AN ACT OF TERRORISM: PERFORMATIVE (HIS)STROSITIES AND THE ERADICATION OF THE BLACK BODY

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The Eradication Of The Black Body
Phenomenal blackness facilitates acts of terrorism to be propagated and enacted onto the dark body as a gateway to hegemony. In addition, the role of the hoodie (following the tragedy) took on a performative role as a visual icon in the struggle of racial profiling, violence, and performative (his)trocities against dark bodies. Yet I believe the hoodie carries a distinctive racialized image that seeks to demonize when worn on the Black body, which played a pivotal role in Martin’s death.
The hoodie has long been associated with visual images of the American working class. In 1976 the motion picture, Rocky, rocked the box office with the highest grossing box office revenue and went on to win Best Picture at the Oscars that same year. In the film, actor Sylvester Stallone proudly dons the hoodie as a symbol of struggle and solidarity of the white blue-collar working class. The iconic image of Rocky Balboa, the son of Italian immigrants, standing tall with fist thrust proudly in the air is recognizably altered by race. This is especially prevalent when compared to a similar image of a black youth poised with fist held high sporting a rose and draped in a hoodie.

Michael Thomas Mills, a semiotician at the University of Northern Colorado in an interview National Public Radio suggests, “The classic sweater thrown over the shoulders and tied at the chest has long been associated with country clubs, wealth and influence” (Weeks, 2012, “Remember Rocky?”).
Similarly thanks in part to popular media, the hoodie represents working class and blue -collar lifestyles and when used as urban gear it takes on a more sinister representation. Hooded sweatshirts often suggest negative and damaging ster...

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...ce and was seen as a universal object that crossed racial and class boundaries.
I participated in a student-organized rally held at my institution. Even as I walked (hoodie in tow) with those who, much like myself, have never experienced performative (his)trocities, I discovered that we all share similarities with Trayvon. We are all ill-equipped to face the ongoing war waged against the dark body. On the day the verdict was announced and George Zimmerman was set free, I was again reminded of how performative (his)trocities and phenomenal blackness, in light of a national (mis)recognition of black identity, is just as unavoidable of a circumstance to the black body as being hit by a stray bullet in the inner-city or gunned down outside a suburban subdivision in central Florida. We are not safe. Every one of us is a suspect. And we are all Trayvon. We are Trayvon.

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