A TAle of Two Cities
In every great novel there is a theme that is constant throughout the story. One of the better known themes portrays the fight of good verses evil. Different authors portray this in different ways. Some use colors while others use seasons to show the contrast. Still others go for the obvious and use characters. But what makes them all so different is the authors point of view. In Charles Dicken's A Tale of Two Cities, he portrays good and evil in somewhat of a unique way. Dickens shows this difference by using characters, although we sometimes have to think about the difference between the good and the evil and wonder if they are not the same in the long run. Good and evil differs with the characters in this novel, yet sometimes coincides.
One way Dickens portrays a good and evil character contrast is with Sydney Carton and John Barsad. Carton being the good and Barsad the evil. For instance, when Carton tells Lucie he would "do anything for her" it is a promise that he keeps until the end. Carton is a very trustworthy man and would do anything for someone he cares about. Anything including giving up his own life. Barsad, on the other hand, is a spy that doesn't care what he does or whom he hurts. Barsad is definitely not trustworthy for the simple fact that he has dedicated his life to deception. Also, he would do anything to save his own life. This is one way that Dicken's contrasts good and evil using characters.
However Dickens also has those characters that are supposed to be good and evil except the reader can't always tell which is which, this happened with the peasants and aristocrats. At first the peasants are supposed to be the good and the aristocrats the evil, yet when the peasants have control they are just as bad as the aristocrats. When the aristocrats had all of the power they were bloodthirsty. They would "sentence a youth to death" for not kneeling for monks. This was a very bad time and this seems and is extremely evil. It seems as if the peasants were good, yet when the tables turned they acted the exact same way as the aristocrats. The peasants had "eleven hundred defenseless prisoners killed just because they could. So the peasants were just as evil as the aristocrats, even though both thought they had just cause.
To most, Charles Dickens’ A Tale of Two Cities is that book about the poor people and the French Revolution that isn’t Les Miserables where he ravages the rich people, calling them “tigerish,” (Dickens 33) following the lord “ignorancem” (Dickens 33) and saying that they “held life as of no account,” (Dickens 221) right? Wrong. Yes, A Tale of Two Cities is a book by Dickens mostly about the poor people and the French Revolution (that isn’t Les Miserables) wherein he makes metaphorically eviscerates the rich people, but these are all references to the poor, the downtrodden, the little guy, in short, the people we and Dickens are supposed to root for. Dickens, for a genuine friend of the poor, as shown in his books A Christmas Carol, Great Expectations, and Oliver Twist, and as someone who wrote to the masses, disparages the poor quite a bit in A Tale of Two Cities. In the words of Frederick Busch “[Dickens] fears revolution, … the downtrodden in revolt become, to Dickens, downright revolting.” It is not that the gentry in A Tale of Two Cities are the protagonists; rather, that the poor are antagonists as well. To sum, when blood rains from the sky, no one’s hands are clean.
Power can allow one to make decisions for others than will benefit them, but too much power can cause one to become corrupt. In the novel, A Tale of Two Cities, the author, Charles Dickens, views power as a way in which corruption arises. Throughout the novel, Dickens speaks about three characters who starts to abuse their power as time passes in the novel. Dickens portrays the characters of the Monseigneur, the Marquis of Evermonde, and the revolutionaries as characters who goes through a change as a result of power.
The most prevalent example of characters that are foils is the pair of Charles Darnay and Sydney Carton. These two men are extraordinarily similar, and yet they are also polar opposites. When Darnay and Carton are both introduced for the first time in the courthouse scene in Book the Second, Dickens immediately ensures that the reader is aware of the comparison. Darnay is acquitted of treason simply because the witnesses are unsure of their testimony after seeing Carton’s near-identical features. In addition to virtually sharing a countenance, the two also tend to dress alike throughout the novel. However, these similarities are merely the backdrop by which to accentuate the key differences between the characters. These are also recognized early on, even by the dim-witted Jerry Cruncher: “so alike each other in feature, so unlike each other in manner” (80). Carton is a relatively poor Englishman, while Darnay is a privileged French aristocrat. Although they have similar capabilities, Darnay uses his situation in life to his advantage, and Carton develops a disrespectful attitude and alcoholism. When the characters themselv...
Environment is a vital factor in determining the behaviour of characters; the books both agree and contradict with each other though. William Golding is of the view that humans share an innate evil: he strips boys of the order of society; he places them in a primitive environment; and in the subsequent story, their conduction descends from that of being civilised into that of evil chaos. He employs Simon, a boy of rare quality, to illustrate this by having him realise that the beast is not real, it exists only “inside us”. Charles Dickens writes about the corruption of an innocent boy too, as he climbs up the social ladder in this Bildungsroman. However his principal message is not that we are all inherently evil- for example his characters such as Joe and Biddy are good at heart- but he does agree that man cannot escape from man’s own true-self: Pip is enticed by the happiness he falsely thinks wealth will bring but eventually discovers the deception and that wealth does not buy real happiness. For Dickens poverty is so often the cause of crime and a lot of criminals have been unfortunate and are actually decent people. The books similarly talk about the corruption of boys due to environment- and their own nature- but Golding expresses he believes we are instinctively bad whereas Dickens believes: some people are essentially good; some people are bad; and there’s a grey area in between.
In the novel A Tale of Two Cities there were three strands of people: the
In A Tale of Two Cities, Charles Dickens’ choice of sentimental expression had an excellent effect on the readers’ responses to the characters. The use of exaggerated sentimentality helped create a clear picture of the story’s issues in the readers’ minds; it gave a feel for the spirit of the times, and made it easier to understand the characters’ points of view. It was this very sentimentality that Dickens strived to achieve.
When considering representation, the ways in which the authors choose to portray their characters can have a great impact on their accessibility. A firm character basis is the foundation for any believable novel. It is arguable that for an allegorical novel - in which Hard Times takes its structure, Dickens uses an unusually complex character basis. The characters in Hard Times combine both the simplistic characteristics of a character developed for allegorical purposes, as well as the concise qualities of ‘real’ people (McLucas, 1995). These characters are portrayed to think and feel like we as readers do and react to their situations in the same way that most of us would. Such attributes are what give the characters life and allow us to relate to their decisions.
Imagine you are a young boy, mourning the death of your family in the graveyard where they are buried. Suddenly, a man, only to be described as an escaped convict, hoists you into the air by your ankles and threatens to kill you if you do not bring him food. Is this man good or bad. Now imagine, some 15 years later, that you are sitting by the bed of a man dying of sickness. This man has brought you fortune and status the likes of which you have never seen, as well as loving and trusting in you as if you were his own son. Is this man good or bad. Now what if you were aware that these men were the same man, how would you feel now. In the novel Great Expectations by Charles Dickens the lines between good and evil are often blurred, Abel Magwitch,
The classic novel, “Great Expectations,” by the highly respected and well-known author Charles Dickens has many symbolic items masked within its text. Each of the characters that make up the story represent a certain aspect of human nature, supporting the idea that everyone has both good and bad qualities in themselves and things that are important to a person’s life can greatly influence the character of a person as a whole, and how that in turn affects others around them.
“Fair is foul, and foul is fair”; depicts that good is bad and bad is good. William Shakespeare’s Macbeth displays an interesting use of various themes. A theme that is used throughout the play is the contrast between appearance and reality. Similarly in the novel Great Expectations, Charles Dickens conveys the idea of deception as well. The authors demonstrate the idea of appearance vs. reality through crime, characters and through character’s ambitions.
He is living proof of childhood corruption and portrays himself as his young, mischievous, and perplexed characters Oliver Twist and David Copperfield. He proves that he is a product of the Victorian era as he brings attention to the childhood cruelty, the less fortunate in an English society, and the unwealthy dysfunctional families of the early Victorian time period. Charles Dickens reflects these and other issues as he brings to life the realism of writing. While others were writing about the way things should be, rather than the way things were, Dickens was challenging these ideas, and argued that paupers and criminals were not evil at birth. This was an act of rebellion, for he in fact was showing the Victorian middle class generation how things felt from a different point of view.
Schlicke, Paul, ed. Oxford Reader’s Companion to Dickens. Oxford: Oxford University Press, 1999. “101-3+281-86+315”. Print.
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.
This book includes stark criticisms of many aspects of Victorian society such as child labor and class structure. He criticizes class structure by portraying other characters’ cruelty and corruption as an impediment from Copperfield’s discovery from himself. Dickens depicts an evil character as someone who is a result of their experiences such as James Steerforth or Uriah Heep or as someone who is inherently evil such as Mr. Murdstone. Also, Dickens is able to create a contrast between the evil of these characters and the warmth and goodness characterizing the people on Copperfield’s side. By comparing their characters, Dickens further emphasizes the difference between the two sides and “provides a forum for Dickens's views of the inherent nature of evil as well as a critique of a society that enables and shapes this darker side of humanity”(Miline, 102). Dickens sheds light on the negative parts of the Victorian class sytem and how it created the people Copperfield met in his life. Dickens strengthens his position on class differences in a variety of ways. Although he displays his clear disapproval, Dickens seems “to have mixed feelings about class consciousness as he has David maintain some distance from the Peggottys, but he portrays this family with an honesty and goodness of nature that is lacking in many upper-class characters” (Miline, 94). Despite clear signs of his disapproval, Dickens refuses to entirely condemn class differences because he acknowledges that it will always exist. For example, when Copperfield becomes a gentleman, he stays slightly aloof of the Peggottys due to their class differences and Dickens’ personal experiences during his lifetime as a successful author with taste of the lifestyle of the upper
Most of the story revolved around utilitarianism and the study of cold hard facts, but when the character flaws began to surface as a result of this philosophy, Dickens is quick to emphasize them. One actually sees the main character of the book and firm supporter of utilitarianism, Mr. Thomas Gradgrind, experience the faults of his practice and begin to stray from it. Now, after watching his life fall apart, maybe he wishes he were in the circus.