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post impressionism and impressionism conclusion
post impressionism and impressionism conclusion
post impressionism and impressionism conclusion
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Relax
Relax is a poster that is set on the beach. In the background of the painting you see a body of ocean that looks to be in a bay. There are five palm trees in the poster that looks to be swaying into the wind. Hooked onto two of the palm trees is a hammock. Below the hammock where the palm trees are embedded into the ground is sand, as if you are on a beach. The poster is in black and white. Below the painting on the poster is the saying “The poor long for riches. The rich long for heaven, But the wise desire tranquility.” There are no clouds in the sky so even though it is in black and white it seems to be a clear and sunny day. In the right corner of the painting on the poster there is a pier that is going out into the ocean. On the pier there is a light post hanging over
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On the shore line behind the sand where it meets the water there are big rocks. Above the saying in big bold letters is the word “Relax.”
There is two visual elements that stick out to me are the colors of the poster and the way that the lines a shaped in the painting. There is only two colors in the painting which is black and white. The obvious ways that the colors are used is the white color is for the lighter things in painting and the black is used for the darker objects. For example the white color is used for the sand. Also it is used for the hammock that is tied to two of the palm trees. The sky in the background is white as well along with the ocean which has dark shade mixed into it to show the waves. Another white object in the painting is the lamp post which is hanging over the pier and the wood that the pier is made out of. The black color is used for the palm trees and the palm leaves that hang on them. The rocks that the water meets before it gets to the sand are also the color black. The other side of the bay
They might not be very prominent, but they exist the painting and serve as the base for creation. For starters, the window pane contains lines that highlight its simple design. Simplicity remains as the core of this work. Moreover, sill is roughly represented by a thick brown line underneath the window as a boundary in a quietly brilliant fashion. The work has a wonderful color allocation to express the mood. The color is limited within the muted palette color range. Grey—the intermediate color of black and white, is the dominate color for both exterior view and the interior part, as a matter of fact, the observer notices that nearly all colors are mixed instead of natural this work. The cloudy sky corresponds to the grey color of the wall, yet the brightness is not influenced. However, this consistency has successfully created a cold, grave and silent environment for a crowded place such as New York. The whole environment of this painting seems to be surrounded by the negative and depressive
“A hidden weight seemed to attach itself to simple objects—a teacup, a doorknob, a glass—hardly noticeable at first, beyond the sense that every move required a slightly greater exertion of energy”(187). In Nicole Krauss’ short story, “The Young Painters”, Krauss brings across the idea of guilt swallowing the narrator because of her decision to steal a frightening story told to her by a dancer and recreate the story and publish it as her own work. In the first scene, the author encounters a captivating painter in the dancer’s home which she later discovers has a intense backstory. She later publishes the story as her own but adds a happy twist to deemphasize the horror of the original story. In the second scene, after an odd encounter with
Everything in the artwork based on its style is abstracted because it is a collage piece. With Romare Bearden’s amazing collages, the one that I found very intriguing was At Connie’s Inn. What stood out to me in this particular collage were its warm colors of oil paints since it would remind me of the warm bright sun at its peak of sunset though its setting was during the night time. The warm and cool color paints are also partly dulled and diluted to have more of that collage feel pop out more. The colors that were involved were red, yellow, blue, and green. Green was the color which dominated the piece since it must have reminded Bearden of the time when he was in the Caribbean. The collage is very analogous based on the variety of colors
It is where people can enjoy the water splashing on the shore while they stand on the warm sand. Looking out upon the ocean helps create a sense of wonder because it appears to go on forever and blends into the natural sky. While soothing sensation occurs as the waves approach and splash on the beach. Through the use a focal point, which appears to be the small children in the red shirts, the artist evokes feelings from many viewers who have visited the beach before. This brings back fond memories for those who have spent countless hours as children swimming in the ocean and enjoying the beach. It also brings back times of being relaxed by the soothing sounds of the ocean waves as the come onto the beach. The artist uses the element of color to help bring out more positive emotion. The white tips of the ocean waves help make the painting appear more realistic, the red shirt brings out the warmth and enjoyment of being on the beach, and the blue background brings out the cool soothing emotions with the natural beauty of the water and sky. These color help connect the audience into being reminded of all the fun going to the beach
Schurbert’s Scottish Harbor was painted using watercolors on a piece of material that is approximately two feet tall by two feet wide. In this painting, the red circle buoy on the white and blue boat are the most dominate subjects of the picture. The overall color tone of the picture is made up of cool colors except for the contrasting red circle buoy. In the
This painting was an oil canvas landscape of the sun setting in the horizon of the ocean sea, while the ships were sailing throughout the body of water. The focus on humanism during this period is clearly portrayed by the presence of the plowman, shepherd, and fisherman performing their daily task. Lighter colors are used, which differ from the darker colors that were emphasized during the Dark Age or Medieval period. Shadows can be seen on the ground next to the plowman showing the increasing artistic methods that begin to be utilized. Overall Bruegel makes use of the two and three-dimensional techniques to demonstrate the messages he attempts to reveal about changes in life and thought through his work.
The first painting analyzed was North Country Idyll by Arthur Bowen Davis. The focal point was the white naked woman. The white was used to bring her out and focus on the four actual colored males surrounding her. The woman appears to be blowing a kiss. There is use of stumato along with atmospheric perspective. There is excellent use of color for the setting. It is almost a life like painting. This painting has smooth brush strokes. The sailing ship is the focal point because of the bright blue with extravagant large sails. The painting is a dry textured flat paint. The painting is evenly balanced. When I look at this painting, it reminds me of settlers coming to a new world that is be founded by its beauty. It seems as if they swam from the ship.
The art piece chosen for analyzing in this essay is from Claude Monet, The Windmill on the Onbekende Gracht Amsterdam oil on canvas painting from 1874. Claude Monet was born on November 14 in 1840 in Paris, French, and he death on December 5 in 1926 in Giverny, France. He was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement 's philosophy of expressing one 's perceptions before nature, especially as applied to plain air landscape painting. According with the information next to the painting in the museum of art in Houston “on one of his visits to Holland, Monet was intrigued by this charming windmill situated on the small “unknown quayside” in Amsterdam. The mill, built in 1656, produced textile dyes and was demolished in 1876.
When viewing this piece, my eye is first led to the woman in the white dress. This bright white has a high contrast compared to all of the creamy green and yellow shades the painting consists of. This piece of art also includes a very light shade of blue placed in the sky, a brownish blue color throughout the water, and a light brown tint in the boat. The two women in this composition are placed in the foreground while the background contains the trees and sky.
His boat floats on the horizon and the sky above him is created with green and grey paint. Beneath him the ocean follows a similar color palette except with yellow lines for the ripples created in the water. Nothing is drawn with much detail, in fact both the man, mermaid, and island are drawn as nothing more than just a black silhouette. These silhouettes are painted much differently than the remainder of the painting, instead of being composed of multiple colors, they are a simple solid black mass. Within the silhouettes the artist has placed little white designs in a way that equals out the dark muddy colors. It certainly grabs the attention of the viewer, cueing them in on the subjects and story depicted. The painting seems to tell the story of exile, considering Bedia’s past it certainly is fitting, but that will be discussed in more detail later. Due to the dark setting, the viewer is left to assume that the the man is escaping in secrecy. The design he carries on his chest is a shooting star, while the one represented on the mermaid is the symbol for
One does not simply come to the city of Philadelphia without paying a visit to the Philadelphia Museum of Art. Visited by more than 800,000 people each year, the museum holds more than 227,000 art pieces and objects, including lot of European and American paintings, drawings, prints, and decorative objects. I visited the museum a couple weeks ago with the intention of finding an art piece that I can connect with to write a paper about it. It took me a while to actually find the piece that attracted me at the first glance- The Sheltered Path, an oil-canvas painting by the artist Claude Monet. Housed permanently on the first floor of the museum in Gallery 152 (Toll Gallery) which housed a collection of art pieces with the common theme: European Art from 1850-1900, the painting attracted me through its vibrant colors and its simplistic, yet meaningful beauty. The gallery also had other paintings by the same artist along with other artists who had similar painting styles. I chose this piece to write my paper on because I felt like I could relate to this painting because I could imagine myself being the main character in the story in the image. Claude Monet is also one of my favorite artists because I love the natural beauty of his impressionistic paintings.
There are several elements in this painting which may be difficult to interpret but may have meaning, such as; the headdress on the ground, the horse on the flag, the two men in different style and colored clothing, the smoke that appears much darker, and the two men pointing away from the scene, the wind direction being portrayed differently.
In the painting the skin tones of the people who are dead is drastically lighter than those of the people who are alive. It also uses color to show the darkness of the clouds which means that there was a storm and it uses lighter colors for the sky which means that the storm has passed. The painting uses color to draw your eye to the people waving their colorful clothes around. This in return draws your eye to the spec of color on the horizon which represents a ship. On the other hand, it also draws your eye to the man who is holding a little boy toward the back of the ship with the color of what appears to be a scarf on his head. In all this shows that color is used to help give the feeling of chaos and disaster in the
Over period of last hundred years, A Portrait of the Artist as a Young Man has attracted a multiplicity of interpretations. At times, critics have tended to focus primarily on the stylistic distinctions of this novel over the richness of plot and thematic significances. Harry Leviniiisees ‘A Portrait’ in the tradition of Kiinstlerroman. Others have attempted to find a close relationship between this novel and Joyce’s attempts to justify his own past. Reflecting this view, Richard Elmann writes, “To write A Portrait of the Artist as a Young Man Joyce plunged back into his own past, mainly to justify, but also to expose it”. IV Partially amplifying similar view, J.I.M Stewart sees ‘A
Closer and closer to the calm water, I began sinking deeper in the sand. It was comforting, the silence, tranquility, and warmth of the faint sun. There is a slight breeze, warm, but cold and lonely. I could smell the scent of fish blowing through my hair and body. The sun was still fading, slowly but surely the day was almost over. About half of it is gone now. I could see shades of blue, red, purple, and pinkish-yellow. They were mixed with puffy clouds that lined the beginning of the sky and the end of the water. I noticed the darker shades on the bottom of the lower clouds.