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In this essay I will be looking at the topic of the countercultural movement of the 1960’s through counterculture film. The 1960’s were an extremely interesting time in history not only in the United States but all over the western world, as we saw the rise of the counterculture generation. The counter was a group of movements focused on achieving personal and cultural liberation and was embraced in many different ways by the decade’s young people. I have chosen this topic as the 60’s stand out for me as a revolutionary and often misrepresented period in history. The films I have chosen to look at are The Baader Meinhof Complex from director Uli Edel, Woodstock from Michael Wadleigh, Pirate Radio from Richard Curtis, and Fear and Loathing in Las Vegas from director Terry Gilliam. I chose to analyse these films as I believe they clearly demonstrate the social and political issues of the 1960’s and societies response to them. From these films it has become clear to me that the 1960’s was a time of massive political and social upheaval, from the Hippie movement in the USA, to the student protests and the formation of the RAF in Germany. With the wave of young educated people that the baby boom created and the anger they held against their parents for racism, sexism, oppression, and a refusal to talk about the past it is no surprise to me that, there was a call for change. As Ulrike Meinhof said “I really don’t see the difference between the terrorism of the police that we have already experienced in Berlin and are threatened with now and the storm trooper terror of the Thirties” I think this quote sums up the feelings of the youth in Germany in the 60’s and this feeling of terror is carried well throughout the film The Baader Me... ... middle of paper ... ...ychedelics no longer shed light on the possibility of peace but instead the insanity of a social world. In conclusion It has become clear to me through studying theses texts that the counterculture movement of the 1960’s was one of great importance, without it we wouldn’t live in the society we do today and yet so many of the ideals and goals of the movement were not achieved. Western society is consumed by consumerism and the entrapments of everyday working life. There is still oppression and war rampant many countries: North Korea, Somalia, Syria, and Uzbekistan, have been named as having the lowest standards for both political rights and civil liberties by political watchdog organisations such as Freedom House. Although it seems that we have come a long way, I am not entirely convinced that the counterculture movement was a success.
The 1960’s changed the world in an explosion of sex, drugs, and rock and roll, for the first time women and men where declaring freedom and free love. The sexual revolution of the 1960’s saw changes in the way the world saw its self, and the way we saw each other. It changed what we wanted to buy, how we bought it and how we sold it to each other. Artistic free thinkers began to push boundaries everywhere they could. This is reflected in the music of the times, the notable events and the fashion.
The 1960’s were a time of going against the norm, breaking the rules, acting against authority. Kenneth Walsh describes the decade as “a decade of extremes, of transformational change and bizarre contrasts: flower children and assassins, idealism and alienation, rebellion and backlash.”(Walsh) Rebelling against conformity was exactly how the character of Lucas Jackson is portrayed.“The film 's protagonist is not a recognizable figure of the era 's counterculture; he 's no free-love hippie or dedicated anti-war activist, yet younger audiences were drawn to his rebellious nature” (Nixon). Although Luke is far from a hippie, he still relates to the way the hippies were in the 1960’s. “The hippies” primary tenet was that life was about being happy, not about what others told them they should be. Their “if it feels good, do it” attitudes included little forethought nor concern for the consequences of their actions” (Haddock). Luke relates
My reception of this film was so positive because of my knowledge, experiences and values. I have always enjoyed learning about the 1960’s and admired the political activism and change that occurred in that time period. I grew up in a very liberal home, where we were freely able to discuss controversial topics and form our own opinions.
American society and culture experienced an awakening during the 1960s as a result of the diverse civil rights, economic, and political issues it was faced with. At the center of this revolution was the American hippie, the most peculiar and highly influential figure of the time period. Hippies were vital to the American counterculture, fueling a movement to expand awareness and stretch accepted values. The hippies’ solutions to the problems of institutionalized American society were to either participate in mass protests with their alternative lifestyles and radical beliefs or drop out of society completely.
The 1950’s have received a reputation as an age of political, social and cultural conformity. This reputation is rightfully given, as with almost every aspect of life people were encouraged to conform to society. Conforming is not necessarily a negative thing for society, and the aspects of which people were encouraged to conform in the 1950’s have both negative and positive connotations.
During the sixties and seventies there was an influx of social change movements, from civil rights, gay rights, student’s rights and feminism. In the early sixties the US was experiencing
Through their dystopian texts, Lang and Orwell aim not only to generate imaginative critical thinking about the imminent dangers of their contemporary worlds, but also potentially offer the basis for radical change with real world consequences. Fritz Lang’s Expressionist silent film Metropolis, released in 1927, represents his concerns for the individual under a capitalist hierarchy. His film reflects the economic and political aftermath of Weimar Germany following WWI, to portray the impact of power struggles on the individual. Correspondingly, in the short time-span of only 20 years, George Orwell’s novel 1984, published in 1949, warns of the mechanisms of power in a totalitarian society, cautioning his audience about the eradication of the
The musical counterculture of the 1960s challenged the traditional cultural values and American and group identities that came from the Jazz era. The new age of Rock was seen as psychedelic as it broke free from previous restraints and “social norms.” The youth were the majority of this movement and they desired to break away from the suburbia lifestyle their parents had set up for them. The musical counterculture shattered the American value of music being separate amongst different races. Thus, the musical revolution of the 1960s challenged traditional American values, which created significant opposition.
The counterculture of the 1960s is believed to originate from the post-war environment. It is explicated that the research conducted by cultural history professor, Fred Turner from Stanford, indicates that the cultural shift within the framework of the 1940s and 1950s had influenced the appearance of revolutionary individualism of the 1960s counterculture (Winterbottom).
Works Cited Brash, Sarah. Turbulent Years The 60s. Alexandra: Time-Life Books Inc., 1998. Marwick, Arthur. The Sixties. New York: Oxford University Press, 1998. Sterns, Jane And Michael. Encyclopedia of Pop Culture. New York: HarperCollins, 1992.
In the duration of one year, 1968, the American national mood shifted from general confidence and optimism to chaotic confusion. Certainly the most turbulent twelve months of the post-WWII period and arguably one of the most disturbing episodes the country has endured since the Civil War, 1968 offers the world a glimpse into the tumultuous workings of a revolution. Although the entire epoch of the 1960's remains significant in US history, 1968 stands alone as the pivotal year of the decade; it was the moment when all of the nation's urges toward violence, sublimity, diversity, and disorder peaked to produce a transformation great enough to blanket an entire society. While some may superficially disagree, the evidence found in the Tet Offensive, race relations, and the counterculture's music of the period undeniably affirm 1968 as a turning point in American history.
During the 1960s America was involved and distracted with different problems. One of these conflicts had to do with the assassination of Martin Luther King Jr., where riots began in cities across the country. Also, America was deeply involved during the continuing military conflict in Vietnam. As President Nixon continued drafting boys to Vietnam, riots were ongoing, including many campus protest movements. During these movements, people marched for peace and burned draft cards (“Did Woodstock Change America?”). Both of these conflicts brought a culture of public demonstration, where people would show what they were feeling peacefully and violently. “People were also judged and punished because of what they did. Some people were arrested, had left home, or got expelled from school just because of their choices in style”(Young and Lang 100). The Woodstock festival was a chance to support the music and style they liked and peacefully p...
Nelson Mandela once said, “ I learned that courage was not the absence of fear, but the triumph over it. The brave man is not he who does not feel afraid, but he who conquers that fear.” This quote will be the surrounding configurations of this essay. These simple words do not only play a role into a human’s everyday life, but that of a role in the major political and social changes of that decade... that decade being the 1960’s. What are those major political and social changes in reference to? These alternations are in contact with the effects of the film industry and how those connections were and will be the major “rule breaking” films of the future solely in partnership with those films of that decade.
If the Pentecostal Movement was a mark for the 20th Century Christianity, The Sixties (the 1960s) was a big step for American 20th Century society with important social changes. The hippies, the psychedelic lifestyles, protestation against materialism, the civil right movement, etc. have formed a colorful picture of the 60’s society – the counter...
The 1960s counterculture was a cultural sensation which first began to take shape in the United States and from there on it spread throughout the rest of the west. It spread sometime in the early sixties to early seventies. The counterculture sensation began to catch on quickly and it eventually went on to become groundbreaking. Several components contributed in making the counterculture of the 1960s a unique era from the other opposition movements of the previous eras. The post-war baby boom created an unexceptional amount of youngsters who were an integral part of making the counterculture movement. As the 1960s continued worldwide tensions began to develop in societies in which people followed the same strategies as their elders used to regarding the war in Vietnam, race relations, human sexuality, women's rights, traditional modes of authority, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Several new cultural forms arose which included the Beatles and parallel to it was the growth of the hippie culture. This led to the fast development of the youth culture in which change and experimentation were mainly highlighted. Many songwriters, singers and musical groups from the US and around the world made a major impact on the counterculture movement which included the likes of the Beatles. Basically, the 1960s counterculture grew from a convergence of events and issues which served as the main substances for the remarkable speedy change during the decade.