A Tale Of Two Cities: I prefer the chapters set in France
On reading ‘A Tale Of Two Cities’, my general impression is that the French chapters are a lot more interesting to read. I prefer the chapters set in France because they are much more exciting and I am carried away by the novel whereas I found, that in the English chapters, they were all about Lucie and her undying love for her father and husband. This was, quite frankly, tedious and a waste of Dickens’ effort to put some sentiment into these chapters which are set in London, a long way from the action in Paris. However, Dickens does need to put some sentiment into his book(perhaps he showed a little too much)to give reasons for the characters’ actions. I much prefer Dickens when he manages to move you by the sad death of somebody such as Nancy in ‘Oliver Twist’ or indeed Sydney Carton in ‘A Tale of Two Cities.’ This particular sentence illustrates my point very well.
“It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”
I felt much sadder when I read these words than Dickens’ paragraphs about angels. I think nowadays people are more inclined to pass over those sentiments and read on because, to us, they sound ridiculous and the symbolic nature of these words is lost.
“Thus, the rustling of an Angel’s wings got blended with the other echoes, and they were not wholly of this earth, but had them in that breath of Heaven. Sighs of the winds that blew over the little garden tomb were mingled with them also, and both were audible to Lucie.”
When the chapters set in France are read, they make me feel as though I am with the characters, in the midst of the revolution, thinking their thoughts, walking through the streets of Paris with them. I see the same people, who scare you with their dancing and howls. One such example is The Carmagnole, the Revolutionaries who dance through the streets wailing and screaming, thirsty for the blood of the aristocrats.
“They danced to the popular Revolution song, keeping a ferocious time that was like the gnashing of teeth in unison. Men and women danced together, women danced together, men danced together, as hazard brought them together.
“It was the worst of times it was the best of times.”(book). In the book A Tale Of Two Cities innocents were killed, abused and imprisoned. This book had a hero and a bad guy. The hero was Sydney Carton and the bad people were probably the revolutionaries, Madame Defarge and Monsieur Defarge. In the movie The Dark Knight Rises innocents, were also killed but in several different ways. In this movie, the bad guy was Bane and his accomplices, and the hero was Batman.
In this passage, Dickens’ juxtaposition, personification, detail, and diction reinforce Dickens’ tone of empathy and pity for the social conditions of the people of lower class France. When a large cask of wine spills open on the streets of France there is a mad rush to collect a taste of the spoiled wine. The people’s reactions consisted of “...frolicsome embraces, drinking of healths, shaking of hands, and even joining of hands and dancing a dozen together.” This exciting and scene of much happiness is juxtaposed by the “gloom that gathered on the scene that appeared more natural than sunshine” that occurs after all the wine has run out. This juxtaposition of the momentary happiness that the peasants of St. Antoine experience provide a contrast
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
"Since before the ancient Greeks, mankind has striven to discern and define truth, a noble if somewhat arduous task"( Swisher 118). Even modern society, despite losing so many of the old, "prudish" morals of preceding generations, still holds truth as one of the greatest virtues and to find truth in life, one of the greatest accomplishments. Authors such as Charles Dickens reflect this great desire to seek and find truth, using many varying mediums to express their opinions or discoveries. From the opening lines of the book, Dickens uses the method of thematic opposition to illustrate pure truth and evil lies. In A Tale of Two Cities, Dickens consistently opposes characters, settings, and even his theme of revolution, presenting juxtaposed viewpoints and actions that demonstrate deeper truths about life.
A Tale of Two Cities Essay Throughout history, the powers of love and hate have constantly been engaged in a battle for superiority. Time and time again, love has proven to be stronger than hate, and has been able to overcome all of the obstacles that have stood in the way of it reaching its goal. On certain occasions, though, hate has been a viable foe and defeated love when they clash. In the novel A Tale of Two Cities, Charles Dickens presents several different power struggles between love and hate.
A Tale of Two Cities In every great novel, there is a theme that is constant throughout the story. One of the better known themes portrays the fight of good verses evil. Different authors portray this in different ways. Some use colors, while others use seasons to show the contrast. Still, others go for the obvious and use characters.
A dynamic character is one who changes greatly during the course of a novel. There are many fine examples of dynamic characters in all Dickens novels. Three of these characters are Dr. Alexandre Manette, Jerry Cruncher and Sydney Carton. Dynamic characters play a very apparent role in the novel A Tale of Two Cities by Charles Dickens.
Throughout the novel, Dickens employs imagery to make the readers pity the peasants, have compassion for the innocent nobles being punished, and even better understand the antagonist and her motives. His use of personified hunger and description of the poor’s straits made the reader pity them for the situation caused by the overlord nobles. However, Dickens then uses the same literary device to alight sympathy for the nobles, albeit the innocent ones! Then, he uses imagery to make the reader better understand and perhaps even feel empathy for Madame Defarge, the book’s murderous villainess. Through skillful but swaying use of imagery, Dickens truly affects the readers’ sympathies.
Also, the sentimentality, although at times difficult to endure, produced a deeper understanding and emphasis of the harsh conditions that the people of France dealt with. For example, when Dickens describes France as having “its one poor street, with its poor brewery, poor tannery, poor tavern, poor stableyard ...” and says. “It had its poor people, too,” you can relate these horrid conditions to the world in which we now live. For this reason, Dickens use of emotive words aids you in grasping the circumstances that influenced the characters’ actions and thoughts.
Throughout A Tale of Two Cities, Charles Dickens repeats a number of symbols and motifs. By employing these two literary devices throughout the duration of the story, Dickens is working to emphasize the importance of these specific components of the story. Motifs and symbols represent repeating ideas that help the reader to understand, as well as highlight the author’s central idea. Dickens employs the usage of symbols and motifs, such that by using both he adds a layer of significance and deeper meaning to actions, people, as well as objects. Additionally, by using symbols and motifs, Dickens is able to create a story in which both the characters, and the plot are interwoven.
My favorite scene in A Tale of Two Cities is one of the last scenes, when Sydney Carton is about to go to the guillotine. It takes place in Paris, near a prison, and many people have gathered to watch french aristocrats be beheaded. The atmosphere is tense and chaotic; Sydney, however, remains calm, even though he is about to be killed. Sydney is holding the hand of a young girl who is given no name other than a "poor little seamstress". Sydney and the seamstress, who are both being wrongfully killed, comfort each other just before they reach the guillotine, and they seem to have an instant romantic connection with each other. I loved this scene because it showed that Sydney Carton had finally found someone who could love him, as he could love them, but it saddened me that he had found her just before their deaths.
Charles Darnay plays a pivotal role in the movie A Tale of Two Cities. His actions and eventual consequences drive the plot of the story. He is the nephew of the French aristocrat Monseigneur a.k.a. Marquis Evremonde. In the story, he marries Lucie Manette and therefore becomes the son-in-law of Doctor Manette. He is also an acquaintance of Sydney Carton, who is a friend of his wife. Charles Darnay is an interesting person to study because of the content of his character. He came across as an extraordinarily honest and good individual, but he has a certain complexity to him, making it enjoyable to learn more about him.
Charles Dickens’s voice varies from being sympathetic with the revolutionaries, to a feeling of discord with their method of revolting. A Tale of Two Cities revolves around the French revolution and the tension in England. Dickens gives the tale of a family caught in the conflict between the French aristocracy and radicals. In the course of the book, the family handles extreme difficulty and obscurity. Dickens’s neutrality, though sometimes wavering from side to side, is apparent throughout each book in the novel.
History has not only been important in our lives today, but it has also impacted the classic literature that we read. Charles Dickens has used history as an element of success in many of his works. This has been one of the keys to achievement in his career. Even though it may seem like it, Phillip Allingham lets us know that A Tale of Two Cities is not a history of the French Revolution. This is because no actual people from the time appear in the book (Allingham). Dickens has many different reasons for using the component of history in his novel. John Forster, a historian, tells us that one of these reasons is to advance the plot and to strengthen our understanding of the novel (27). Charles Dickens understood these strategies and could use them to his advantage.
Charles Dickens is a talented author who wrote many notable novels, including A Tale of Two Cities. Barbara Hardy notes that at a young age Dickens’ father was imprisoned for debt, leaving young Charles to support himself and his family alone (47). Dickens strongly disliked prisons, which shows as a motif in A Tale of Two Cities. Many of his interests contributed to the formulation of the novel. In the essay “Introduction” from the book, Charles Dickens, Harold Bloom claims Dickens hoped “to add something to the popular and picturesque means of understanding [the] terrible time” of the Revolution (20). Dickens’ reading and “extraordinary reliance upon Carlyle’s bizarre but effective French Revolution” may have motivated him to write the novel (Bloom 21). Sir James Fitzjames Stephen believed that Dickens was “on the look-out for a subject, determined off-hand to write a novel about [French Revolution]” (Bloom 20). In Brown’s book Dickens in his Time, Dickens guided the writing of the play Frozen Deep where two rivals share the same love, and one ultimately sacrifices himself for...