The story “Where is Here?” by Joyce Carol Oates is a story that addresses many heavy topics. Some of those topics are: abuse and violence, how we treat our family when no one is watching, and how hospitable people truly are to strangers. Through careful analysis of this multilayered story, we can uncover some hidden gems. Who is the stranger in the story, How does violence play into the connections the stranger makes, and In what sense is the stranger dead? By asking ourselves questions such as these, we gain a deeper knowledge of the story. To begin, the story opens with a family receiving a visit by a stranger on a November evening. Since the author uses words like “chill, damp, deepening dusk” (Oates 325) to describe the condition of the …show more content…
Recalling the similarities and differences of the house and occupants from the present to the past 1) the general structure of the house. 2) The fact that the stranger had a mother, a father, and a sister, and 3) where the strangers father and the current father sat for dinner. Out of all the differences brought up, the appearance of the house from the strangers memory seems to be the most noteworthy. For example the stranger stated “dark by day, dark by night” (Oates 327) probably due to the gloomy circumstances of his childhood. The stranger soon becomes distressed and agitated in the house which we find out is due to his fathers abusive nature. One moment in particular when memories started rushing in was when he looked at the window seat. The stranger describes the memory of his mother asking him riddles such as “ ‘What is round, and flat, measuring mere inches in one direction, and infinity in the other?’ ‘Out of what does our life arise? Out of what does our consciousness arise? Why are we here? Where is here?’” (Oates 328). These questions just like the act of violence and abuse don’t have a definitive answer but they go on and on until the answer to the question eventually become the question itself. The stranger goes on with his tour and continues upstairs and its noted that the son and the stranger had the same bedroom. The mother and father ask if the stranger wants to see their room but the stranger …show more content…
As previously mentioned, the stranger had a limp, and when he shook the parents hand he felt cold due to the cold weather. When he was in the house he began to sweat, he spoke, and unloosened his tie, so we know he is not a ghost. He is however emotionally a ghost, the toll abuse takes on a person is indescribable. To be able to visit the scene of the crime and still retain your composure is difficult. In the story there were multiple scenes when it appeared that the stranger was going to break down but he didn’t. This reveals a lot about his
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
Ted Kooser’s “Abandoned Farmhouse” is a tragic piece about a woman fleeing with her child, the husband ditched in isolation. The mood of the poem is dark and lonesome, by imagining the painting the writer was describing I felt grim because of what the family went through. As reported in the text, ”Money was scarce, say the jars of plum preserves and canned tomatoes sealed in the cellar hole.” This demonstrates the understanding of why they deserted the farmhouse. The author also composes, “And the winters cold, say the rags in the window frames.” This proves that the residence was unaccompanied. When placing the final touches, the reader begins feeling dark and lonesome, asking about the families disappearance.
As he slouches in bed, a description of the bare trees and an old woman gathering coal are given to convey to the reader an idea of the times and the author's situation. "All groves are bare," and "unmarried women (are) sorting slate from arthracite." This image operates to tell the reader that it is a time of poverty, or a "yellow-bearded winter of depression." No one in the town has much to live for during this time. "Cold trees" along with deadness, through the image of "graves," help illustrate the author's impression of winter. Wright seems to be hibernating from this hard time of winter, "dreaming of green butterflies searching for diamonds in coal seams." This conveys a more colorful and happy image showing what he wishes was happening; however he knows that diamonds are not in coal seams and is brought back to the reality of winter. He talks of "hills of fresh graves" while dreaming, relating back to the reality of what is "beyond the streaked trees of (his) window," a dreary, povern-strucken, and cold winter.
Joyce Carol Oates intrigues readers in her fictional piece “Where Are You Going, Where Have You Been” by examining the life of a fifteen year old girl. She is beautiful, and her name is Connie. Oates lets the reader know that “everything about her [Connie] had two sides to it, one for home, and one for anywhere but home (27). When Connie goes out, she acts and dresses more mature than she probably should. However, when she is at home, she spends the majority of her time absorbed with daydreams “about the boys she met”(28). This daydreaming behavior is observable to the reader throughout the story. From theories about dreams, theories about subconscious thought, and the clues that Oates provides, the reader is lead to believe that Connie’s experience with Arnold Friend is a nightmare used to awaken her to the consequences that her behavior could result in.
Agatha Christie once stated, “Crime is terribly revealing. Try and vary your methods as you will, your tastes, your habits, your attitude of mind, and your soul is revealed by your actions” (Thompson). In a perfect world, there is no such thing as crime and every action committed by a person has a positive outcome. But knowing there is no such thing as a perfect world, incidents happen. The Federal Bureau of Investigation declared recently that crime has risen .7 percent since 2011 (Department, U.S Justice). With a brief love for crime and violence, Joyce Carol Oates conveys these unjust acts of disobedience into short stories. Though her stories prove intriguing, and her details of physical characteristics are exact, she lacks the realistic details of an actual killer. Presented in her short story “Where Are You Going, Where Have You Been?” Oates character Arnold Friend lacks the potential to kill in comparison to Charles Schmid. The real life serial killer Arnold depicts. Schmid is a much scarier killer with a more demented mindset.
* Wegs, Joyce M. "'Don't You Know Who I Am?' The Grotesque in Oates' 'Where Are You Going, Where Have You Been?'" Critical Essays on Joyce Carol Oates. Ed. Linda W. Wagner. Boston: G. K. Hall 1979.
The short story, “ Where are you going, Where have you been?” by Joyce Carol Oates, an award-winning author, is known for unmasking the evil within everything and presenting it to the world through a fictional story. In what is thought to be her most terrifying yet highly acclaimed short story, Oates references many fairy tales that help carve the short story into a realistic allegory. She models the short story after the real-life murder of a teenage girl by the American serial killer Charles Schmid also known as the “Pied Piper of Tuscon .” Knowing this information allows a greater sense of reality opposed to fiction because the events throughout the story are fairly similar to the tragic horror that took place on May 31, 1964. The story deals with the temptations and the coming of age of a teenage girl while challenging the perception of America during the 60’s. Oates references several fairy tales throughout the story to help guide the reader and give a sense of an allusion. There were three fairy tales that stood out the most in the story: Cinderella, the Beauty and the Beast, and Little Red Riding Hood.
In the short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, many elements of fiction are used to convey subject of themes represented throughout the story, such as disguises. Throughout the story the use of characterization, detail, and allusions represents the presence evil in the modern world. Oates used these elements to capture evil that illustrates the theme that ‘Looks can be deceiving’.
Joyce Carol Oates' short story "Where Are You Going, Where Have You Been?" written in the late sixties, reveals several explanations of its plot. The story revolves around a young girl being seduced, kidnapped, raped and then killed. The story is purposely vague and that may lead to different interpretations. Teenage sex is one way to look at it while drug use or the eerie thought that something supernatural may be happening may be another. The story combines elements of what everyone may have experienced as an adolescent mixed with the unexpected dangers of vanity, drugs, music and trust at an early age. Ultimately, it is up to the reader to choose what the real meaning of this story is. At one point or another one has encountered, either through personal experience or through observation, a teenager who believes that the world is plotting against them. The angst of older siblings, peer pressure set upon them by their friends, the need for individualism, and the false pretense that at fifteen years of age, they are grown are all factors which affect the main character in this story.
In Joyce Carol Oates "where Are You Going, Where Have You Been?" the reader is left with a chilling feeling as they read it 's haunting content. In this short story, the theme of fantasy vs. reality is explored through the protagonist Connie 's journey of self-realization as she leaves behind her naive self. Though the story follows Connie closely the third person omniscient point of view allows for developed story as Oates writes a warning to young girls everywhere.
Joyce M. Wegs, '"Don't You Know Who I Am?': The Grotesque in Oates's 'Where Are You Going, Where Have You Been?'," in The Journal of Narrative Technique, Vol. 5, No. 1, January, 1975, pp. 66-72.
cold, harsh, wintry days, when my brothers and sister and I trudged home from school burdened down by the silence and frigidity of our long trek from the main road, down the hill to our shabby-looking house. More rundown than any of our classmates’ houses. In winter my mother’s riotous flowers would be absent, and the shack stood revealed for what it was. A gray, decaying...
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” tells the tale of a fifteen year old girl named Connie living in the early 1960’s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most popular interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is really the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be forever changed by her interactions with Friend.
Urbanski, Marie Mitchell Olesen. "Existential Allegory: Joyce Carol Oates 'Where Are You Going, Where Have You Been?'." Studies in Short Fiction (Spring 1978): 200-203. Rpt. in Contemporary Literary Criticism. Ed. Dedria Bryfonski. Vol. 11. Detroit: Gale, 1979. Literature Resource Center. Web. 31 Oct.
After the kitchen the visitor moves to the dining room and then he seemed to get even more emotional because the story tells us “ the stranger appeared to be even more deeply moved moved.” Maybe the author chose to make the visitor go through the house in a certain order because he would feel more and more emotional the more he moved throughout the house. Then they move to the living room, and the visitor talks about how different it all looked. But then, he notices the window seat and that brought back even more memories of what the visitor and his mother did. Then they move upstairs to the son’s room and when the stranger makes on to his last request he breaks down in tears because he seems emotionally unstable about leaving the house “ Now the visit was truly over; the stranger, at last, was leaving, having wiped away the tears and made a stoical effort to compose himself”. The author made the visitor become more and more emotional throughout the different places of the house because each one had a desired affect on the stranger’s