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Gender stereotypes in literature a level essays
Gender stereotypes in literature a level essays
Gender stereotypes in literature a level essays
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A Room of Ones Own
Hundreds of years ago, an unconscious culture diseased the female population. Similar to Shakespeare's sister, women were conditioned to conform to a feminine ideology. This concept of femininity spread through out the country essentially defining the nature of a woman and robbing them of their innate sense of self. While women may have dreamed about the day when their creative spirit could be unleashed, those dreams were quickly interrupted by the powerful grasp of male dominance. By repressing women, the feminine role of dependency and obedience was maintained. In return, society's power structure became refueled and the patriarchy was perpetuated. Through time the power structure has broken down, however, I believe Shakespeare's sister continues to exist in many women, still in search of a "room of one's own".
Virginia Woolf stressed the importance of having a room of one's own or a place to discover and explore the creative self. She encourages the young women to develop the habit of freedom and the courage to write exactly what they think. More than seventy years later, Woolf's words remain applicable. Women are still struggling to confront the courage and "…face the fact…that there is no arm to cling to…". For, while the societal barriers have disappeared, the mental barriers have not. Though few women are expected to be submissive and obedient, the ideology of the feminine role continues to starve women's souls. The pressure to get married and have children while pushing one's personal desires and passions aside persists.
Thus, when a woman's soul is in a state of
When the men and women can cooperate and unite their minds and bodies, Shakespeare’s gifted sister will be able to re-emerge, freeing the muted voices of these oppressed women. WORKS CITED Woolf, Virginia. A. A Room of One’s Own. London: Flamingo, 1994. http://www.
In Shakespearean time and even up to the turn of the 20th Century men were expected to be the sole provider of the family, entailing them to be either well educated or hard working. They were also expected to be good with the handling of finances and property. It was also acceptable for them to be barbaric, boisterous and socially well connected. This has given the men of this time an overwhelming sense of power, respect and freedom; rights which were not given to women at this time. Far from what was socially acceptable in regards to men, the gender identity of women was of a somewhat weaker nature. Women during Shakespearean time were regarded as docile, quiet and non-opinionated. Their socially acceptable role in many cases was to be domestic, entailing them to spend countless hours in the home, tending to basic familial needs, such as cooking and cleaning. This position prevented many women to receive an education or to socialize outside of the home. As a result of their inferior social status, they were expected to be submissive and to cater to her husband’s needs at all times. Women in Shakespearean time were also treated as property, either by their husbands or fathers, which diminished any sense of self-worth they may have possessed. This gender ideology ultimately paralyzed women, as the majority were helpless to alter their social standing or designated familial role.
in the study "A Room of One's Own" (1929), where the existence of a private space, and of a private income, is seen as a prerequisite for the development of a woman writer's creativity.
Imagine being a woman in sixteenth century Europe. Females were raised to believe that they were subservient and that men knew better on any subject. Basically, women had no rights. They were considered property, first “owned” by their fathers and then control was “transferred” to the husband chosen for them. Marriage was not about love, but in most cases, it was a business deal that was mutually beneficial to both families – an interesting fact is that like young women, most young men had no choice in the selection of their future betrothed. These traditions and the gender roles assumed by men and women at that time had an impact on Shakespeare’s writing and performances and a great example of this is evident in A Midsummer Night’s Dream.
In chapter two of A Room of One’s Own, Virginia Woolf introduces the reader to the uncomfortable conditions existing between men and women during the late nineteenth and early twentieth centuries. Woolf’s character, Mary Beton, surveys books about women at the British Museum and discovers that nearly all of them are written by men. What’s more, the books that she does find express negative sentiments about women, leading Beton to believe that men are expressing “anger that had gone underground and mixed itself with all kinds of other emotions” (32). She links this repressed anger to man’s need to feel superior over women, and, wondering how and why men have cause to be angry with the female sex, she has every right to be angry with men.
Although women in the nineteenth and early twentieth centuries faced oppression and unequal treatment, some people strove to change common perspectives on the feminine sex. John Stuart Mill, Alfred, Lord Tennyson, and Virginia Woolf were able to reach out to the world, through their literature, and help change the views that society held towards women and their roles within its structure. During the Victorian era, women were bound to domestic roles and were very seldom allowed to seek other positions. Most men and many women felt that if women were allowed to pursue interests, outside traditional areas of placement that they would be unable to be an attentive wife and mother. The conventional roles of women were kept in place by long standing values and beliefs that held to a presumption, in which, women were inferior to men in every way. In The Subjection of Women, The Lady of Shalott, and A Room of One's Own, respectively, these authors define their views on the roles women are forced to play in society, and why they are not permitted to step outside those predetermined boundaries.
Though published seventy years ago, Virginia Woolf's A Room of One's Own holds no less appeal today than it did then. Modern women writers look to Woolf as a prophet of inspiration. In November of 1929, Woolf wrote to her friend G. Lowes Dickinson that she penned the book because she "wanted to encourage the young women–they seem to get frightfully depressed" (xiv). The irony here, of course, is that Woolf herself eventually grew so depressed and discouraged that she killed herself. The suicide seems symptomatic of Woolf's own feelings of oppression within a patriarchal world where only the words of men, it seemed, were taken seriously. Nevertheless, women writers still look to Woolf as a liberating force and, in particular, at A Room of One's Own as an inspiring and empowering work. Woolf biographer Quentin Bell notes that the text argues:
One of the most fascinating elements that female authors bring to light is their use of perspective—something that’s most commonly illustrated through the eyes of a man, a male author, or, more often than not, both. Women writers offer a different voice than their male counterparts, even if it’s simply by the subtle inclusion of their own experiences within the narrative of the central character. With that in mind, the question must be asked—how do these female authors present their male characters? It’s common for male authors to stick to stereotypes and caricatures of the women they include in their works; but do female authors choose to follow this style as well? How do they represent the “modern man” within their texts? Through Woolf’s
During the times in which Shakespeare lived, women had certain roles which ensured they were a permanent underclass to men. In Women in Shakespeare’s world by Theresa D. Kemp, Kemp states that “The roles of early modern women included daughters and wives, sisters and mothers; they learned and worked and played but for the most part they were not expected to be school girls (whining or otherwise) As women they were expected to be the slightly beautiful beloved and not the balladeer. Women were not seen as fit to play soldier or the judge. And as keepers of the homes and the households, as in our own time, women withdrawn from a “world too wide” ( 29). This quote from Kemp shows how victorian women were seen a just a pretty face to do as told. They were to be obedient and non opinionated. A woman of that time period was very objectified and used, basically women weren't real people.
Woolfe, Virginia. "The Story of Shakespeares Sister." Reading Women's Lives. 1929. Reprint. Canada: Pearson Custom Publishing, 1957. 151-163. Print.
In A Room of One’s Own, Virignia Woolf presents her views evenly and without a readily apparent suggestion of emotion. She treads softly over topics that were considered controversial in order to be taken seriously as an author, woman, and intellectual. Woolf ensures this by the use of humor, rationalization, and finally, through the art of diversion and deflection. By doing this Woolf is able to not alienate her audience but instead create a diplomatic atmosphere, as opposed to one of hostility that would assuredly separate the opinions of much of her audience. As Woolf herself says, “If you stop to curse you are lost” (Woolf 93). Because of this, anger is not given full sovereignty but instead is selected to navigate the sentiments of her audience where she wills with composed authority and fascinating rhetoric. That being said, Woolf is not without fault. She occasionally slips up and her true feelings spill through. Woolf employs a stream-of-consciousness narrative, satire, and irony to express her anger towards male-controlled culture in what is deemed a more socially acceptable way than by out rightly saying that they suck.
Throughout history, women writers used pen names and pseudonyms to avoid the eyes of the patriarchal society. The female writers were no strangers to harsh criticism from the gender-biased readers regarding their artistic works. However such emphasis on gender discrimination coined the words, feminism and sexism, which now reflect on the past and the present conflicts. In the book A Room Of One’s Own, Virginia Woolf tracks down the history of women and fiction to find the answer. She argues, “A woman must have money and a room of her own if she is to write fiction”. She chants on and on about the topic of “women and fiction”, contemplating the role of women in the traditional domain and the virtues of women writers. Although, Woolf may have contemplated over such awareness that a woman needs an atmosphere of her own in which nobody can intrude, the modern world has prevailed over such hindrances throughout technological innovations that offer freedom of speech. Also, economical affluence is not a necessity for women to engage in the fictional world but rather a sufficient condition in the modern world. Thus Virginia Woolf’s predictions failed to represent the current vantage point revolving around women and fiction.
Men have so much control in this society and Shakespeare has a little bit of a change in the women in his play.
Virginia Woolf’s essay A Room of One’s Own explores the topic of women in fiction. More specifically, why there is a lack of women in fiction and what women need to be considered “great” writers. She asserts that if women had been afforded the same economic and social freedom as men, they too would have had a great literary tradition. But because of societal pressures, women were not able to fulfill their literary ambitions.
Many female writers see themselves as advocates for other creative females to help find their voice as a woman. Although this may be true, writer Virginia Woolf made her life mission to help women find their voice as a writer, with no gender attached. She believed women had the creativity and power to write, not better than men, but as equals. Yet throughout history, women have been neglected in a sense, and Woolf attempted to find them. In her essay, A Room of One’s Own, she focuses on what is meant by connecting the terms, women, and fiction.