Gene Forrester's difficult journey toward maturity and the adult world is one of the main focuses in the novel, A Separate Peace, by John Knowles. Gene’s journey into maturity begins the moment he jounces the limb of the tree. The process continues until he visits the tree, fifteen years later. Gene looks at things in the past. Gene must start to become self-aware, face reality and the future, confront his problems, as well as forgive and accept himself. He must become aware of and understand the person he is, and face the problems in his life. Only then, does Gene’s blissful ignorance change to the mature understanding of the nature of evil inside himself.
This long and painful journey begins with this blissful ignorance behind the gates of Devon where Gene is preparing for war. Gene is isolated from the war. He does not yet see the importance of what the war is about and therefore is blinded from it. He begins the summer session, which is considered “wild and free”. He has not yet experienced what the war is like; he is in a “moment of carelessness” and does not see the importance of the war. Gene is immature and he starts to blind himself from the war and what is happening around him. He does not want to think about the war. He only wants to try to find out who he is, and what he his capable of. The first incident that Gene recounts indicates his dislike of Finny's attitude toward authority. Finny wears the school’s tie as a belt and dresses in a pink shirt for tea one day. Gene remarks that Finny is the only person who could "get away" (Knowles 26) with such an outfit. Gene is jealous and envies Finny’s maturity, which he wants to achieve. In addition to Finny’s maturity, Finny conceives of the idea that he and Gene should jump from the tree, which is forbidden and only used for senior students. During the first jump, Gene loses his balance and Finny grabs his arm to steady him without thinking. This moment shows that Gene and Finny are friends and that they would risk their lives for each other. During another jump, Gene jounces the limb and Finny reaches out to him for help; yet Gene allows him to fall, causing him to break his leg. During this moment, we see Gene’s jealousy toward Finny.
A Separate Peace is a coming of age novel in which Gene, the main character, revisits his high school and his traumatic teen years. When Gene was a teen-ager his best friend and roommate Phineas (Finny) was the star athlete of the school.
In the beginning of the novel, Gene, is a clueless individual. He sees the worst in people and lets his evil side take over not only his mind but also his body. During the tree scene, Gene convinces himself that Finny isn’t his friend, tricking himself into thinking that Finny is a conniving foil that wants to sabotage his academic merit. Gene is furthermore deluded that every time Finny invites Gene somewhere it’s to keep him from studying and doing well. Finny has a reputation for being the the best athlete in school, and Gene attempts to counterbalance Finny’s power by being the best student. After a while of joining Finny’s activities, Gene thinks that Finny is intentionally trying to make him fail out of school. He starts to dislike Finny and his activities, and Gene starts interrupt...
In the beginning to the middle of the book Gene lives through Finny. "Come on,' drawled Finny from below, stop standing there showing off.' Jump!'"(Knowles 9). Finny thought of an extremely adventurous idea. He decided that he wanted to jump out of a tree into the river below. Finny also wanted the other boys that were with him to jump out of the tree. After Finny jumped he attempted to persuade Gene to follow his lead and jump out of the tree. Gene, a very conservative individual, did not even dream of ever jumping out of the tree but Finny got his way. Gene climbed the tree and jumped into the river because Finny manipulated him to. "Studying! You know, books. Work. Examinations'" (Knowles 49). Finny has come to tell Gene that one of the boys named Leper has finally decided to jump out of the tree into the river. Gene finally explodes and starts screaming at Finny. Gene tells Finny that he needs to study for the French final and that he cannot be wasting his time with a silly game. At this moment in time, Finny finally realized that Gene actually has to study in order to get good grades. Finny always thought that school for Gene came just as easily as sports did for him. When Finny realizes this he tells Gene that he has to study. "Don't move from that desk. It's straight A's for you'"(Knowles 50). All of a sudden Gene became perplexed. He could not understand that Finny was actually telling him to stay home and study.
Finny’s response to his injury and Gene’s revelation is believable because of his affection for Gene. For example, when Finny’s talking about his grades, although slightly discouraged, he says it for Gene, “‘Me?’ He smiled faintly. ‘Listen, I could study forever and I’d never break C. But it’s different for you, you’re good’” (Knowles 58). Finny includes Gene in everything because he always wants his presence there, “...’‘and at this teen-age period in life the proper person is your best pal.’ He hesitated and then added, ‘which is what you are,’ and there was silence on his dune” (Knowles 48). For this reason when Gene makes his revelation he tells Gene that he doesn’t know anything and to, “‘Go away. I’m tired and you make me sick. Go away’”
The 1920’s, or the beginning of feminist expression, was a period that embodied a carefree and relaxed attitude, however, this period of relative prosperity changed after the stock market collapsed in the 1920’s. This horrid event initiated “The Great Depression” where millions became homeless and millions more lived without knowing where their next meal would be. The life of Curley’s wife contrasts this period of sorrow by offering some kind of vision back into the past. Curley’s wife is more than a victim of circumstance; she embodies pettiness, cruelty, and self-obsession. These apparent factors make Curley’s wife the sharpest contrast to norms at the time of typical female behavior.
In the story A Separate Peace By John Knowels, one of the main characters, Finny, made a choice that had deep moral implications. When looking at school swimming records, he and his best friend Gene noticed there was a record that hadn't been broken since before they got to the school. Finny, being a very athletic person, decided to see if he could break it. He got in the pool, and had his friend Gene time him with no other witnesses. When he got out he realized that he had broken the record. Knowing there were no witnesses other than gene, he knew it couldn't be an official school record. Gene urged him to get some witnesses and attempt it again the next day, but he refused. He decided to be humble, and told Gene not to tell anyone that he
Dostoyevsky’s Crime and Punishment explores the themes of guilt and the consequences of committing immoral actions. Of all the deep, thought-provoking concepts put forth in Crime and punishment, the idea that guilt can be an adequate punishment more valid than any punishment executed by society as a whole is the most far reaching and supported by the novel. Crime and Punishment follows Rodian Raskolnikov’s life from just a few days before he commits two brutal murders to when he confesses his crimes and is convicted and sentenced to several years in prison. Initially, Rodian had successfully gotten away with the murder of two people. Raskolnikov’s guilt-driven madness has given him an immunity and even investigators he confesses to think he couldn’t be guilty. As a result, his guilt continues to feed on his conscience to the point where he is constantly miserable. Raskolnikov’s true punishment is the futility of his attempt to escape the guilt of his actions without confessing and feeling adequately punished.
When Gene comes to terms with the accident causing Finny’s injury and leading to his death, Gene finds his separate peace. As Gene walks around the Devon School, fifteen years after being a student, he says, “I never killed anybody and I never developed an intense level of hatred for the enemy. Because my war ended before I ever put on a uniform; I was on active duty all my time at school; I killed my enemy there” (204). Here Gene’s recognized confession demonstrates that he has removed himself from his innocence, thus allowing him to acknowledge accountability for Finny’s injury. Gene also takes away with him an understanding of how Finny never faces an enemy and completely loses his image of innocence. After his confession, Gene points out, “Only Phineas never was afraid, only Phineas never hated anyone. Other people experienced this fearful shock somewhere, this sighting of the enemy, and so began an obsessive labor of defense, began to parry the menace they saw facing them by developing a particular frame of mind” (204). This valuable comprehension now follows Gene and his separate peace, because he knows one who has no hatred is not afraid of any enemy. Although symbolizing an image of peace, Finny finds his separate peace once he accepts the presences of the time period’s event, specifically World War II. At the hospital, Finny was looking over the things that Gene had packed in his suitcase, because he broke his leg once again. While doing so, Finny tells Gene, “I wish to God there wasn’t any war. . . I don’t know if I can take this with a war on. . . What good are you in a war with a busted leg!” (189-190). Continuing to look through his suitcase, Finny goes on to Gene and says, “I’ve been writing to the Army and the Navy and the Marines and the Canadians and everybody else all winter. . .They all gave me the same answer after they saw the
In the early pages of the novel, Finny confesses that Gene is his best friend. This is considered a courageous act as the students at Devon rarely show any emotion. And rather than coming back with similar affection, Gene holds back and says nothing. Gene simply cannot handle the fact that Finny is so compassionate, so athletic, so ingenuitive, so perfect. As he put it, "Phineas could get away with anything." (p. 18) In order to protect himself from accepting Finny's compassion and risking emotional suffering, Gene creates a silent rivalry with Finny, and convinced himself that Finny is deliberately attempting to ruin his schoolwork. Gene decides he and Finny are jealous of each other, and reduces their friendship to cold trickery and hostility. Gene becomes disgusted with himself after weeks of the silent rivalry. He finally discovers the truth, that Finny only wants the best for Gene, and had no hidden evil intentions. This creates a conflict for Gene as he is not able to deal with Finny's purity and his own dark emotions. On this very day Finny wants to jump off of the tree branch into the Devon river at the same time as Gene, a "double jump" (p. 51), he says, as a way of bonding. It was this decision, caused by Finny's affection for Gene and outgoing ways that resulted in drastic change for the rest of his life.
Through suffering and guilt comes a personal need to redeem one's self and once again achieve an inner peace of mind. This process of redemption is not easy, but is worth the prize of being reborn into a new being. When one fully commits him or her self to being saved, there is no stopping that final result. In Crime and Punishment, Dostoyevsky draws from personal experience to create a story based off of suffering, which ultimately exemplifies a message of redemption and rebirth through said suffering.
Crime and Punishment takes us in the puzzle centered on Raskolnikov, a young man in old Russia who commits murder and then after a lot of lies and deceit finally pays for his wrongdoings.
Some people want to lose all of their human characteristics. Whether it is replacing a body part with a robotic one to become a cyborg, or enhancing their senses with external supplements, the possibilities are endless as mankind strives to phase out of its natural form. But maybe there’s another way to lose humanity. In “The Bet”, Anton Chekhov decides to go a different route to change somebody human into a cold, calculating being. By making a bet and putting a lawyer into fifteen years of solitary confinement, the banker, without a clue, strips the lawyer of his humanity. As the lawyer is in prison, different changes happen to him and several themes arise. In “The Bet”, Anton Chekhov discusses the theme of material existence and ignorance through the passage of
Uscinski, J. E. (2009). When Does the Public's Issue Agenda Affect the Media's Issue Agenda (and Vice-Versa)? Developing a Framework for Media-Public Influence. Social Science Quarterly (Wiley-Blackwell), 90(4), 796-815. doi:10.1111/j.1540-6237.2009.00663.x
Throughout the book, “Crime and Punishment,” by Fyodor Dostoevsky, we see key words that play major roles in the plot and development of the story. Five words, in particular, act as front-runners in symbolic themes; they are crime, punishment, poverty, suffering, and child. There is no doubt that these words play a major factor in the novel because not only do we see these words often, but also we experience the words as they are lived through by many of the major characters. What some readers might not realize is that Dostoevsky does not let only one of the words dominate a scene in the book; they are intermingled concepts. Where there is one of the five major words of the novel, Dostoevsky usually accompanies it with another. All five of the words are dependent of each other and without one of them, the novel would not demonstrate the story and powerful themes that Dostoevsky was looking to present.
Moreover, Scorsese adopted a disjunctive editing style in contrast to the classical continuity editing, exploited jump shots and fragmented scenes to generate a mix of engagement and disorientation between the audience and Travis’ split personality. In terms of visual literacy, Scorsese is known for his fluent shift between subjective and objective shots to reinforce the effect. (Rodríguez 2011, p. 181) The frequent use of first-person perspective voiceover and insertion of self-conscious viewpoint shots (Berliner 2010, p. 158) violate the norms of classical Hollywood objective story telling. Instead of relying on motions and conversations to portray the character state of mind, Taxi Driver employed stylized tableau and infiltrated music to