast speech and incomplete sentences. In order to be classified as bipolar disorder the clinician must identify one or more manic episode in the history of the patient (Rivas-Vazquez, et al). The treatment of bipolar disorder is varied and has had mixed results.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
These thoughts communicate across all borders, audibly stringing together mind and rebellious ingenuity. In the novel “All The Light We Cannot See” these thoughts manifest a symbol of opportunity and hope among the Parisians and Germans during times of repression. The radio builds a world of curiosity and escape through-out the novel, revealing quiet talents and perceptive life within its characters. In “All The Light We Cannot See” the importance
The relationship shared by Pierre and Helene is best described as a lustful charade. It is no coincidence that Pierre, one of the most introspective characters in the novel, first marries a shallow, inwardly-ugly adulterer. His first recorded attitude towards Helene is one of admira...
He walks the reader through the mess of political strife and bloodshed and he is very detailed in the inner workings of the Committee of Public Safety. He also writes as if the reader knows nothing about the French Revolution. This is a very helpful aspect of the book. Another strong point in this particular story is that there is a map of The First French Republic in the front of the book. There is also a key for the titles of the months according to the French Republican Calendar. This calendar is useful in the reading because depending on the time of year as well as the situation he is writing about, he uses month names such as Ventôse which, in current translation is around the twentieth of
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
Goodwin, F.K., and Jamison, K.R. (1990). Manic Depressive Illness. New York: Oxford University Press. Goodwin, Donald W. and Guze, Samuel B. (1989). Psychiatric
The elderly represents a large amount of the population in our society and continues to grow each day. As the population grows, it is important to meet the demands and resolve the challenges that we encounter in regards to the overall quality of health and well-being of the elderly. Mental health of the elderly is a major issue but majority of the time goes unnoticed and untreated by caregivers and loved ones. About 20 percent of adults 55 and older are suffering from some type of mental health disorder, and one in three elderly adults do not receive any type of treatment (The State of Mental Health, 2008). Those suffering from mental illness are hesitant to seek out help or any type of treatment because of the stigma, services and cost for care that then comes with mental health disorders. Mental health issues that affect elderly include dementia, delirium, and psychosis. Some of the most common conditions include anxiety, mood disorders such as depression and bipolar disorder and cognitive impairment such as Alzheimer’s disease. Mental health is essential to the
Online education has increased significantly due to flexibility that’s offered to students. Online education is beneficial to students because “course material can be accessed 24 hours a day.”...