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A New York Times Review of “Paid in Full”
Hello my readers, I know you must have been surprised when you saw this review on the listing of our website, movies.nytimes.com. But only six and a half years ago a movie came out which did not generate outstanding revenue in the box office, being released domestically and only earring $3,090,862. I assume those of you who did see the movie in 2002 have probably forgotten about it by now, and I was not working for the New York Times, so I would like to revisit this film. It is an interpretation of a true story of three young men in Harlem, New York during the 1980s and their rise and fall in the drug dealing business. The actor who plays Mitch in the film (who portrays the true story of Alberto Martinez) has had some recent success in the television business. Mekhi Phifer has become one of the main characters of a hit TV show on FOX called “Lie to Me,” which had a reception of 12.37 million viewers of its pilot episode and has been doing well, its third season will be airing in the Fall 2010. Mr. Phifer is an agent for the FBI who was assigned to the main character’s, Cal Lightman, organization and assists them by giving armed protection and offering the real world experiences of an FBI agent. He also was nominated for an Image Award for “Outstanding Supporting Actor in a Drama Series” this year for that TV series.
“Paid in Full” was the mainstream film debut of commercial director Charles Stone III, who had directed and starred in the hugely popular Budweiser “Whassuupp” commercial series. “Paid in Full” was the first of two films released in 2002 which were directed by Mr. Stone, the first being the music/comedy/drama film “Drumline.” This movie is certainly not a commercial by any s...
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...nd it keeps true to the heritage of the times of the 1980s.
“Paid in Full” is rated R (under 17 requires accompanying parent or adult guardian). It has running profanity and includes graphic scenes of violence and strong sexual content. Parents be warned.
PAID IN FULL
Opened in theaters on October 25, 2002
Directed by Charles Stone III; Based on the true story of Azie Faison Jr., Alberto Martinez and Richard Porter.; director of photography, Paul Sarossy; edited by Patricia Bowers and Bill Pankow; production designer, Maher Ahmad; music by Frank Fitzpatrick and Vernon Reid; produced by Jesse Berdinka, Damon Dash and Jay-Z; released by Dimension Films. Running time: 1 hour, 37 minutes
WITH: Wood Harris (Ace), Mekhi Phifer (Mitch), Kevin Carroll (Calvin), Esai Morales (Lulu), Chi McBride (Pip), Cam’ron (Rico), Remo Greene (Sonny), and Cynthia Martells (Dora).
In conclusion, it is known that the system operates from cradle to the grave. Each of these individuals all have the same mindset of “if nobody cares why should I?” Beecher Terrace is a high crime-rate neighborhood, where all the individuals either lived or grew up in. Thus, each person in this documentary can name at least five people that have been arrested, mainly immediate family members. They all have three main things in common which are they lived in Beecher Terrace, they have more than six charges, and they have some type of mental issue that needs to be resolved to better
A young boy gets older and even though they struggle financially his parents make sure they teach him the honest values of life. But in this film George Jung is a high school football star and wants to see other options and forget what values his parents have taught him. The young man from a small place gets millions from distributing cocaine and ends up losing it all. The behaviors of George Jung become intense with curiosity as he arrives in California to attend college with his friend Tuna.
The film that interested me for this assignment was “Boyz n the Hood”. The movie was about a Los Angeles neighborhood expanding of drug and gang culture, with increasingly tragic results. It was about how one teen had family support to guide him on the right path in life regarding the social problems around him. The other two teens in the film wasn’t as fortunate and fell into the social problems of drugs, violence, and gangs; where one ended up dead.
Young black men crowd the corners of Baltimore. They are all hard talk, hard jaws, and crisp white t-shirts as big as sails—strapped. One precocious boy witnesses a shootout near a drug lord’s stash house and takes up sticks to play guns ‘n’ robbers. His trajectory is as follows: he graduates from sticks and piss-balloons, to g-packs and real guns, to taunting cops with brown bags of excrement, to housecats and lighter fluid, to bold, cold-blooded murder. In the words of social reformer Charles Loring Brace, this boy is one of the dangerous class—an undisciplined, delinquent youth. A creation of David Simon’s for HBO’s crime drama, The Wire, the character of Kenard may be a fictionalization, but his presence adds to the much-praised realism of the series. There really are young boys like Kenard that exist on the streets of American cities—falling into the easy and familiar trap of the drug industry. The Wire makes a point to follow the tread of Baltimore’s youth throughout all of its five seasons, introducing the topic of juvenile delinquency to the considerable range of social issues the show discusses. The Wire almost flawlessly represents the factors which cause a young person to “defect”— from the failings of the city school district, a difficult home life, or the struggle of homelessness, to the surrounding environmental influences that arise from life in the city of Baltimore. However, while The Wire and its examination of causalities does many things for the discussion of Juvenile Delinquency on the whole—taking the conversation to levels no other scripted telev...
There are a total of four ratings that they show at most cinemas: G, PG, PG-13, and R. One would think that with so many different types of movies, there would be more ratings. Movies today have a very complex storyline and don’t want to give away any of the movie in the commercial. If there were more ratings you can tell what kind of movie it is and what is shown in the movie. For Example, the movie A.I. (directed by Stephen Speilberg) would be D_L-SC. This is because the movie is a drama, has language and has sexual content. If you saw that in a commercial rather than PG-13, you would have a better idea on if you wanted to see this movie or not.
Some actors in this movie do a good job of portraying their character. However, a few take away from the overall experience, such as Tony Ross and Claudia McNeil. Tony Ross, who is an actor known for Pancho Villa, plays Stacey Logan. Claudia McNeil was an actress known for her role in Raisen in the Sun, and she portrays Big Ma. Both of these
Kenneth Vogel’s Big Money explores the invasion of money into our political system. In the novel, Vogel explains one of the most important important events that is currently happening in today’s elections: donors. This, according to Vogel, has been brought on by a ruling in the case Citizens United vs. the Federal Election Commission. The result of this case destroyed finance restrictions, giving Corporations and Unions the same laws of freedom of speech as individual Americans. The novel opens in February of 2012 where Vogel sneaks into a donor banquet. As our current president, Barack Obama, gives his speech, Vogel makes a note of the President’s words. In particular, Vogel focuses on one line “You now have the potential
In the movie “Boyz in the Hood” director John Singleton, paints a clear image of the problems that happen very often in the African American communities. The movie deals with issues such as: the importance of a father in a young man’s life, the ongoing violence of black on black crime, and how black people are put in situations where they are put to fail and not succeed in life.
The movie “Falling Down”, released in 1993, depicts an unemployed defense worker who becomes frustrated with society and unleashes that frustration on the Los Angeles community. The movie follows William through is destruction as well as the impact his actions has on other characters in the movie. It becomes apparent that the events and characters in the movie are ideal illustrations of the criminological theories anomie and social control.
For this assignment, I decided to watch “Crash”, a movie set in the streets of Los Angeles California and that shows the lives of various individuals with different cultural backgrounds. The movie starts with the scene of a car crash between an Asian woman and a couple of detectives near the sight of a murder, as the African American detective Graham Waters walks around the scene he stops because he saw something that shocked him, and from there a flashback begins. The first relevant scene shows, Anthony and Peter, two African Americans individuals walking down the street talking about racial discrimination. As they talk a couple passes by them and the two decide to steal their car. This causes a chain of events affecting the lives of many
It is not uncommon to hear of violence and murder during the ongoing drug war and that is what people against Hispanics will quote when labeling the race. A common role on television for Hispanics is to show them as “Banditos”. Film has come a long way since then, but the trope prevails. It is no longer accustomed to show the evil mustachioed Hispanic wearing a bandolier and brandishing a Winchester rifle, but it is common to see the “cholo” sporting a flannel with a pistol tucked in his pants. Such is the case for Noel Gugliemi. Gugliemi has been the go-to person to portray the Southern Californian gangster, most notably since the Academy Award-winning movie, Training Day. In the movie, he plays Moreno, a trigger-happy thug who insists that his friend, “Smiley” kill the rookie police officer, Jake Hoyt, for having a picture of “Smiley’s” cousin (Training Day). Since then, Gugliemi has been cast in a number of films portraying criminals, gangbangers, and nameless-thugs (Noel Gugliemi). Because Gugliemi characters are similar in appearance, viewers can expect criminals to look like him and ignore the fact that some Hispanic people like to shave their head and grow a goatee as Gugliemi does. Such opinions would be stunting the development of our basic right of self-expression and impose a label to those who wish to dress in that manner. Those who correlate Hispanics with violence cite the on-going
The director Antoine Fuqua vision for this film was to bring that intense love-hate relationship onto the big screen and showcase it for the world to see. To ensure a convincing film setting, Fuqua shot on location in some of the most hardcore neighborhoods in Los Angeles. Fuqua also wanted to show the daily struggles of officers tasked to work in the rougher neighborhoods of cities and how easy it can be to get caught up in a street life filled with killers and drug dealers. Overall the film displayed the city of Los Angeles in a different perspective. One which m...
Valenti, F. Miguel., Les Brown, and Laurie Trotta. More than a Movie: Ethics in Entertainment.
This movie takes place in Los Angeles and is about racial conflicts within a group of people which occur in a series of events. Since there are a wide variety of characters in this movie, it can be confusing to the viewer. In the plot, Graham is an African-American detective whose younger brother is a criminal. His mother cares more about his brother than Graham and she wants Graham to bring his brother back home, which in turn hurts Graham. Graham?s partner Ria is a Hispanic woman who comes to find that her and Graham?s ethnicities conflict when she had sex with him. Rick is the Los Angeles district attorney who is also op...
Nick and Billy team up with a rather diverse bunch of students. Lyle (Josh Brener), Stuart (Dylan O’Brien), Neha (Tiya Sircar) and Yo-Yo Santos (Tobit Raphael). This team possesses several