Blanche the true character
n Tennessee Williams’ play, A Streetcar Named Desire, the nature of theatricality, “magic,” and “realism,” all stem from the tragic character, Blanche DuBois. Blanche is both a theatricalizing and self-theatricalizing woman. She lies to herself as well as to others in order to recreate the world as it should be—in line with her high-minded sensibilities. To that extent, much of her creations arise from a longing for the past, nostalgia for her lost love, her dignity, and her purpose in life. She is haunted by the ghosts of what she has lost, and the genteel society of her Belle Reve, her own beautiful dream. Blanche arrives at Stella’s doorstep with, essentially, a trunk full of costumes from her past. She is intensely self-conscious and a performer in the utmost sense. We meet Blanche at a point in her life where few, if any, of her actions do not seem contrived or performed to some extent.
In Scene 3 of Act I, she produces a small performance for her suitor, Mitch, in her efforts to seduce him. She turns on the radio for soundtrack, directs Mitch to “…turn on the light above now!” and exclaims, “Oh, look! We’ve made enchantment (39)!” as she dances away as the self-cast star of the impromptu performance. Stella applauds from the sidelines as her audience, and Mitch sings and sways to the music. This caricature of a production is repeated in Scene 1 of Act II, where Blanche assigns roles to others as well. With her slightly unwilling newspaper collector, she attempts to set the mood as narrator of sorts. While he answers her request for the time promptly, Blanche chooses to meander into a dreamy digression—“So late? Don’t you just love these long rain...
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.... Though the bathroom houses a temporary reprieve from reality, the boundary between fantasy and reality is essentially permeable on all levels—in both the physical and psychological realms, between the apartment and the street, and within the two-room apartment as well.
While fantasy and theatricality begin with Blanche, they do not end with her departure in the play. As Blanche leaves with the doctor, Stella is still living in denial. “I couldn’t believe her story and go on living with Stanley!” she tells Eunice beforehand. Stella chooses to live with herself and Stanley by telling herself a much greater lie than any ever concocted by her sister. The necessity of fantasy in handling reality is reinforced a final time, as Eunice assures Stella, “Don’t you ever believe it. You’ve got to keep on goin’, honey. No matter what happens, we’ve all got to keep on going.”
she was in this stage, she was faced with much criticism and was called many
Blanche was awfully spoiled as a young girl. She lived in a huge house named Belle Reve, where servants would wait on her every want and need. This led her to never experience any hardships or adversity as a child. She had no previous experience of when she was forced to deal with any difficulties. She just had other people to take care of them for her. This is why, as an adult, Blanche doesn’t know how to overcome adve...
Blanche’s developmental history or character development points to her diagnosis. Blanche comes to New Orleans to stay with her sister Stella after being fired from her job as a schoolteacher due to having an inappropriate affair with a teenage student. When she arrives to see her sister, she is consumed with insecurities regarding her appearance and is condescending to her sister’s humble lifestyle. Stella’s husband Stanley immediately has distrust and dislike for Blanche and treats her
The two important female characters in the "poetic tragedy"(Adler 12), A Streetcar Named Desire, are Stella and Blanche. The most obvious comparison between Stella and Blanche is that they are sisters, but this blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both manifest a great deal of culture and sensitivity, and because of this, both seem out of place in Elysian Fields. "Beauty is shipwrecked on the rock of the world's vulgarity" (Miller 45). Blanche, of course, is much more of an anachronism than Stella, who has for the most part adapted to the environment of Stanley Kowalski. Finally, both Stella and Blanche are or have been married. It is in their respective marriages that we can begin to trace the profound differences between these two sisters.
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
One common point which is similar in both movie and the drama text is that it in a way sympathizes with females who are powerless by highlighting how they are dependent on men. Blanche who is shown more as an insecure female in her 30’s hides her frustration, and anger by masking herself as a women belonging to rich-upper class section of society. Similarly in Stella despite of being abused by her husband she continues to rely on him because of no other support in her life.
Blanche could not accept her past and overcome it. She was passionately in love with Alan; but after discovering that he was gay, she could not stomach the news. When she revealed how disgusted she was, it prompted Alan to commit suicide. She could never quite overcome the guilt and put it behind her. Blanche often encountered flashbacks about him. She could hear the gun shot and polka music in her head. After Alan’s death, she was plagued by the deaths of her relatives. Stella moved away and did not have to deal with the agony Blanche faced each day. Blanche was the one who stuck it out with her family at Belle Reve where she had to watch as each of her remaining family members passed away. “I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, Mother! Margaret, that dreadful way! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths—not always” (Scene 1, page 1546). Blanche lost Belle Reve because of all the funeral expenses. Belle Reve had been in her family for generations, and it slipped through her fingers while she watched helplessly. Blanche’s anguish caused her loneliness. The loneliness fueled her abundance of sexual encounters. Her rendezvous just added to her problems and dirtied her rep...
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
Stella represents an important part in this drama by providing a contrast to how life can change people when they go down different paths. In Contrast to her sister, Stella is bound to love. Although she fell in love with a primitive, common man, she most definitely loves him. Stella desires only to make Stanley happy and live a beautiful life together. She wants to find peace between her sister and her husband yet instead she finds conflict afflicting her on both sides. Blanche uses her dilutions and tries to sway Stella away from Stanley yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
To conclude, the author portrays Blanche’s deteriorating mental state throughout the play and by the end it has disappeared, she is in such a mental state that doctors take her away. Even at this stage she is still completely un-aware of her surroundings and the state she is in herself.
Blanche who had been caring for a generation of dying relatives at Belle Reve has been forced to sell the family plantation. Blanche is a great deal less realistic than Stanley and lives in illusions which bring upon her downfall.
‘The Varsouviana rises audibly as Blanche enters the bedroom.’ implies Blanches tension rises with the music. The stage direction ‘[with faintly hysterical vivacity]’ suggests Blanches delirium and insanity. Her fantasy is encouraged by Stella and Eunice as they allow her to live in her dream-world rather than face society, as a way of being empathetic and expressing sympathy for
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
Blanche uses her fantasies as a shield; and her desires as her motivation to survive. Her fading beauty being her only asset and chance of finding stability. Stella’s relationship with Stanley also emphasis the theme Williams created in this book. They’re only bond is physical desire and nothing at all intellectual or deep rooted. Tennessee Williams exemplifies that their relationship which only springs from desire doesn’t make it any weaker. He also creates a social dichotomy of the relationship between death and desire.