A Zipper for Pee-Wee Herman
Leaders in childrens television are and always have been concerned about
what programs actually make it on the air. Most early programming for children
of school age in the 1950's was the western program. Another type was the
science-fiction thriller which tended to be based on hero's from the radio,
comics, and films. However, a favorite of the youngest audience was the
children's equivalent of the variety show. This usually contained circus,
puppet, and/or animal segments. "Super Circus", which aired in 1949, consisted
of music, circus acts, animals, and of course, clowns.
In 1952, yet another type of program came about which reached a very
similiar audience as the circus variety shows. It was called "The Ding Dong
School". The Ding Dong School offered the conversation, low-key instruction,
commercials, and entertainment of Miss. Frances, a professional teacher.
With the help of these types of shows, a new genre was born. Children's
television which was a mixture of songs, education, fun, and a whole lot more.
In 1969, the first airing of "Sesame Street" took place. Sesame Street had
programs which were sponsored by different letters of the alphabet or numbers
each day, and relied on very short, animated cartoons with live and puppet
segments which kept the interest of preschool children. The show was an
instant outstanding success, and still broadcasts today.
In 1970, "Mr. Roger's Neighborhood" was born. Mr. Fred Roger's used
puppets and music to teach patience and cooperation, while providing guidance
to help children cope with feelings and frustrations. Mr. Roger's land of
makebelieve's handpuppet characters interacted with humans in the mythical
kingdom of King Friday XIII. There, the puppets and humans would deal with
their feelings and emotions as they solve typical, everyday problems.
This new genre of programming was a sensation. The children loved it,
and the parents approved of it. During the following years, many new shows
came about which still fit this genre. In the year 1986, yet another show was
born into childrens television. "Pee-Wee's Playhouse". This series, starring
host Pee-Wee Herman (Paul Reubens) used animation, puppets, and vintage
cartoons to entertain and educate its audience. Between Pee-Wee Herman and his
extraordinary playhouse, children were given the opportunity to let their
imaginations go crazy.
The "playhouse" had no permanent residents, that is, besides the
furnishings. Not ordinary furnishings, you see, Pee-Wee's furnishings could
move, talk, dance, and sing. These "characters" could be seen at the
playhouse on a regular basis. Some of the favorites were: Globey, a talking
globe who would show Pee-Wee the countries that his pen-pal's letters came
from; Magic Screen, a toy of Pee-Wee's that enabled him to actually get
In the early fifties, young people watched TV more hours than they went to school, a trend which has not changed greatly since that time. What was portrayed on television became accepted as normal. Shows like What's a My Line debut on CBS, Your Hit Parade premieres on NBC in 1950. In April of 1950 5,343,000 TV sets are in American Homes. In May of 1950, 103 TV Stations in 60 cities were operating. In September 7,535,000 TV sets in USA. In October there were 8,000,000 TV sets.
never even existed. Perhaps he saw it coming because of how popular the television was
During the time in our country's history called the roaring twenties, society had a new obsession, money. Just shortly after the great depression, people's focus now fell on wealth and success in the economic realm. Many Americans would stop at nothing to become rich and money was the new factor in separation of classes within society. Wealth was a direct reflection of how successful a person really was and now became what many people strived to be, to be rich. Wealth became the new stable in the "American dream" that people yearned and chased after all their lives. In the novel entitled the great Gatsby, the ideals of the so called American dream became skewed, as a result of the greediness and desires of the main characters to become rich and wealthy. These character placed throughout the novel emphasize the true value money has on a persons place in society making wealth a state of mind.
Zoot Suit, a play written by Luis Valdez, depicts the racially charged trial of the Sleepy Lagoon Case of 1942 in which the courts charged a group of Pachucos with the murder of another Mexican-American. During the 1940s, many Mexican-Americans suffered widespread discrimination as dramatized in Zoot Suit. To combat such discrimination many Chicano youth wore stylized zoot suits, adorned with oversized jackets during fabric shortages as a form of social and political rebellion. Zoot Suiters felt disempowered by their position within society and used their fashion to send out a message and as a means to regain their masculinity. The Pachucos were accused with the murder of a fellow Mexican-American not because of clear evidence or proof, but because of their ethnic identity, renegade style of dressing, and behavior. The fundamental conflict that led to their arrest and unfair trial was a clash between Mexican-Americans and the dominant White American culture. Acting as a host, El Pachuco is the spirit of the ideal, defiant Pachuco and serves as Henry’s Reyna’s alter ego throughout the play, intermingling past Mexican culture with the current Zoot Suit culture. El Pachuco serves as a corrective to illustrate the heavy biases that the court and media displayed throughout the 1940s against Chicano people. Through his constant interjections during the courtroom scene, and his final confrontation with the reporter at the conclusion of the play he points out the injustices that Mexican-Americans had to endure.
Benjamin Franklin once said “Money has never made man happy, nor will it. There is nothing in its nature to produce happiness." This is arguably one of the most cliché quotes of all time. If money cannot provide happiness, then what exactly can it do? The characters of Jay Gatsby and Tom Buchanan open a door to a world in which money was the sole motivation for their success and the only reason for their power. When the reader uses a Marxist critical lens during chapter four of F. Scott 's Fitzgerald 's The Great Gatsby, the social hierarchy reveals how Jay Gatsby and Tom Buchanan utilize the importance of money and social power to manipulate others in their lives.
I will discuss a T.V show that began in 1987 and ran until 1995 and compare that to a T.V show of today Modern Family; which first aired in 2009. The two are both American family sitcoms and comedies that have had great success throughout the air. These two shows are both unique in their own way. Full House is based in the late 80’s and early 90’s in San Francisco. Now Modern Family is today and still on air going for the 7th season based in the suburbs of Los Angeles. That if you look at the family photo of the entire Modern Family cast and the complete Full House cast shows how the typical sitcom family has changed over the time. 80’s to present
The entertainment was everything from daytime surfing lessons to national acts like Glenn Tillbrook ...
In the book, money symbolizes a social evil as it destroys lives of people corrupted by wealth. In the first chapter, Fitzgerald treats money as if it was a cookie cutter for social classes and tells how wealth divides the society into different groups. For instance, East Eggers have "inherited money" whereas West Eggers have newly acquired money. Tom is an example of an East Egger who has "prestigiously" inherited quite a lot of "old" money. Gatsby is a West Egger who by boot legging, swindling and doing favors for others, has acquired "new" money.
Popular culture is the artistic and creative expression in entertainment and style that appeals to society as whole. It includes music, film, sports, painting, sculpture, and even photography. It can be diffused in many ways, but one of the most powerful and effective ways to address society is through film and television. Broadcasting, radio and television are the primary means by which information and entertainment are delivered to the public in virtually every nation around the world, and they have become a crucial instrument of modern social and political organization. Most of today’s television programming genres are derived from earlier media such as stage, cinema and radio. In the area of comedy, sitcoms have proven the most durable and popular of American broadcasting genres. The sitcom’s success depends on the audience’s familiarity with the habitual characters and the situations
Epstein, Dan. 20th Century Pop Culture: The Early Years to 1949. Philadelphia: Chelsea House Publishers, 2001. Print.
... hardships in the seventies and eighties, but due to the subdued seriousness through comedy, a larger audience can become aware of desperate situations.
This video allowed for large themes of I Love Lucy, which was the top TV show on at the time, to be recognized, and it gave a view of television programs at the time.
...rusades for TV in the 1950's despite the financial risks. These crusades shocked and outraged many, but they tapped the curiosity of millions more. More important than his films was Oral's return to TV in a 1969 series of prime-time specials.
West, Cornel. “The ‘80s. (Cover story).” Newsweek 123, no. 1 (January 3, 1994): 46. Academic Search Complete, EBSCOhost (accessed April 11, 2014).
The automobile industry is a pillar of global economy. Globally automotive contributes roughly 3 % of all GDP output. It historically has contributed 3.0 – 3.5 % to the overall GDP in the US. The share is even higher in the emerging markets, with the rates in china and India at 7 % and rising. China produces the highest number of automobiles followed by US and Japan (oica.net, 2015). The industry supports direct employment of 9 million people to build 60 million vehicles and parts that go into them (oica.net, 2015). Many other industries such as steel, iron, glass, aluminium, textiles etc. are associated with the automotive industry and resulting in more than 50 million jobs owed to the auto