A View From The Bridge by Arthur Miller Alfieri is a lawyer who works for the Sicilian community in Brooklyn. He opens the play with a very exposing account of what life used to be like and is like in that particular community. The audience knows from that speech everything about Alfieri and about the community in Red Hook. He launches into graphic detail about past bandits and murders and about how justice is very important to the Italians. The community is the 'gullet of New York,´ which is 'swallowing the tonnage of the world.´ This sentence is quite ironic since Red Hook is a fishing town and tonnage is another word for cargo. Alfieri speaks as though Red Hook has swallowed up all the complications of the world and is now reduced to a slum. This creates a vivid mental picture and therefore invents the ideal environment for tragic goings on. Alfieri also utters an intriguing statement, 'now we settle for half.´ This proclamation gives the impression that in this Italian community pride and justice is fierce and that no one will settle for half of what they believe is right. Alfieri makes this statement in the past tense leaving the question did the events that Alfieri witness determine whether people settle for half. He also wonders if there is another unfortunate lawyer sitting back, unable to do anything as the events, 'run their bloody course.´ The indirect reference to blood creates another question about whether blood will be shed, considering the Italian community has a reputation to fight to the death. Alfieri is essential to the structure of the play as he opens and closes the play. I believe that he is Arthur Miller's mouthpiece and he moves the action that Miller has once witnessed. Edd... ... middle of paper ... ... not. If Eddie had managed to get Catherine, it would have been unnatural and ridiculous. Beatrice notices the relationship but her unwillingness to speak out makes her part of the problem. The reason why Eddie betrayed his wife´s cousins is that he loved Catherine so much. However, even Eddie Carbone could not stand in the way of fate. Rodolpho and Catherine were meant to be together and no amount of vigorous and passionate arguing could stop fate from running its natural course. The doom in this play starts at the very beginning with Eddie´s outward and awkward feeling for Catherine, when he claims her as his own. The prospect of dooms mounts as the play goes on, but the main factor is that the play is about incestuous love, jealousy and betrayal. When these are combined with an underprivileged, passionate Italian way of life, the results are harsh.
The characters address the audience; the fast movement from scene to scene juxtaposing past and present and prevents us from identifying with particular characters, forcing us to assess their points of view; there are few characters who fail to repel us, as they display truly human complexity and fallibility. That fallibility is usually associated with greed and a ruthless disregard for the needs of others. Emotional needs are rarely acknowledged by those most concerned with taking what they maintain is theirs, and this confusion of feeling and finance contributes to the play's ultimate bleak mood.
In The Crucible by Arthur Miller, both pride and excessive pride influence the characters throughout the play. Pride is a sense of one's dignity and worth. Excessive pride is being overly confident of one's own self worth. Throughout, pride influences the actions, reactions, and emotions of the characters in such ways to establish the outcome of the story. Three characters are impelled by their pride. Hale, who takes pride in his ability to detect witchcraft; Elizabeth Proctor, whose pride makes forgiving her husband difficult; Proctor, whose excessive pride causes him to overlook reality and the truth.
Mark Lambeck uses the drama’s setting to relate Intervention to the audience. Specifically, he uses a vague yet understandable modern time. An audience can relate knowing they could experience the same thing on any given day. The location of the play is also a place an audience could easily find themselves. It is vague place that could represent almost anywhere, perhaps in where the audience is. In the current world, one could easily find themselves walking down the street on their cell phone. The characters are constant...
the play. It looks at the person he is and the person he becomes. It
likelihood of victory is small.” It is a person’s mental or moral strength to resist extreme
Adversity can cause an individual to overcome their challenges and strengthen their identity, however, it can also have the opposite negative effect. Adversity can trigger an individual to lose their identity in their attempt to escape from their problems. In the play, A Streetcar Named Desire, by Tennessee Williams, Blanche DuBois is unable to face adversity, which leads her to lose her individual identity during her attempt to escape reality. Blanche had experienced numerous hardships such as the deaths of many family members and the loss of her young husband, Allan. Instead of overcoming these challenges and becoming stronger, Blanche tried to run away from them.
Life in Salem, Massachusetts back in 1692 could prove very difficult for its residents. John Proctor, a married man living in this setting has to combat his society for what he believes is just and right, and in doing so sacrifices his life for it. In the play The Crucible, Arthur Miller illuminates the conflict between the individual and society by using John Proctor as his protagonist. Despite the fact that Proctor does die in the end, Arthur Miller believes that the individual does triumph over society in the end.
Daru, the schoolteacher in a remote area of Algeria, is torn between duty and what he believes is the right thing to do when he is suddenly forced in the middle of a situation he does not expect. He must escort an Arabic prisoner to the nearest town. It is not that Daru has much sympathy for the man; in fact, he does not, and actually finds himself disliking the Arab for disrupting so many lives. "Daru felt a sudden wrath against the man, against all men with their rotten spite, their tireless hates, their blood lust." Unfortunately, Daru loves his homeland, and cannot bear to think of leaving, despite the chaos that is raging around him between France and the Algerian natives. I believe that Daru makes the right choice in letting the prisoner choose his own fate. Daru has reaso...
Abigail Williams has a low reputation in the small village, and can be easily accused for witchcraft, yet she finds a way to avoid this.Abigail uses peoples reputation to her advantage, and accuses many others of witchcraft, taking the attention away from her. During the trials How does Abigail Williams and Danforth demonstrate the value of a “good” reputation in a puritan society? How does it relate to McCarthyism? And how did Abigail use it to her advantage? In The Crucible by Arthur Miller, Abigail Williams, a young girl in a small community, is accused to be a “Witch” after someone claims to have seen her dancing in the woods with the devil. Abigail is extremely significant character to this story, as she lead the small puritan society in Salem to the Salem Witch trials, which later on reveals each character's deepest value: Their Reputation. In this play, someones reputation can cost their lives, since the witch trials started, people with lower reputations are more vulnerable to be accused to be a “Witch”. Abigail, one of the accused victims, finds a way to use the power of reputation to control the outcome of her trial. She is the best example for explaining how reputation is so important.
The Crucible by Arthur Miller On the 17 October 2000, I went to see The crucible by Authur Miller. It was performed at The Mercury theatre in Colchester. When I first heard the title, I was expecting a spooky play. I had already heard a small amount about the play and knew that it involved witchcraft. The Crucible is set in 1692, Salem, Massachusetts.
Abigail says to John that she waits for him – John says that he made
The theme of the play has to do with the way that life is an endless cycle. You're born, you have some happy times, you have some bad times, and then you die. As the years pass by, everything seems to change. But all in all there is little change. The sun always rises in the early morning, and sets in the evening. The seasons always rotate like they always have. The birds are always chirping. And there is always somebody that has life a little bit worse than your own.
life in the mid to late twentieth century and the strains of society on African Americans. Set in a small neighborhood of a big city, this play holds much conflict between a father, Troy Maxson, and his two sons, Lyons and Cory. By analyzing the sources of this conflict, one can better appreciate and understand the way the conflict contributes to the meaning of the work.
In Tennessee Williams’ 1947 play, “A Streetcar Named Desire,” Stella and Stanley Kowalski live in the heart of poor, urban New Orleans in a one-story flat very different from the prestigious home Stella came from. This prestige is alive and well inside Stella’s lady-like sister, Blanche Du Bois. Over the course of Blanche’s life, she has experienced many tragedies that deeply affected her, such as the death of her gay husband, the downward spiral in her mental health that followed, and most recently the loss of her wealth and therefore social status. She constructs a proverbial lampshade to mask her pain and to control the last part of her world that she is able to, the image she projects into the world for herself and others to see. The brooding prince of William Shakespeare’s “Hamlet” chooses a very similar way of coping with the hand life has dealt him. When his mother remarries his uncle only a month after his father’s passing, the ghost of Hamlet’s father visits the young prince demanding avengement. These events cause Hamlet to try to replace the old lampshade that helped him cope with reality by changing his own image and fooling himself and others into thinking he’s crazy. An examination of both plays reveals that the importance of subjective truths and the way in which Blanche and Hamlet use them to cope transcends the context of both plays.
John Steinbeck's The Pearl tells the story of a pearl diver named Kino. Kino lives a simple life, and adores his family. At the beginning of the story Steinbeck shows how content Kino’s family is. Everything seems to be going perfect for Kino and his family that is until the discovery of the most wonderful pearl in the world changes his life forever. As the story advances Kino’s newborn, Coyotito gets bitten by a scorpion. Kino’s wife, Juana insists that they take Coyotito to the town’s doctor. Inevitably the doctor refuses to help Coyotito because Kino is unable to make a payment.