Frost, Robert. “The Road Not Taken.” Literature and the Writing Process. Ed. Elizabeth McMahan et al. 8th ed. Upper Saddle River: Pearson, 2007. 695-696. Print.
Lentricchia, Frank. Robert Frost: Modern Poetics and the Landscape of Self. Durham: Duke University Press. 1975. 103-107.
Pritchard, William H. Frost: A Literary Life Reconsidered. Amherst: The University of Massachusetts Press, 1985. 43.
The Mending Wall by Robert Frost Robert Frost was not just a writer. Frost was, more importantly, an American writer whose works epitomized the Modernist literary movement, and in turn represented the mood and minds of a nation. Frost remains emblematic of a specific time in our country. Through the words of the poet, readers of his day could see a real-time reflection of themselves - visible in Frost's verses were the hopes and apprehensions that marked the first half of the twentieth- century.
Life and death are two things that we as humans must all face. The road from one to the other, from life to death, is a long and at times, both joyous and painful one. Robert Frost’s poems are a prime example of these times and trials. The poems I chose for this paper highlight them, and with Frost’s allegory, they present a sort of silver lining to the string of dark and dreary words he’s pieced together for these poems. The depressing tone to the poems “Acquainted with the Night”, “Nothing Gold Can Stay”, and “Stopping by the Woods on a Snowing Evening” could be attributed to the death of many of Frost’s family members, and how despite this he overcame it all, and at the end of his life, was a successful writer. These poems to not go into great explanation of the details of Frost’s life, however, I believe that they are representations of the things path that he’s walked, and how he viewed his actions and death in general.
Robert Frost, an Americian poet of the late 19th century, used nature in many of his writings. This paper will discuss the thought process of Frost during his writings, the many tools which he used, and provide two examples of his works.
“Frost, Robert.” Gale Contextual Encyclopedia of American Literature. Vol 2. Detroit: Gale, 2009. 569-573. Gale Virtual Reference Library. Web. 9 March 2014.
Robert Frost is regarded as one of the most distinguished American poets in the twentieth century. His work usually realistically describes the rural life in New England in the early twentieth century and conveys complex social and philosophical themes. But his personal life was plagued with grief and loss, which is also reflected in his poems and the dark energy distinguishes Robert Frost’s poems, frequently conveyed in the use of lexical words like dark and its derivatives or synonyms, woods, snow, night, and so on. (Su, Y)
Poetry is a creative art form that allows a critical thinking connection between the creator and the audience of each poem. The reader must think critically and in depth about the subject matter and meaning of what each poet is presenting with their body of work. On the other hand, the poet must be able to present their body of work with a unique writing style that encodes a deeper message than what appears on the surface. Most would say that poetry is read for its witty internal messages, but the reader must be able to accurately decipher the message the poet is presenting to fully understand the poet’s allusions. I believe that all poetry is inspired by memorable life events that have been experienced by an individual whether good or bad. If this is true, then much of the subject matter and meaning of poetry can be deciphered by identifying the key elements in each poem such as tones, moods, similes, metaphors, writing styles, and most importantly knowing the facts of the creator’s personal life experiences. In this essay, I will use the identifying techniques listed above to decipher the poem, “Out, Out-” by Robert Frost, to determine if Mr. Frost’s personal experiences with
Robert Lee Frost was a famous American poet who was always acknowledged for his vivid and unique writing style, which contributed tremendously into him becoming one of the greatest poets of the twentieth century. Throughout his life, Frost has written many amazing poems but like the majority of poets at that time, many of his poems from his early writings went unnoticed. He was known for following a very well organized structure for his writing, a great example for this would be: “The Road Not Taken” and “Stopping by Woods on a Snowy Evening”, which are two of Frost’s greatest pieces as they bring to the table all of his writing characteristics, ranging from the dominant figurative language that makes the poem vivid, to his flexible idealistic
“After Apple Picking” is fraught with imagery. Frost uses visual, olfactory, kinesthetic, tactile, and auditory imagery throughout this piece. Because the poem is filled with a variety of images, the reader is able to imagine the experience of apple picking.
In analyzing and comparing symbolism, form, and style of the literary work “The Road Not Taken” by Robert Frost and the short story of “A Worn Path” by Eudora, Welty I ask so what is the symbolic discovery that gives the reader new ideas, connecting experiences, considering deeper insights, and coming to conclusions with harmonious delight? Although we all have ‘roads’ or ‘paths’ to take on our journey in life it is in how we handle the experience; and what we gain from those life journeys that will either enrich our life or be our demise. I intend to show that detail in the short story gives us a more precise imagery giving a lead to our imagination than that of the poem. The Symbolism in both brings to light a positive message each in its own rhythm and to each individual reader a metaphor and food for life.
The poem “After Apple Picking” by Robert Frost expresses the feelings of the narrator during and after the process of harvesting apples by showing the sustainability and ambition of human spirit. Frost’s poem is an accurate reflection of life and of human imperfection through the use of repetition, literal and figurative language and various symbols.
To conclude, Frost’s “Stopping by Woods on a Snowy Evening” has given readers an incredible look into the journey and flow of life and death through the use of heavy metaphors, emphatic repetition, and a flowing rhyme scheme. Frost teaches us that stagnancy means not growing, that being stuck in one place, however enjoyable, isn’t conducive to self-improvement or productivity. This is the ultimate lesson in moving
After Apple Picking has become so familiar and revered that it is difficult to recognize its strangeness. But it would probably seem familiar in any case; it is a prime example of how even the very great poems of Frost can induce a kind of ease about their deeper intensities. It is a proud poem, as if its very life depends upon a refusal to justify itself by any open evidence of what it is up to. The apparent "truth" about the poem is that it is really concerned with the actualities of its announced subject. But is that "truth" even residually enough if, not thinking so, one takes the risk of burdening the poem with "more than the truth"? Brower has written meticulously about its rhythmic form, but he has not let himself feel the deeper pulsations in its metaphors. There are energies in the poem as well as a dream of potential experience that include but are passionately larger than that recorded in his otherwise useful observation that "From the opening lines, apparently matter-of-fact talk falls into curious chain-like sentences, rich in end-rhymes and echoes of many sorts" until "memories of waking fact and their sleepy distortions become impossible to tell apart" (The Poetry of Robert Frost, pp. 24, 25).