Gothic literature is a twisted mind game for the reader – a roller coaster of frenzied emotions ranging from despondence to absolute terror, depending upon the fate of the character in the story. To deliver a resounding, deliberate emotional blow to the reader, the author puts us in the position of the main character, and then traps him in a series of inescapable misfortunes, thus trapping us in the same chaotic series of events. One of the most effective vessels used by Gothic writers to deliver this psychologically traumatic experience is to construct an innate hamartia within a character. A hamartia, or tragic flaw, is the single decisive flaw in a character’s personality that results in his ultimate downfall, defeat or death. In “A Tell-Tale Heart” and “A Good Man Is Hard To Find,” the presence of an ingrained hamartia within a primary character elicits a consuming sense of fear and defeat in the reader by immersing him in the mind of the character. Edgar Allen Poe is contemporarily known for his Gothic works, but more specifically for implementing palpable fabrics of horror and the omnipresent element of death in his writing. “The Tell-Tale Heart” is a short story told from the eyes of the narrator that delivers an array of erratic emotion to the reader, ranging from excitement and anxiety to sheer horror. The story is the narrator’s attempted explanation to the reader that he is not insane – a captivating author technique that creates a sense of unease in the reader after the very first sentence. The narrator then goes on to intricately describe his murder of an old man in the heart of the night. In the beginning of the story, the narrator states that he had no tangible motives to murder the old man, and then explains w... ... middle of paper ... ...er in “A Good Man Is Hard to Find” with the same technique. Both of these authors were deliberate and thoughtful with the inclusion of this hamartia, intending for it to first cause unease and discomfort, then deliver a resonating emotional impact upon the reader. As readers, we immerse ourselves in the mind of the character, and Gothic writers Poe and O’Connor exploit this tendency by poisoning the character’s mind with hamartias, and thereby, with failure before the start of the story, thus inevitably poisoning the reader’s mind and setting him en route for empathetic emotional damage. The character does not develop this hamartia as the story progresses, but is plagued with it upon existence in the story – it is a programmed failure by design of the author that leaves the reader whole-heartedly surrendered, looking upwards desperately for any chance of salvation.
While literature often follows some pattern and can be predictable, it is often evolving and can change in an instant depending on the author. In most Gothic literature, a derivative of Romanticism, there is a gothic space in the work – a limited space in which anything can happen in contrast to the normal world in the work. In addition, normally, order is restored at the end of Gothic literature – the good is reward and the bad is punished. In his Gothic novella, The Terrible Vengeance (1981), Nicolai Gogol decided to expand the ‘normal’ idea of Gothic literature by, in the work, transforming the traditional Gothic space to encompass anything and everything; in addition to the use of space, through the ending in which these is no reward, Gogol conveyed the idea that evil is prevalent everywhere and in
In the text “The Life You Save May Be Your Own” by Flannery O’Connor, a common mood emerges from the somewhat humorous yet unfortunate work. A mood of grotesqueness among the characters and overall story as it presents itself, generally, making the audience feel quite uneasy and uncomfortable while reading it. Grotesque is a literary style, which comically and somewhat repulsively represents a distorted character or a series of twisted actions or thoughts that embody a character. The text creates a grotesque mood simply because the actions carried out by the characters resemble an extreme sense of despair and uneasiness, yet the way in which it is executed is somewhat funny and jocular to the reader, therefore creating an awkward overall mood
Edgar Allan Poe is one of the greatest authors of all time, and many critics and readers consider him a Horror genre type writer. Many of Poe’s stories could be considered some of the best of the horror genre, but his famous short story The Tell Tale Heart could be considered the best of his writing in horror. The Tell Tale Heart was first published in 1843, and was published in James Russell Lowell’s The Pioneer in January. The short story is of a man or women who is trying to convince his/her sanity to the readers while also describing a murder that he committed. Although, throughout the story the more the narrator tried to justify his/her actions by saying that the old man that he/she murdered had an eye that drove her crazy, and that was
Poe, Edgar A. “The Tell-Tale Heart”. American Literature: Volume One. Ed. William E. Cain. New York: Pearson, 2004. 809-813. Print
Dark romantic literature has delved into the pits of man’s soul, through the use of psychology, to showcase a new take on the horror one can experience. It is this literature that touches all who reads it with a cold hand through exploiting a common fear shared by most. In Edgar Allen Poe’s “Fall of the House of Usher” Poe creates an ominous and eerie set of circumstances that incites pure fear into the narrator through his use of the Gothic Elements and Psychology to exploit the narrator’s fear of insanity to create the single effect of fear.
The blending of terror and romance in Gothic Literature was used in a unique combination to attract and entice the reader into the story. The terror in the literature helps the reader explore their imagination and form their own picture setting of what is happening. Using romance in the story also keeps the reader's attention because of the unknown and the curiosity of what happens next. The Gothic writing became popular after the Romantic period because readers were still a...
Confusion, fear, wonderment, shock and horror—just a few words of many to describe the emotions Edgar Allen Poe’s tales are known to elicit. Critics say that Poe was well ahead of his time in his ability to examine the human psyche and create characters that really make the reader think, if not recoil in horror. One particular theme Poe quite often repeats is that of madness and insanity. He is known for his wonderfully twisted tales involving such characters as an unstable brother with a mysterious ailment (The Fall of the House of Usher,) a methodical murderer (The Tell-Tale Heart,) and an enraged, revenge seeking, homicidal maniac (The Cask of Amontillado.) Through analysis and citations of the tales listed above, in conjunction with the opinions of literary critics, the reader will clearly see the oft repeated theme of madness and insanity hard at work.
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
The “Tell-Tale Heart” is a short story written by Edgar Allan Poe and serves as a testament to Poe’s ability to convey mental disability in an entertaining way. The story revolves around the unnamed narrator and old man, and the narrator’s desire to kill the old man for reasons that seem unexplainable and insane. After taking a more critical approach, it is evident that Poe’s story is a psychological tale of inner turmoil.
Writers during the ‘Dark Romantics’ period took a close, in-depth look at the flaw in human nature. Authors such as Edgar Allen Poe, Nathaniel Hawthorne, and Herman Melville, use feelings, imagination, and nature to show a different vision of the individual than that of the Transcendentalists. The work produced by the ‘Dark Romantics’ suggests that human beings are not divine. Poe’s ‘The Tell-Tale Heart,’ Hawthorne’s ‘The Birthmark,’ and Melville’s ‘Benito Cereno’ all support this idea by showing the dark side of humanity through their characters’ evil doings.
At the end of “The Tell-Tale Heart”, Poe’s fascination with death is apparent when the narrator ruthlessly killed an old man with a disturbing eye, but felt so guilty that he confessed to the police. The narrator dismembered the old man’s body and hid them in the floor, confident that they were concealed. However, when the police came to investigate, the narrator heard a heart beating and began to crack under the pressure. Overcome with guilt, he confessed that he murdered him and pulled up the floorboards. The narrator exclaimed, “But anything was better than this agony! Anything was more tolerable than this derision!” (“Heart” 4). Although the narrator was calm and confident at first, the guilt he experienced drove him mad, causing...
The Tale Tell Heart” is a short story in which Edgar Allen Poe, the author, illustrates the madness and complexity of an individual. The unnamed narrator, who is Poe’s main character, is sharing his story of him murdering an old man on the sole reason of his dislike for his filmy blue eye, which reminds him of a vulture. He meticulously plans the murder of this old man, and attempts to cover up the act through his twister persona. In the "Tell-Tale Heart", Poe uses satire, imagery, and symbolism to portray how startlingly perverted the mind of the narrator is and how guilt always prevails.
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
...binson, E. Arthur. "Poe's 'The Tell-Tale Heart'." Twentieth Century Interpretations of Poe's Tales. ED. William L. Howarth. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1971. 94-102.
Edgar Allan Poe has a unique writing style that uses several different elements of literary structure. He uses intrigue vocabulary, repetition, and imagery to better capture the reader’s attention and place them in the story. Edgar Allan Poe’s style is dark, and his is mysterious style of writing appeals to emotion and drama. What might be Poe’s greatest fictitious stories are gothic tend to have the same recurring theme of either death, lost love, or both. His choice of word draws the reader in to engage them to understand the author’s message more clearly. Authors who have a vague short lexicon tend to not engage the reader as much.