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Concepts of improvisation
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Recommended: Concepts of improvisation
A. INTRODUCTION
On March fifteenth, at seven thirty PM, the UWA theatre
B. ACTING In the scene, “Agony” (Into the Woods) and even the “Agony (reprise)” (Into the Woods) was probably the best scene in the play. The characters were two princes, played by Kevin Williams and Jacks Key, who were chasing their princesses. The two actors complimented each other so well, they made their performance look like it was real life and not actually acting. If Williams was singing about finding his princesses, Key would be reacting, doing gestures and facials. It made the audience feel as if they were out there with the two princes talking about their dream to find the princesses. The performers listened and responded naturally to one another. When one was speaking, the gestures they would add to it made the scene more memorable. The tone of their voice when they sang or spoke, gave the “idealistic” character for being a price. It was funny when the two actors would make jokes about the princesses, like about brushing her hair. During the “Find Your Grail” (Spamalot) the ensemble would use the set design affectively. One member of the ensemble stood out the most from the others. She was leaning her back against the stair case and portrayed the look of defeat and depressed. Being a part of the audience, her developed use of gesture and most of all her
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Here and there, there would be times when an actor would be singing a solo during an ensemble and would not have the spotlight on them. It made it hard on the audience to figure out who was singing the solo part. The lighting used in “Send in the Clowns” (A Little Night Music) the colors green and blue were shown and projected that the seen was supposed to be gloomy and depressed. The lighting choices made throughout the scenes enhanced the whole performance. It helped set the mood, the time of the day, and being able to see the actors
As the play opens, there is much merrymaking and festivity in preparation for the play. The sheer happiness of all of the colorful characters is transferred to the reader almost instantly. The mood is portrayed very well as being light and bubbly, an overall good feeling. The next major shift comes when Cyrano enters and, after riding himself of Montfleury, puts on the spectacle wherein he demonstrates not only his impeccable verbal dexterity, but also his fencing abilities - and both at the same time. This whole scene causes a strong reaction from the audience, and in turn, the re...
A significant aspect of the play is the acting and wardrobe, because it helps demonstrate the personalities of the characters.
Throughout the play, there is a level of intensity that can be seen. Sound effects, lighting and props help make the story seem intensely realistic. It helped engage the audience's attention and emotions throughout the entire play. It is as though we are living vicariously through these characters. With these characters, there is a life lesson to be learned.
The use of lights throughout the play did not vary often. Throughout most of the play, bright overhead lights portrayed the play’s main set room: a small town beauty salon. The lights created an atmosphere that was not only cheerful, but also warm and inviting. On each side of the stage, warm, more natural lighting was used to make the small outdoor areas more realistic. Lights were also used to convey
In conclusion I think that the stage directions and dramatic irony are significant to the play, and without them there would be no need for a lot of the events that happen in the play.
The way he carries himself and his voice inflections really make the viewer feel like they are in the time period and can envision themselves in the scene of the play. The actor himself really seemed to believe in the play. The way he stormed out of the Ballyhoo scene, it was obvious that he was passionate about the play and really bought into the role. At other times, he spoke to everyone like a true gentleman. The kissing scene was a soft spot in the play, and he did a great job of the whole kiss and the speaking leading up to it. In addition, the actor did a great job of using a different voice in the play. Eastern European Jews were known for speaking differently that German Jews, and his voice was unique and correct for the time
The choreography kept things interesting and the dances in a musical can make or break the performance. Overall, Cherie and Abby did an amazing job directing each person to have a place among a crowded stage. Last but not least, the costumes! This play was set in the 1890s, meaning it is very important to have correlating costumes so the audience can be aware of what time period they are in.
I could see how Harold Hill’s tactic changed from something along the lines of ‘to deceive’ to ‘to woo’ around the song “The sadder but wiser girl”. Marian Paroo’s tactic also changes from ‘to avoid’ to ‘to love’ around “My white Knight”. These actors also projected extremely well, as I could hear everything being said. They articulated well too, which I believe must be hard for them as every character had a southern accent. The actors easily incorporated their character’s goals into their acting and onstage
From the scene set up to the clothes each actor wore it was all very impressing. The scene set up was a beauty shop and was extremely accurate and realistic. The play had four scenes and each scene was a different season. For each season the “beauty shop” was filled with props. In December it was filled with Christmas trees and ornaments. The clothes each actor wore fit each character’s personality. For example, Annelle was seen as very quirky and always would wear “dorky” clothes. The use of spectacle in this play left no room for imagination because they had everything layer out for
The lighting in this movie is very effective. It helps to establish the characters very well. The audience is helping in distinguishing the bad and the good characters through the lighting. The movie overall is very stylized. There are some other strange lighting patterns brought out by Hype Williams, but by far the most effective lighting patterns are ones that help to characterize the main players in the film.
When you first enter the theater, you are immediately in awe of the strongest aspect of this production: the set. The stage features a life-sized enchanted forest with “tress” as tall as the ceiling and a lit-up backdrop of a twilight sky. The tress would move around throughout the performance to make way for different scenes. In front of your very eyes, an enchanted forest would turn into the outside of a charming house with a lit porch and a well. The twilight sky would turn to a starlit sky and a soft spotlight simulating moonlight would compliment the faint sound of crickets. Suddenly the house and tress move around and you’re in a town with a little cart selling baguettes, or a lush dining room with Victorian wallpaper, a chandelier, and china displayed on the walls. The world shakes once again and now you’re in, inevitably, a ballroom. A white Victorian gate opens up to become the walls of the ballroom, and a white marble bridge and staircase appear for the outside of the castle. Adults and children alike were in awe of the craftsmanship and technology.
Every face had excellent expressions, presenting their characters perfectly. Also, each actor added their own twist on the characters, anywhere from a slight accent to body language, adding more depth to the entire musical. Furthermore, every actor changed their voice in a way that depicted their character’s emotions and attitude at that particular moment. Also, the color of the lights changes according to each scene and the mood for that particular scene.
The most successful aspect of the performance for me were the scene changes. I found that the rotation of the blackboard, center stage, where the actors were able to stoop beneath it in order to enter and exit the stage, was an effective touch to this non naturalistic performance. When this was first used, at the end of the first scene, when the characters Ruth and Al left the stage, I thought it didn't quite fit as at the beginning the style was leaning towards realism. But as the play progressed and the acting style became more and more non naturalistic, and this rotation of the black board technique was used more frequently it fitted in really well and became really effective.
colors of the costume, settings and character development. Overall I feel that this play had
To begin, I feel as if the quality of the actors plays a prominent role in the overall outlook of a play. I attended the majority of plays my high school performed, and always found the actors to be just mediocre. When I decided to go to the Caucasian Chalk Circle play I expected the acting to be a step up from high school acting, but what I did not expect was to be blown away by how well the actors sold their characters role. The actors grabbed my attention like I was under a spell. You could see the passion in their eyes and even in their voice. They had to ability to tell a joke and make me laugh hysterically, then in the next moment I was in complete stillness because of how serious a scene would be. One of the antagonists was an enemy soldier that had to ability to be joking around at one moment and then the next had you trembling in your seat because of how loud and obnoxious he was. This is the type of acting that keeps the audience craving more and wondering what will happen next. Being able to draw the audience in using this type of acting is an art. It seemed as if they never skipped a beat, or even hesitated on what they were going to say. They were always in control of what they were portraying. They used some vulgar lan...