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Nature vs. nurture controversy
Effect of mental illness on society
Nature vs nurture controversy
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The room is made out of tiles. The walls, the ceiling and the floor are all black. The tiles have no luster and are dull. The room is windowless, and has one light bulb that gently flickers. On the far left side of the room, lays a wooden bed, painted black. The paint is chipped and the bed is not fully covered in paint, often times the woman has to wake up to remove a splinter from uncovered areas of the bed. The bed has a black sheet, and that is all. The bed is unstable and always rocks from side to side. The room takes away all hope, and all happiness. It is boring and drab, and is not meant for any person. The woman with black hair and pale skin sits in the center of the room with her legs folded, holding a journal and a pen. She has been in this room for the past almost five years of her life, and the one thing that has kept her sane is her diary. She wears a gray baggy tee-shirt, and gray tattered pants. She hasn’t spoken a word to anyone since she got there, in fear that she’ll say something she wasn’t supposed to. Often, she thinks she has forgotten how to talk. The only time the doors open are exactly at eight in the morning and six in the afternoon. At this time, she is fed inedible food. For breakfast it is stale bread, occasionally with a piece of dried fruit. For dinner it is a piece of leftover meat and a vegetable. During the morning she is fed clouded water and for dinner curdled milk. She spends her time counting and writing. She has counted the number of tiles on the floor, on the ceiling on the walls. She has kept track of the number of days, and hours that she has been there. She is smart and has kept track each day that she receives food, and each 365 days she marks about a year. She hasn’t stepped a ... ... middle of paper ... ...ulates his mind and causes him to bring her to the exit of the building. Now, with every bit of her power she manipulates all of the officials and guards in this building, convincing them they are supposed to let her leave. She knows that the effect will wear off in a few hours, and exits the prison, breaking into a sprint. She can’t return to her family, she can’t stay in this country because she’ll be caught. She runs to go and find a group that might not even exist, the Aberration. She has her journal in hand is hopeful that it will keep her sane, and hopes to find the people who are cast outside of the normal, the people she fits in with. She turns around for a quick second, glancing at the prison, she escaped from, the area where her family lives and says a quick goodbye. She then continues sprinting towards her unknown future, and new life with the Aberration.
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
Nevertheless, her attempts are futile as he dismisses her once more, putting his supposed medical opinion above his wife’s feelings. The story takes a shocking turn as she finally discerns what that figure is: a woman. As the story progresses, she believes the sole reason for her recovery is the wallpaper. She tells no one of this because she foresees they may be incredulous, so she again feels the need to repress her thoughts and feelings. On the last night of their stay, she is determined to free the woman trapped behind bars.
This environment serves not as an inspiration for mental health but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
The spacious, sunlit room has yellow wallpaper with a hideous, chaotic pattern that is stripped in multiple places. The bed is bolted to the ground and the windows are closed. Jane despises the space and its wallpaper, but John refuses to change rooms, arguing that the nursery is best-suited for her recovery. Because the two characters, Emily and Jane, are forced to become isolated, they turn for the worst. Isolation made the two become psychotic.
To start off, first, the narrator thinks that the house her and her husband John are renting for the next three months is haunted or it wouldn’t be as cheap as it is for being such a beautiful place. Another thing is that she unhappy in her marriage. Her husband doesn’t listen to her, tells her she’s wrong and laughs at her. She is feeling very unwell and all he says is she has temporary nervous depression and only tells her to stay in bed and do nothing. The way she describes things is very bleak, dark, depressing. She keeps going back to thoughts of the house being haunted and gets anxious. She becomes angry with John for no reason sometimes and thinks it’s from her ‘nervous condition’. Something the reader may not catch onto when she talks about how she doesn’t like her bedroom is how she took the nursery, so right away, we know she has a baby. She feels trapped with the barred windows and not being able to go anywhere, having to just lay down and look at the most revolting yellow wallpaper shes ever seen. Writing the story alone makes her extremely exhausted and she says that John doesn’t know the extent of her suffering. Eventually, it’s made known that she can’t even go near her own child and it makes her increasingly nervous. She has unwanted thoughts throughout the entire story of the terrifying ugly yellow
The story starts out with a hysterical.woman who is overprotected by her loving husband, John. She is taken to a summer home to recover from a nervous condition. However, in this story, the house is not her own and she does not want to be in it. She declares it is “haunted” and “that there is something queer about it” (The Yellow Wall-Paper. 160). Although she acknowledges the beauty of the house and especially what surrounds it, she constantly goes back to her feeling that there is something strange about the house. It is not a symbol of security for the domestic activities, it seems like the facilitates her release, accommodating her, her writing and her thoughts, she is told to rest and sleep, she is not even allow to write. “ I must put this away, he hates to have me write a word”(162). This shows how controlling John is over her as a husband and doctor. She is absolutely forbidden to work until she is well again. Here John seems to be more of a father than a husband, a man of the house. John acts as the dominant person in the marriage; a sign of typical middle class, family arrangement.
The power of manipulation is a very powerful tool and can easily be misused to benefit
...at people think and what happens to herself. In the end of the whole novel, both characters make the right and conscious decision to live their lives as they have before they met each other.
influence all her life and struggles to accept her true identity. Through the story you can
In “The story of an Hour,” Louise Mallard learns from Josephine and Richards that her husband, Brently, has died. She confines herself to the upstairs room. While Josephine and Richards believes that she is upstairs grieving, Louise is actually rather happy that she is finally free from being contained by her husband. Louise looks out the window at a big and beautiful world. She has a completely new view of the world now. The adventitious death of her husband allows her to start thinking about making decisions for herself and seeing things without his opinion. Much like Louise’s situation, the husband constantly contains the narrator of “The Yellow Wallpaper,” to one room. She is enclosed in a large, yellow room because her husband says she is sick. The narrator is physically in need of human interaction. His keeping her inside this room is leading her to become more ill than she already is. Both of these women have been living with completely despondent spirits. As depicted in these two stories, Dorothy Hartman stat...
...eisz. She can hear her playing the piano and thinks of her talking about art. She wonders if she is a real artist. She becomes exhausted and knows that she is too far out to return. The water that she was so mesmerized with throughout the novel and that was the beginning of her new life, was also the end.
Susan, the protagonist in “To Room Nineteen” feels trapped by her life and her family, and afflicted by her husband’s infidelity. Everyone assumes Susan and her husband are the perfect couple who have made all the right choices in life, but when Susan packs her youngest children off to school and discovers that her husband has been having an affair, she begins to question the life decisions she has made. Susan chooses to isolate herself from her own family by embarking on a journey of self-discovery in a hotel room that ultimately becomes a descend into madness. Unlike Susan, the woman in “The Yellow Wallpaper” initially wants contact and interaction with people, but is
Have you ever been locked in a dark closet? You grope about trying to feel the doorknob, straining to see a thin beam of light coming from underneath the door. As the darkness consumes you, you feel as if you will suffocate. There is a sensation of helplessness and hopelessness. Loneliness, caused by oppression, is like the same darkness that overtakes its victim. Charlotte Perkins Gilman, in "The Yellow Wallpaper," recounts the story of a young mother who travels to a summer home to "rest" from her nervous condition. Her bedroom is an old nursery covered with ugly, yellow wallpaper. The more time she spends alone, the more she becomes obsessed with the wallpaper's patterns. She begins to imagine a woman behind bars in the paper. Finally, she loses her sanity and believes that she is the woman in the wallpaper, trying to escape. In "The Yellow Wallpaper," Charlotte Perkins Gilman uses setting and symbolism to suggest that imprisoning oppression causes a type of loneliness (in women) that can lead to a deadly form of insanity.
The story starts with a woman reflecting on her past (Offred), she has been living in an army-based camp with other girls. She starts with describing the history of the room where she is now based, talking (in detail) about old surroundings which have now gone to pass. She describes the changing of room quite distinctively; a quote to support this could be `old sex in the room and loneliness, and expectation, of something without a shape or name.' This suggests that any cheerful moment in this room has been a really long time ago, or that's what it seems.
Upon moving in to her home she is captivated, enthralled with the luscious garden, stunning greenhouse and well crafted colonial estate. This was a place she fantasized about, qualifying it as a home in which she seemed comfortable and free. These thoughts don’t last for long, however, when she is prescribed bed rest. She begins to think that the wallpaper, or someone in the wallpaper is watching her making her feel crazy. She finally abandons her positivity towards what now can be considered her husband’s home, and only labels negative features of the home. For example, the narrator rants about the wallpaper being, “the strangest yellow…wallpaper! It makes me think of… foul, bad yellow things” (Gilman). One can only imagine the mental torture that the narrator is experiencing, staring at the lifeless, repulsive yellow hue of ripping