With African Americans being apart of the fashion industry, they faced many hardships. However, they created a distinctive voice in the history of fashion. Throughout the early twentieth century, Blacks designers influenced the fashion industry in America, having, “a system and structure for maintaining their particular type of fashion.” African American fashion was very popular and caught the attention from the media. Department stores held successful fashion shows, screened fashion movies, and staged fashion pageants. Fortunately, African Americans were allowed to attend these events, yet they were not welcomed. Fast-forward to today, the fashion industry has opened up several doors for African American designers, stylist, and models. However, …show more content…
Joyce Bryant was very notable in the black community, these two were among some of Zeldas most notable achievements. Along side with working for those two, she designed evening, cocktail, and wedding gowns for:
Her entertainment-world clients Josephine Baker, Mae West, Ella Fitzgerald, Dorothy Dandridge, Eartha Kitt, and Marian Anderson. She also dressed the wives of famous black celebrities, including Nat “King” Cole and Sugar Ray Robinson. Unlike some other designers who exclusively created “costumes” versus “fashion”, Valdes moved between the two modes and her clients appreciated that as they ordered clothes for performance and also for their private
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"A Profile of Zelda Wynn Valdes: Costume and Fashion Designer." OUPblog. http://blog.oup.com/2015/03/costume- designer-zelda-wynn-valdes/. March 31, 2015.
Foster, Kimberly. "Zelda Wynn Valdes Is the Most Influential Designer You 've Probably Never Heard Of." Coloures. http://www.mycoloures.com/2014/06/zelda-wynn-valdes-is- black-woman.html#axzz47RtRUMzT. June 22, 2014. Gainer, Nichelle. "Fashionable Game-Changer: Zelda Wynn Valdes." Ebony. March 26, 2012.
Gonzalez, David. "ABOUT NEW YORK; Matriarch of Dancers Sews Clothing of Delight." The New York Times. March 23, 1994. http://www.nytimes.com/1994/03/23/nyregion/about- new-york-matriarch-of-dancers-sews-clothing-of- delight.html.
Nelson, Karin. "Balmain’s Olivier Rousteing: Phresh Out the Runway." W Magazine. August 11, 2014. http://www.wmagazine.com/fashion/2014/08/olivier- rousteing-balmain/.
Weir, Laura. "Olivier Rousteing 's Childhood Memories." Vogue News. October 2, 2015. http://www.vogue.co.uk/news/2015/10/02/olivier-rousteing- balmain-interview-vogue-september-issue.
Wilson, Julee. "Zelda Wynn Valdes: Black Fashion Designer Who Created The Playboy Bunny Outfit (PHOTOS)." Huffiest Black Voices. http://www.huffingtonpost.com/2013/02/07/zelda-wynn- valdes-playboy-bunny_n_2637802.html. February 7,
I recently visited the American History museum and came upon the most interesting artifact in the Lighting a Revolution section within the Transportation and Technology wing of the museum. This artifact is an advertisement from Charleston, South Carolina in 1769 about the selling of “a choice cargo” of two hundred and fifty slaves.
For the purposes of this paper we will be discussing the boycott effects on Abercrombie & Fitch; a U.S based clothing company. At first we will analyse the concept of boycotting international companies to understand the different choices boycotters make when targeting the guilty company. We will look at the history of the company; it’s beginnings, evolution of concept, failures and successes. An important part of this paper will be assessing the main factors and reasons that led to the boycott. We are going to be analysing the effects of the boycott keeping in mind that although the reasons behind the controversial boycott have taken place a couple of years ago, only in 2013 has the boycott been initiated by several different parties involved. To be able to understand what triggered the boycott to begin we are going to try to understand how it all came about to begin with. There are several concerned parties in the boycott and each have their own agenda and reasoning to boycott the company. To give a more thorough analysis of the initiators of this particular boycott their relation to one another will be discussed in the paper. Another important part of the boycott is the different types of effects that these boycotters have on the company. We will closely study the reasons, the effects, the affected parties, and the path for damage control and reconciliation chosen by Abercrombie & Fitch as well as its results both the negative and the positive. Finally we will discuss the effectiveness of the boycott on the Abercrombie’s internationalization, market strategy, competitiveness, and market activities.
Women in general faced many hardships in the past and especially during the black arts movement. Women were disvalued and were the lowest in the society. They had some of the toughest jobs and worked very hard to provide for their kids. Throughout this essay there are three sources to support and display what women went through during the black arts movement. These sources are, “The Negro Woman in American Literature,” “Woman Poem,” and “Wine in the Wilderness.” All of these sources add critical information to help support the thoughts on how women were treated during the black arts movement and what they faced on a daily basis. Overall during the black arts movement women were involved in lots of art to display their sexual characteristics. Women faced many issues like being disrespected and not being given an equal opportunity. Lastly, the black arts movement really brought out the way that women were treated and displayed the terrible things that artists did to them in society, which caused more problems in their
The ideal female beauty in American culture is predominately white (Bankhead & Johnson, 2014). Throughout U.S history, women’s mainstream beauty ideal has been historically based on white standards such as having blonde hair, blue eyes, fair skin, a thin ideal body, straight hair, and thin lips (West, 1995; Yamamiya, Cash, Melynk, Posavac, & Posavac, 2005; Leslie, 1995). Therefore, the features of African American women tend to be viewed as undesirable and unattractive compared to the European standards of beauty (Awad, Norwood, Taylor, Martinez, McClain, Jones, Holman, & Hilliard, 2014). According to Ashe (1995), “African beauty, body and hair have been racialized, with slim/”keen” European features being the accepted standard of beauty since enslaved Africans was forcefully brought to the Americas.” The physical characteristics of Black women such as having broad noses, brown skin, full lips, large buttocks and course hair has been looked down upon throughout United States history (Byrd & Tharps, 2001). In effect, the standard of beauty of European features that were forced on slaves are internalized and currently seen in the standard of beauty of African Americans (A.A) (Chapman, 2007). These standards include African Americans perceiving light-skinned as being more favorable than dark-skinned (Maddox & Gray, 2002; Perdue, Young, Balam,
Phillis Wheatley and Elizabeth Freeman’s actions influenced the American Revolution. Wheatley through her literature, which included poems sent to George Washington and a poem written in regards to King George the third, was able to set an example of how African Americans are intelligent and equal human beings of the American colonies. Elizabeth Wheatley went against all odds to obtain her freedom by suing her slave owner and winning the case in court. Phillis Wheatley and Elizabeth Freeman’s actions during the American Revolution affected what liberty rights they would obtain years after the American Revolution ended.
Hypertension will continue to be a major cause of death all for Americans especially African Americans. Limitations in care for the under-served will continue to be a growing problem. Solutions must be made to provide the delivery of high quality, lower cost and especially effective primary care to the underserved populations.
Berry, Hannah. “The Fashion Industry: Free to Be an Individual.” The Norton Field Guide to
Fashion in the 21th century is a big business, as its production employs millions of people and generates billions of dollars in revenue. Fashion has for the past century been, and is still today, used as an indicator of social change and progress, as it changes with the social norms of the society and the political changes of the world (Finkelstein 3).
Despite the restrictions imposed by slavery, African Americans have made significant contributions to American culture in music, literature, and cuisine.
As I reflect on who I am and which culture I identify with, I am met with reservation. My parents are both Black Americans, they were both born and raised in the United States, their parent were also born and raised in the US. It is obvious that we derive from African descent; our skin color and physical features yet I find it difficult to relate or identify with my African heritage as slavery has played a pivotal role in separating us from our African origin. African enslavement left us devoid of a way to define ourselves. It severed familial ties and deprived us of any viable opportunity to reclaim them.(www.huffpost.com) We are descendants of African slaves but when I speak to someone who was born in Africa or research African culture, I
Webster, G. (2011, October 9). Race and fashion: Still an issue?. CNN. Retrieved, from http://www.cnn.com/2011/10/07/living/fashion-industry-race/
Fashion is a form people use as a way for self expression. For me, fashion dictates how a person sense of style is; some may be bold and loud or simple and calm in which it also gives others an outlook on how their character may be. Although fashion is a way to express ones’ sense of style it does not tells us who the person is personally. Fashion in the society of the 1900s has changed female gender roles then and now by the way their roles changed during the time.
In the early 1800s, France was the sole fashion capital of the world; everyone who was anyone looked towards Paris for inspiration (DeJean, 35). French fashion authority was not disputed until the late twentieth century when Italy emerged as a major fashion hub (DeJean, 80). During the nineteenth century, mass produced clothing was beginning to be marketed and the appearance of department stores was on the rise (Stearns, 211). High fashion looks were being adapted and sold into “midlevel stores” so that the greater public could have what was once only available to the social elite (DeJean, 38). People were obsessed with expensive fashions; wealthy parents were advised not the let their children run around in expensive clothing. People would wait for children dressed in expensive clothing to walk by and then they would kidnap them and steal their clothes to sell for money (DeJean, 39). Accessories were another obsession of France‘s fashion; they felt no outfit was complete without something like jewelry or a shrug to finish off the look and make it all around polished (DeJean, 61). As designers put lines together, marketing began to become important to fashion in the nineteenth century; fashion plates came into use as a way to show off fashion l...
The industry sells its good through 3 channels and their sales with the market share:
It is quite evident as you walk around the streets of almost any city or town in America that the line between what was once considered the black style of dress and the white styles has become less and less evident. This is especially true with the younger kids in junior high and high school. The baggy pants and shirts with labels and bright colors that were once reserved for the inner city black and Latino kids, are now being worn by whites in wealthy suburban neighborhoods.