Blanche is a woman who is suffering from the need to create a delusion for herself in order to cope with the stress of her life. She started out as a young woman with money and prestige. She married a man whom she caught with another man. He later killed himself. Blanche has never come to terms with the guilt that she feels over his death as well as the rejection she had felt by his choice of a male partner. She had been a genteel southern woman who tried to marry well and planed to live her life in comfort.
The reality for Blanche comes when she is forced to have to work and finds her beauty diminishing. She becomes desperate as she has lost her position as a school teacher due to her having sexual relations with a student. Blanche has crossed boundaries that have led her to feel more guilt and desperation. Her last hope for emotional and physical support is to live with her sister and her husband.
Blanche is appalled at the type of dwelling in which her sister resides. She decorates the place so that she can mask it for her own benefit. In desperation she dates Mitch; a man she feels is beneath her but may help her out of her problem by supporting her. When Stanley reveals the truth and her last hope is dissolved all unresolved issues surface and she has a nervous breakdown.
After having suffered the loss of her young homosexual husband to suicide and the loss of the final generation of the DuBois family and their estate ‘BelleReve’, it is no surprise that Blanche had been affected by these tragic events. She has tried to avoid the guilt she feels for her husband’s death by having ‘intimacies with strangers’ to ‘fill her empty heart’ and attempts to avoid realism and prefers ‘magic’ by telling ‘what ought to be the t...
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...more like a means of a way out the trap she finds herself in. There is evident pathos here as she and the audience are well aware that Mitch came to her house with the intention of raping her. Her willingness to marry a man who would do this to her clearly illustrates Blanche’s desperation.
“Whoever you are - I have always depended on the kindness of strangers.” Blanche
Blanche’s dependence on strangers to fulfill the emptiness she feels has only led her to the position she is in by the end of the play. Blanche’s inability to accept that strangers have only been kind to her in return for sex reflects her magical perception of the world. These being her final words in the play, referring to the ‘kindness’ of the doctor who is not the man (Shep) she was hoping for, shows her complete detachment from reality and the pathos of her empty belief in magic and kindness.
This can be symbolized by light. Blanche hates to be seen by Mitch, her significant other, in the light because it exposes her true identity. Instead, she only plans to meet him at night or in dark places. Also, she covers the lone light in Stella and Stanley’s apartment with a Chinese paper lantern. After Blanche and Mitch get into a fight, Mitch rips off the lantern to see what Blanche really looks like. Blanche angrily replies that she’s sorry for wanting magic. In the play, Blanche states “I don’t want realism, I want magic! [..] Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it!”(Williams 117). Blanche wants to escape reality, but this only leads to her self-destruction. It is the men in her life and past experiences that is the main cause of her self - destruction. One of these being the death of her young love, Allen Grey. During their marriage, Blanche, attached to the hip to this man, walked in on him with another man. She then brought the incident up at a bad time; soon after, Allen took his own life, which I believe was the first step to this so called “self-destruction. Blanche could never forgive herself of this. This is the truth of her past, therefore,
Blanche could not accept her past and overcome it. She was passionately in love with Alan; but after discovering that he was gay, she could not stomach the news. When she revealed how disgusted she was, it prompted Alan to commit suicide. She could never quite overcome the guilt and put it behind her. Blanche often encountered flashbacks about him. She could hear the gun shot and polka music in her head. After Alan’s death, she was plagued by the deaths of her relatives. Stella moved away and did not have to deal with the agony Blanche faced each day. Blanche was the one who stuck it out with her family at Belle Reve where she had to watch as each of her remaining family members passed away. “I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, Mother! Margaret, that dreadful way! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths—not always” (Scene 1, page 1546). Blanche lost Belle Reve because of all the funeral expenses. Belle Reve had been in her family for generations, and it slipped through her fingers while she watched helplessly. Blanche’s anguish caused her loneliness. The loneliness fueled her abundance of sexual encounters. Her rendezvous just added to her problems and dirtied her rep...
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
Superficial is the first impression that Blanche gives when she enters the play. Consumed by appearance and face value, she is unable to see that Stella’s new lifestyle is not as horrid as she imagines. In comparison to Belle Reve, it is true that these New Orleans slums may not meet Dubois standards, but Blanche is unable to see beyond the way things appear in order to realize that Stella’s world does not revolve around material items. This flaw is intertwined with her vanity and her need keep up appearances. On the surface, Blanche appears to be snobbish and conceited.
During scene one, the audience is introduced to Blanche as Stella's sister, who is going to stay with her for a while. Blanch tries her best to act normal and hide her emotion from her sister, but breaks down at the end of scene one explaining to Stella how their old home, the Belle Reve, was "lost." It is inferred that the home had to be sold to cover the massive funeral expenses due to the many deaths of members of the Dubois family. As Blanche whines to her sister, "All of those deaths! The parade to the graveyard! Father, mother! Margaret, that dreadful way!" (21). The audience sees this poor aging woman, who has lost so many close to her, and now her home where she grew up. How could anyone look at her, and not feel the pain and suffering that she has to deal with by herself? Williams wants the audience to see what this woman has been through and why she is acting the way she is. Blanche's first love was also taken from her. It seems that everyone she loves is dead except for her sister. Death plays a crucial role in Blanche's depression and other mental irregularities. While these circumstances are probably enough for the audience to feel sympathy for Blanche, Williams takes it a step further when we see Blanche's...
Blanche who had been caring for a generation of dying relatives at Belle Reve has been forced to sell the family plantation. Blanche is a great deal less realistic than Stanley and lives in illusions which bring upon her downfall.
By believing her own lie, Blanche disconnects herself from the reality in which she lives. She becomes so immersed in her lies that she herself is unable to tell where her fantasies end and reality begins. It is no longer a lie to maintain her appearance but a delusion that she believes in. In her mind she is not an aging women with few social contacts but a proper young lady with friends of high standings.
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
She looks for empathy in all the wrong places. She looks for it when with strangers, with Stanley, Mitch, and Stella. The tragedy of Alan’s death is a leading cause for Blanche’s desire for attention and empathy. After his death he becomes involved with the hotel “flamingo”. It is here where she mistakenly thinks that sex, is a form of empathy. This empathy causes her character to have a blackened image of how to gain empathy from others. Once she gets run out of the flamingo she attempts to gain attention from Stanley. “It 's mine, too. It 's hard to stay looking fresh. I haven 't washed or even powdered my face and here you are!” Blanche understands that Stanley is a man who can at least support his wife. She flirts with Stanley, in a desperate need to feel, safe and cared for. Stanley understands that Blanche is manipulative, and he does not give empathy towards her. The tragic Irony with Blanche is that she does not recognize true empathy when it is given to her, Mitch has a deep care for Blanche, to the extent that he is willing to marry her. “You need somebody. And I need somebody, too. Could it be—you and me, Blanche?” Mitch shows a great amount of compassion towards Blanche, but blanche cannot recognize this empathy and sees it more as an opportunity to manipulate him, which doesn’t turn out well in the end. Stella is the
To conclude, the author portrays Blanche’s deteriorating mental state throughout the play and by the end it has disappeared, she is in such a mental state that doctors take her away. Even at this stage she is still completely un-aware of her surroundings and the state she is in herself.
Firstly, the reader may initially feel Blanche is completely responsible or at least somewhat to blame, for what becomes of her. She is very deceitful and behaves in this way throughout the play, particularly to Mitch, saying, ‘Stella is my precious little sister’ and continuously attempting to deceive Stanley, saying she ‘received a telegram from an old admirer of mine’. These are just two examples of Blanches’ trickery and lying ways. In some ways though, the reader will sense that Blanche rather than knowingly being deceitful, actually begins to believe what she says is true, and that she lives in her own dream reality, telling people ‘what ought to be the truth’ probably due to the unforgiving nature of her true life. This will make the reader begin to pity Blanche and consider whether these lies and deceits are just what she uses to comfort and protect herself. Blanche has many romantic delusions which have been plaguing her mind since the death of her husband. Though his death was not entirely her fault, her flirtatious manner is a major contributor to her downfall. She came to New Orleans as she was fired from...
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
One cant imagine how it must feel to lose the ones they love and hold dear, but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faces pain.
Blanche, Stella's older sister, until recently a high school English teacher in Laurel, Mississippi. She arrives in New Orleans a loquacious, witty, arrogant, fragile, and ultimately crumbling figure. Blanche once was married to and passionately in love with a tortured young man. He killed himself after she discovered his homosexuality, and she has suffered from guilt and regret ever since. Blanche watched parents and relatives, all the old guard, die off, and then had to endure foreclosure on the family estate. Cracking under the strain, or perhaps yielding to urges so long suppressed that they now could no longer be contained, Blanche engages in a series of sexual escapades that trigger an expulsion from her community. In New Orleans she puts on the airs of a woman who has never known indignity, but Stanley sees through her. Her past catches up with her and destroys her relationship with Mitch. Stanley, as she fears he might, destroys what's left of her. At the end of the play she is led away to an insane asylum. This is indeed the story of what happened to Blanche in the play but what flaws in her own character were to blame for her subsequent tragedy. Blanche is by far the most complex character of the play. An intelligent and sensitive woman who values literature and the creativity of the human imagination, she is also emotionally traumatised and repressed. This gives license for her own imagination to become a haven for her pain. One senses that Blanches own view of her real self as opposed to her ideal self has been increasingly blurred over the years until it is sometimes difficult for her to tell the difference. It is a challenge to find the key to Blanche's melancholy but perhaps the roots of her trauma lie in her early marriage. She was haunted by her inability to help or understand her young, troubled husband and that she has tortured herself for it ever since. Her drive to lose herself in the "kindness of strangers" might also be understood from this period in that her sense of confidence in her own feminine attraction was shaken by the knowledge of her husband's homosexuality and she is driven to use her sexual charms to attract men over and over. Yet, beneath all this, there is a desire to find a companion, to find fulfilment in love.