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More handpicked essays just for you.
How To Write A Persuasive Speach
How To Write A Persuasive Speach
How To Write A Persuasive Speach
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A Man’s Vision of Love:
An Examination of William Broyles Jr.’s Esquire Article
“Why Men Love War”
“Men love war because it allows them to look serious. Because they imagine it is the one thing that stops women laughing at them. In it they can reduce women to the status of objects. This is the great distinction between the sexes. Men see objects, women see the relationship between objects. Whether the objects need each other, love each other, match each other. It is an extra dimension of feeling we men are without and one that makes war abhorrent to all real women - and absurd. I will tell you what war is. War is a psychosis caused by an inability to see relationships. Our relationship with our fellow men. Our relationship with out economic and historical situation. And above all our relationship to nothingness. To death.”
John Fowles in The Magus
A Man’s Vision of Love:
An Examination of William Broyles Jr.’s Esquire Article
“Why Men Love War”
The fact that war is both beautiful as well as nauseating is a great ambiguity for men. In his article for Esquire magazine in 1985 William Broyles Jr attempts to articulate this ambiguity while being rather unclear himself. On the one hand Broyles says that men do not long for the classic male experience of going to war, while on the other hand he says that men who return know that they have delved into an area of their soul which most men are never able to. Broyles says that men love war for many reasons some obvious and some obviously disturbing. Many books support this notion while few stray far from the admission of love. I believe that most sources indicate that men do in fact love war in a general masculine way. I also believe that the sources that do not admit to this love of war do not because of the author’s unique, face-to-face experience with war’s most severe atrocities. I feel that the sources, while few in number can faithfully account for the average soldier in any war in the twentieth century, which Broyles applies his argument to.
Stories of combat provide a way of coping with a fundamental tension of war: although the act of killing another person in battle may invoke a wave of nauseous distress, it may also incite intense feelings of pleasure. William Broyles was one of many combat soldiers who articulated this ambiguity.
“The war correspondent is responsible for most of the ideas of battle which the public possesses … I can’t write that it occurred if I know that it did not, even if by painting it that way I can rouse the blood and make the pulse beat faster – and undoubtedly these men here deserve that people’s pulses shall beat for them. But War Correspondents have so habitually exaggerated the heroism of battles that people don’t realise that real actions are heroic.”
According to Christopher and James Collier,”War turns men into beasts.” It is true because many people are willing to
Tim O’Brien states in his novel The Things They Carried, “The truths are contradictory. It can be argued, for instance, that war is grotesque. But in truth war is also beauty. For all its horror, you can’t help but gape at the awful majesty of combat” (77). This profound statement captures not only his perspective of war from his experience in Vietnam but a collective truth about war across the ages. It is not called the art of combat without reason: this truth transcends time and can be found in the art produced and poetry written during the years of World War I. George Trakl creates beautiful images of the war in his poem “Grodek” but juxtaposes them with the harsh realities of war. Paul Nash, a World War I artist, invokes similar images in his paintings We are Making a New World and The Ypres Salient at Night. Guilaume Apollinaire’s writes about the beautiful atrocity that is war in his poem “Gala.”
The Roman philosopher Seneca the Younger once said “Perjor est bello timor ipse belli”, which translates to: “the dread of war is worse than war itself”. With this quote, Seneca identifies that war has both its physical and mental tolls on its participants. The psychological and emotional scars of war do much more damage to a solider than the actual physical battles. Tim O’ Brien repeats this idea many years later in his novel “The Things They Carried”, by describing how emotional burdens outweigh the physical loads that those in war must endure. What keeps them alive is the hope that they may one day return home to their loved ones. Yet, the weight of these intangible “items” such as “grief, terror, love, longing” overshadow the physical load they must endure since they are not easily cast away.
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
As can be seen, Paul Boyer, Tim O’Brien, and Kenneth W. Bagby, convey the notion that war affects the one’s self the most. Through the use of literary devices: tone, mood, pathos, and imagery, these 3 authors portray that war affects a person’s self most of all. War is not only a battle between two opposing sides, but it can also be a mental conflict created within a person. Although war is able to have an effect on physical relationships between family, friends, or even society, conflict within oneself is the most inevitable battle one must face during war times.
Clashing swords, miraculous survivals, pain of loss, and heroic sacrifice are all terrifying yet thrilling moments in a battle. The strong possibility of death and the frailty of human life add into the suspense of battle. Yet the reasons behind the wars, death, and suspense can be overlooked. The stories behind the warriors who have died will not be told again, but the stories of warriors still alive are what give the men strength to continue fighting against impossible odds. Ultimately, the reason of why a man would risk his life in battle is for someone, or something, he loves.
What is war? Is war a place to kill? Or is it a place where something more than just killing happens? War, as defined by the Merriam Webster is “a state or period of usually open and declared fighting between states or nations.” War, can also be viewed with romantic ideals where heroes and legends are born. Even the most intelligent of us hold some rather naïve notions of war. Upon reading Kurt Vonnegut’s Slaughterhouse Five, intelligent readers have been divested of any romantic notions regarding war they may have harboured.
Many individuals look at soldiers for hope and therefore, add load to them. Those that cannot rationally overcome these difficulties may create Post Traumatic Stress Disorder. Tragically, some resort to suicide to get away from their insecurities. Troops, notwithstanding, are not by any means the only ones influenced by wars; relatives likewise encounter mental hardships when their friends and family are sent to war. Timothy Findley precisely depicts the critical impact wars have on people in his novel by showing how after-war characters are not what they were at the beginning.
There you stand over the body of a fallen friend, a brother or sister in arms. You are asking yourself why them, why not you? What could have I done to save them? That is when you wake up, sweating, panting. It was just a night terror, yet it feels the same as the day they died, even though it has been ten years. This is just one of the many emotional scars soldiers of war face. Though why do we go to war when this is the cost? For many it is because they are unaware of the psychological cost of war, they are only aware of the monetary cost. Tim O 'Brien addresses the true cost of war in The Things They Carried. O 'Brien suggests that psychological trauma caused by war impedes daily life in young Americans drafted into the Vietnam war. He does
“War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead,” (80). In the fiction novel The Things They Carried, the author Tim O’Brien reminisces fighting in the Vietnam War and the aftermath of the war with his platoon mates through short stories and memories. He goes in depth about the emotional trauma and physical battles they face, what they carry, and how Vietnam and war has changed them forever. O’Brien’s stories describe the harsh nature of the Vietnam War, and how it causes soldiers to lose their innocence, to become guilt-ridden and regretful, and to transform into a paranoid shell of who they were before the war.
The Soviets took a lead by launching the first successful satellite into space. On October 4, 1957 the Soviets launched the first successful satellite into orbit. It was called Sputnik I and it successfully entered Earth’s orbit. This first success started the Space Age. The Soviets successful launch shocked the whole world, giving the Soviet Union the respect for putting the first man-made object into outer space. The Americans successfully launched their first satellite four months after Sputnik I, called the Explorer I. The US would have had the first satellite in orbit if they were allowed to use military rockets from the beginning. But, Eisenhower was worried he would be called a warmonger if he used military rockets for launching a satellite into orbit. He told the sci...
After the Second World War, even though Britain won the war, their empire was not as strong as when it started the war. Canada made huge contributions to help the Allies win, but once the Cold War started Canada took one small step at becoming independent. The major advancement Canada made was the joining of the North Atlantic Treaty Organization (NORAD). NORAD was created by western countries where they all formed a protective alliance against the USSR. The amazing part of this program is th...
The physical effects of war overwhelm the naïve causing pain and suffering. Initially, war entangles the lives of youth, destroying the innocence that they experience as an aspect of their life. The girl “glid[ing] gracefully down the path” (1) and the boy “rid[ing] eagerly down the road” (9) have their enjoyable realities striped by the harshness of war. Likewise, war enters women’s lives creating turmoil. The woman who works “deftly in the fields” ( ) no longer is able to experience the offerings of life. The “wire cuts,” ( ) pushing her away from the normal flow of life. In addition, man undergoes tragic obstacles as a result of war. “A man walks nobly and alone” ( ) before the horrible effects of war set in on his life causing disruptions. War enters the life of man destroying the bond man shares with his beloved environment ( ).
One of the worst things about war is the severity of carnage that it bestows upon mankind. Men are killed by the millions in the worst ways imaginable. Bodies are blown apart, limbs are cracked and torn and flesh is melted away from the bone. Dying eyes watch as internal organs are spilled of empty cavities, naked torso are hung in trees and men are forced to run on stumps when their feet are blown off. Along with the horrific deaths that accompany war, the injuries often outnumber dead men. As Paul Baumer witnessed in the hospital, the injuries were terrifying and often led to death. His turmoil is expressed in the lines, “Day after day goes by with pain and fear, groans and death gurgles. Even the death room I no use anymore; it is too small.” The men who make it through the war take with them mental and physical scarification from their experiences.