Aesthetic Rubric To Distinguish A Well-Adaptive Film

From the insightful thoughts of Linda Cahir, readers can apply her Aesthetic Rubric to distinguish a well-adaptive film. To begin with, a reader should focus on the ideas communicated through the film that the director borrowed from the literary text. Throughout the film, experimenting with camera skills and techniques expresses the director’s interpretation of the literally source. His interpretation should introduce a new understanding of the text but still maintain resemblance to the old text. Although the adaptation reveal brand-new themes, these themes shouldn’t be so far different from the original source text that they no longer relate. By paying attention to these specific details, one can tell if the piece of media is a true successful

In Memento, Leonard suffers a head injury which renders his ability to form new memories. At the center of discussion is how the main character conditions himself to regain parts of his memory. Memento Moir’s character Earl explains that practice is beneficial, “They tied to teach you to make lists in grade school, remember? Back when your day planner was the back of your hand… they tried to get you to write it all down somewhere more permanent.” Across Earl’s chest, the words tattooed all in caps say, “JOHN G. RAPED AND MURDERED MY WIFE. To condition himself, Leonard carries with him a polaroid camera, pictures, notes, and the same tattoos as Earl that remind him of his past. The value of collecting memory is important in making us who we are, and in ensuring the continuation of our identity over time. His wife’s death is a significant event that defines Leonard’s purpose in life: an endless search for his wife’s attacker who caused him his memory lost. As viewers learn, Leonard studies only the hard-physical facts and information he provides himself. Director Christopher Nolan explores this conditioning method and how it fails to differentiated what is fact and what is not. The main character Leonard experiences conflict on determining what memories are the truth. His world begins to fall apart when Teddy reminds Leonard of Sammy Jankis, a client Leonard apparently worked with at his insurance company before his incident. The story of Sammy Jankis accidentally killing his wife by glucose overdose is the actual life story of Leonard and his wife. In denial of all the proof Teddy presents him, Leonard manipulates his own memory by burning the pictures of himself killing his wife’s rapist and noting down to not trust Teddy. Altering of these facts gives him the control of his future thoughts and actions. Conditioning himself fixes nothing for