A Violent Illumination of Salvation
Flannery O'Connor uses violence to return characters to reality and prepare them to accept their moment of grace. The New Encyclopedia Britannica defines grace as the "spontaneous, unmerited gift of the divine or the divine influence operating in man for his regeneration and sanctification" (401). At any cost, a soul must find salvation. O'Connor states, "In my own stories I have found that violence is strangely capable of returning my characters to reality and preparing them to accept their moment of grace" (qtd.in Bain 407). Dorothy
Walters, Associate Professor of English at Wichita State University, believes
O'Connor's single theme is the battle between God and the devil "dueling
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O'Connor portrays two varieties of sinners who possess either excessive pride or aggressive evil traits. The price of redemption is high. O'Connor violently shocks her characters, illuminates their shortcomings, and prepares them for redemption as seen in: "A Good Man is Hard to Find," "Revelation," "The River," and "The Lame Shall Enter First."
Walters reasons, "The instruction of pride through lessons of humility is, in each story, the means by which the soul is prepared for its necessary illumination by the Holy Spirit" (73). The grandmother in "A Good Man is Hard to
Find" and Rudy Turpin in "Revelation" is each convinced that she is a lady of elevated status. When threatened by superior beings, their self-imposed facades fall. Inherent human weaknesses are not tolerated and the faulty soul is damned or violently returned to reality (Walters 72). In The Habit of Being, O'Connor emphasizes: "My devil has a name . . . His name is Lucifer, he's a fallen angel, his sin is pride, and his aim is destruction of the Divine plan"
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Walters suggests that although Rufus' actions are destructive, he struggles against "an insistent pull toward salvation." He steals a Bible to teach Norton basic religious principals, demonstrating that he has not forsaken
God. His "devouring" of the pages validates his faith (102). Walters further implies that without God, Rufus will continue his life of crime and be damned; with God, Rufus may become a preacher. He must choose (104).
Dorothy McFarland, editor and critic points out that the Misfit's actions are more terrifying than Rufus's, because he remains well-mannered while committing sinister acts against society (19). He politely apologizes to the grandmother for appearing before her without a shirt and asks if she would "mind calling the children" (O'Connor, A Good 21). The fugitive Misfit "cannot find salvation or meaning to life" because he is aware of his "fallen condition" in a society of people oblivious to their faults. Without God, a "good man" doesn't exist and with God, he knows that he is a "sinner" (Masterpieces
Religious Imagery in Flannery O'Connor's The Life You Save May Be Your Own. The religious imagery in Flannery O'Connor's The Life You Save May Be Your Own gives the story a cynical undertone along with a healthy dose of irony. O'Connor uses allusions to Jesus and Christianity to examine the hypocrisies of the religion and its adherents. Her character Tom T. Shiftlet is portrayed paradoxically as both the embodiment of Christ and an immoral, utterly selfish miscreant.
In the short story, A Good Man is Hard to Find, by Flannery O'Connor, every object including the characters are symbols. The Grandmother, who is the one and only dynamic character, represents all of us who have repented. The story is, as Flannery O'Connor has suggested a spiritual journey because of the Grandmother's Plight. In the beginning of the story the Grandmother is obsessed with everything worldly and superficial. She cares far too much about how others perceive her,
“A Good Man Is Hard To Find” was written in 1953. The story demonstrates a broken family who can barely tolerate each other, going on a trip to Florida. Coincidentally, The Misfit has escaped from prison and is headed in the same direction as them. The grandmother continually attempts to persuade Bailey, her son, to go to destination that is not on their agenda. The only exception to their deviation of their route leads to The Misfit, who is a symbol of the grandmother’s salvation and the reality of everyone’s death. An individual’s misconstrued truth about their identity can falsify and taint their religion, therefore, leading them to beg for salvation. For example, in “A Good Man Is Hard To Find”, the grandmother manipulates everyone, compares the past to the present, and believes so passionately in her “lady hood” that it becomes her religion.
Kendall, Diana. 2012. Sociology in Our Times: The Essentials, Edited by M. Kerr. Belmont, CA: Wadsworth.
Scott, J., & Marshall, G. (2009). A dictionary of sociology (3 ed.). Oxford: Oxford University
“A Good Man is hard to find,” a short story written by Flannery O’ Connor, is one of the most interesting stories I’ve ever come across to in my life. Born as an only child into a Catholic family, O’ Conner is one of the most “greatest fiction writers and one of the strongest apologists for Roman Catholicism in the twentieth century (New Georgia Encyclopedia).” She was a very strong believer in her faith and she used her stories as a tool to send the reader a message that were most likely ignored and almost never uttered out loud. The story revolves around a grandmother who believes to be high and mighty around others. This results in her downfall later on.
The grandmother; is not godly, prayerful, or trustworthy but she is a troublesome character. She raised her children without spirutuality, because she is not a believer, she is Godless.
As he proceeds through brief insights on his past, he illuminates the reader and the grandmother on clues as to where he began losing this faith. A large portion of The Misfit’s expulsion of religion is due to the way he feels he was wrongly treated when regarding his conviction for murder. “I was never a bad boy that I remember of,” (18) and that authorities “said what I had done was kill my daddy but I known that for a lie” (18-19) The Misfit claims, yet he was punished regardless, indicating to him a sort of inconsistency with the Christian promise that morally good people do not suffer as he did in the way of his jailing. or cut last sentence and separate to be more concise) He acknowledges that praying would most likely grant him some sort of moral satisfaction or salvation from sin, yet claims “I don’t want no help” (19). This shows how he has lost touch with religion and no longer sees the benefit to having faith in Christianity as a result of the lack of help he received while enduring hard times in jail. The Misfit concludes his denunciation of Christianity by claiming that Jesus had “thrown everything off balance” (21) and made a mistake in raising the dead. The fact that a man would make the life’s work of Jesus out to be an issue in society proves a loss of faith in Christianity, a belief system founded on the idea that Jesus Christ saved society. The heart of The Misfit’s conflict with religion lies in the opinion that he, a morally sound and religiously faithful man, was wronged, punished, and left out to dry by the promises to save him from suffering made by the religion he once trusted. In this way, The Misfit has lost his faith in religion as a result of the emotionally and physically challenging times he endured throughout the process of his
Raiger, Michael. “’’Large and Startling Figures’: The Grotesque and the Sublime in the Short Stories of Flannery O’Connor.’” Seeing into the Life of Things: Essays on Literature and Religious Experience (1998): 242-70. Rpt. in Short Story Criticism. Ed. Janet Witalec.
Faris, Robert E.L., and William Form. "Sociology." Britannica. Encyclopedia Britannica, n.d. Web. 6 Mar. 2014.
Satan’s aspired manner of conduct, his absurd attempts to battle God, and his misleading craftiness construct his intriguing and vital character in John Milton’s Paradise Lost. As illustrated in Paradise Lost, The Screwtape Letters, and Scripture, Satan is a vicious baleful demon who uses deceitful strategies for his own ambitious gain. Satan’s power of manipulation, form shifting, and his own free will, led to his fall as the ruler of hell.
Macionis, J and Plummer, K (2005). Sociology A global Introduction. 3rd ed. Essex: Pearson Education Limited. p.436.
In conclusion, Flannery O’Connor used violence in her short stories in order to give her characters an event that changes their entire viewpoint, beliefs, and actions in life and shows them the reality of it. These acts of violence can be seen in A Good Man is Hard to Find, Good Country People, and Everything that Rises Must Converge.
Macionis. J, J. Plummer, K. (2005). Sociology. A global Introduction. Pearson Education Limited. Essex. (UK) Third Edition.
Dollonger, M. J. (2002). A framework for Entreprenership. In M. J. Dollonger, Entrepreneurship strategies and Resources (pp. 5-6). New Jersey.