Since the late 1930s, Superman has been a pop culture icon in American history. As a comic book super hero, Superman has been a “symbol of hope to a struggling nation” (Look Up in the Sky! The Amazing Story of Superman) throughout American history. Based on the criteria identified by Jencks who states, “Not only does a rhetorical object express the values. . . ideologies, hopes, fears, religion, [and] social structure,” (qtd. in Burgchardt 608) Superman is clearly an example of a rhetorical object.
As a rhetorical object Superman shares the values and ideologies of the American culture. The character’s strength, humility, and tolerance when acting as both Clark Kent and Superman show his integrity. Although Superman has god like powers he only uses them for the greater good. Superman is a warrior with immense powers like that of Hercules, but unlike the mythological god he is without faults. Clark Kent, Superman’s alter ego, is a simple journalist who blends in with the crowd. Superman’s ability to live among humans as one of them shows his compassion for a planet that is not his own.
In the movie Superman and the Mole Men, Superman protects a group of harmless aliens from humans. It’s eye opening in a sense that Superman is the defender of all, no matter the species, which makes Superman a symbol of equality for all. In radio broadcasts Superman fought against the KKK and other hateful groups. This brought attention to real life events in America, and the social movement taking place.
During stressful times throughout American history Superman was portrayed as the ever-helpful super hero from afar. Although not in the front and center of the war, Superman advertised and supported the sale of war...
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As Superman’s popularity grew during hard times for the country, he became apart of the history of America, and faced the same evils that the real world faced. Superman is the paradigm of the American dream. Coming from another planet, and settling in America, he is the “ultimate embodiment of the American dream, proof that an immigrant can come to a new land and prevail” (Look Up in the Sky! The Amazing Story of Superman) Superman, although fiction, was apart of the Great Depression, WWII, The Women’s Movement, and more historical events in The United States as he will continue to be throughout history.
Works Cited
Burgchardt, Carl. Readings in Rhetorical Criticism. 3rd ed. State College: Strata Publishing, 2005. Print.
Look Up in the Sky! The Amazing Story of Superman. Dir. Kevin Burns. Warner Home
Video, Inc. 2006. DVD.
Educational systems in America are impaired, and the very educators that are meant to teach are the one’s pulling it down. That is the apparent message that Davis Guggenheim attempts to convey in his documentary “Waiting for Superman”. He uses many strategies to get his message across. Some of these include cartoons, children, and those reformers that are attempting to pull the system out of the ditch that it has found its way into. He makes his point very well, and uses facts and figures correctly. He does leave out some of the opinions of the opposing views, but it does not take away from his point that the educational system in America is in need of repair.
To your average white American kid, a comic book is cheap entertainment— a leisure, a novelty. Your run of the mill issue of "Superman," perhaps the most generic superhero of all, is something to be read once, maybe even merely skimmed, while in the bathroom or the doctors' office. When finished with it gets thrown away mindlessly or tossed aside to join a mounting stack of similarly abandoned stories of fantastical heroism. However in the eyes of the young Indian boy, Sherman Alexie, as depicted in his essay, "Superman and Me," a tattered comic found in a donation bin was much more than that— it was a life line.
In Invisible Man, there are many instances in which rhetorical questions are brought up and one of these cases was when the narrator hears about the situation up in Harlem and asks to himself “What was happening uptown? Why should I worry over bureaucrats, blind men? I am invisible” (Ellison 528). The narrator believes that his invisibility has detached him for situations that were occurring at that time, so his responsibilities would not include having to fix or find out what was happening in Harlem. The rhetorical questioning shows that the narrator is coming to the realization that his invisibility is what makes him, him. After countless situations of being overlooked and ignored in decisions or discussions, the invisible man is able to
With reference to “Man of Steel” and “Superman 1”, Superman is much taller than Lois resulting in her constantly having to look up at him and having him shot with a low angle from the point-of-view shot of Lois Lane, having the effect of Superman seeming more powerful. Superman’s adoptive mother is also a stereotypical, stay at home mother while his adoptive father
Sherman Alexie is a writer who comes from Native American culture and was not provided a bright future. Superman and Me is a memoir about Alexie’s childhood and how reading a Superman comic book made an impact on his life. He believes not only reading books will help a student learn, it will save their lives.
The heroic archetype is a creative expression borne of the individual's desire to know and to understand the uncontrollable and often chaotic world in which he lives. In the popular culture of America we can find many reflections of the heroic figure; in writing, in the graphic art of comic books, and most certainly in the aftermath of September 11th, heroes are ever present. Our cultural champions speak to our collective need to make sense of the nonsensical and to establish order in both our external and internal worlds. Indeed it is through the internal world of the psyche and the lens of psychological thought that we may gain a better perspective of the fusion of creativity and knowledge that we have come to call the heroic figure.
The pressures of society and many factors against us can at times seem impossible to overcome, however, these limitations are only the ones we place on ourselves. Whether it’s during the adolescent years as Sherman Alexie explained in “The Joy of Reading and Writing: Superman and Me”, about the struggles of overcoming the stigma bound by his culture where “A smart Indian is a dangerous person, widely feared and ridiculed by Indians and non-Indians alike”, as well as having the courage to break free for his own benefit. In addition, this theme was also explored in the later years of adulthood as demonstrated in Malcolm X’s essay, “Learning to Read” where he’d become so frustrated while kept in prison, unable to quite express himself as he did
On one end of the spectrum lays Superman, an alien who from birth is comparable to god, and on the opposite side lays Lex Luthor, a genius human who comes from nothing and created a financial empire. Superman
Gary Engle describes Superman as the ultimate American, “Superman is the greatest American hero” (Engle, 677). After reading three comic books I notice an occurring theme of wanting to protect what is good, even though the comic books chosen span over eleven years. Several distinct things to Superman’s personality are his cape, the respect he has for others, the respect others have for him, his intelligence, his protection of all life and what is right, his origin, and the sacrifices he makes. Superman is considered to be the greatest American hero of all time.
Allen Moore’s sordid depiction of twentieth century life presents a complex world, where the distinction between a virtuous hero and a villainous wrongdoer is often blurred. In stark contrast to the traditionally popularized portrayal of superheroes, whose unquestionably altruistic motives ultimately produce unrealistically idealized results; the realistically flawed characters of Watchmen exist in a multi faceted world characterized by moral ambiguity. America’s imperialistic ambitions have long been justified as an expression of American idealism. Much like the portrayal of superheroes in popular culture, America’s intervention in foreign affairs was portrayed as the result of a clearly defined problem, where American intervention was necessary and consensual. The Watchmen exist in an American reality that does not depend on them as the archetypal hero as demonstrated by the fact that their presence is not necessary to the survival of the world. Collectively the characters of Watchmen parallel the tumultuous relationship that as a superpower the United States of America has with the rest of the world.
At what age did you learn to read? Were you younger or were you older? In “Superman and Me”, Sherman Alexie describes the importance of learning how to read at a young age and how reading saved his life. Sherman Alexie’s “Superman and Me” uses rhetorical analysis effectively to show that by reading he became an example for Indians at the reservations by beating and conquering all of the stereotypes that were against Native Americans.
In conclusion my expectations were met because we all want to be a certain hero in our everyday lives but sometimes don’t know which one is actually the better and more positive one. Strength, power, intelligence, and authority are the most important things the outlaw hero and official hero will bring even if they are above a certain rule or really beneath it. Outlaws are not always the bad guys, but are not always the good guys either. In this case Batman is the good guy disguised as the bad guy. Official heroes are always the good guys no matter the circumstance. Superman in this case is the good guy disguised as the actual good guy. Being above the law or against it, official heroes and outlaw heroes will always paint the picture that you can be strong, powerful, intelligent, and have the authority you deserve.
Are heroes important? This is the question that Scott LaBarge, a philosophy professor at Santa Clara University, tackles in his article “Heroism: Why Heroes are Important.” He encourages teachers, parents, and students to realize that heroes are tremendously significant in society by using references to factual and historical details, personal association, and various examples of different types of heroes. LaBarge effectively uses the rhetorical appeals of ethos, logos, and kairos to convince his audience that heroes are important.
However, this popularity has fluctuated throughout history. In the past few decades, demand for comics in the print media had been falling, in part due to the successes of other children 's media, such as cartoons. “Our biggest fear was that that audience was going to get to a point where we weren 't able to build it up again,” says Dan DiDio, co-publisher of DC Comics, “and a lot of what we do would be branded lost because there was nobody out there reading it" (Martin 14). Luckily, comic creators realized that the stories were perfect for screen adaptations: "they 're full of spectacle [and] adventure with an emotional arc for the hero. That 's what movies have always been about” (Humphries). The promise of lucrative merchandise sales and cross-promotion undoubtedly encouraged production, as well. Comic books were first adapted for television in the 40s and 50s, and met with huge success. Thus, superhero television programs set the stage for the inevitable point when comics took to the big screen with the first Superman movie in 1978 (Humphries). This cinematic moment ushered in a tricking of other superhero feature films, which eventually became the flood of superhero films that is taking place in the 21st
I fully accept that I am a geek when it comes to the Marvel superhero comics. I could not help but note that after watching Captain America, my favorite from the Avenger’s series, I noticed Chris Evans capitalized on the classic iconic American Hero. Typically when we hear superhero we think of a man that begins with Bat, Spider or Super. Yet none of these men fully embody the American icon of comic heroism. While using a narrative paradigm and Bourke I will examine our icon in comparison to a Norwegian Viking through a postmodern lens. Comparing these two icons may seem as an odd comparison, however their similarity might shed light into who the American hero really is.