Marcellina didn’t know what to think when she fell in infatuated with one of her father’s workers. Though, she wasn’t surprised. From the moment Celio began to come to work for her father, she was mesmerized. He worked restlessly to help others, the less fortunate, and those poor souls in the world. Celio tried his best to survive in the treacherous world he lived in, and did his best to make life easier for all the rest of the people too. There was nothing Marcellina wanted more than to be his, and him, hers. Even the mere thought of him, heart would begin to skip a million paces, and as a result she had become a nervous wreck. She couldn’t focus on her school work at all! At first, she wanted nothing to do with him; after all, she knew almost nothing about him, her love for him was childish. She was supposed to be a mature young lady, this wasn’t appropriate. It was unmannerly and unacceptable the way she was acting because of him, but his being plagued her existence, for he worked for her father, the watchmaker. Every day, with the same routine, and with the same intentions…
Celio never thought much of Marcellina though, he saw her once in a while, and she never did say anything, but her presence was acknowledged. Though Celio had a feeling Marcellina was just another pretty face, and inside there was most likely a demon taking residence. Nothing to prove it, but that was of little relevance to him. The possibilities of her fondness and admiration never did cross his mind, well he couldn’t have, and she barely existed to him anyway. Celio’s mind was too preoccupied to think about “love”. Eighteen years old, he was two years older than her, and too old her at least anyways.
He lived in the slums of Rhitelian, and he only ever...
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... the meadow. They had been together all this time. When Mr. Lyrca died, the business was handed over to Celio, over the years he had become Mr. Lyrca’s right hand man. Marcellina did manage to make a name of herself, just like she wanted. Marcellina became a great teacher and a scientist. They started a line of orphanages and homeless shelters to help all those who needed a place to stay. They adopted many of the children from the slums too.
“That reminds me Marcie, I’ve been meaning to ask you something.”
Marcellina raised her head to look at her beloved husband.
“Yes my dear?”
“Did you ever find out who left that box at you mother’s grave?”
Marcellina laughed at Celio’s inquiry, her voice like the rippling of wind chimes, “I was wondering when you’d ask that, but no, we really didn’t. Although my father and I like to believe that it was a gift sent from heaven.”
In this chapter Reyna is reunited with her father, however she is disappointed of their detachment. Even though, she has complicated relationships with both of her parents with the inclusion of this scene the reader learns of the relationship between her and Mago. To Reyna this sisterhood bond is valuable and fundamental to Reyna’s growth. Due to the emotional distance between Reyna and her parents the siblings foster a stronger bond as an act of resilience against their complex relationships with their parents. Taking in consideration the achievements of Reyna Grande as an author, aside of growing up in poverty and the difficult relationship with her parents is an act of personal resilience. By sharing her story Grande can foster community resilience for those that find representation in her work. Also, due to her vulnerability and act of letting the reader into her healing process, her narrative creates a sense of empathy in the reader and for those with similar experiences solidarity and
To keep her daughter’s “virtue” intact Macaria beats her. In this way the mother establishes complete control over Marcela’s sexuali...
Since Sister was affected the most by certain actions of the family, Welty narrated this short story through Sister’s point of view to show how the function of the family declined through these actions. Sister was greatly affected when her sister broke the bonds of sisterhood by stealing her boyfriend and marrying him. Secondly, Sister was affected by the favoritism shown by her family towards her younger sister. Since her sister was favored more than her, this caused her to be jealous of her sister. For example, Sister shows a lot of jealousy by the tone she uses when describing what Stella-Rondo did with the bracelet that their grandfather gave her. Sister’s description was, “She’d always had anything in the world she wanted and then she’d throw it away. Papa-Daddy gave her this gorgeous Add-a-Pearl necklace when sh...
Evidently, with what readers presume to be the “man of her dreams”, Clemencia's mother seems to be in her own world as she completely disregards her life with her former husband and their children. This does not bode well for Clemencia as she holds a lot of resentment towards her mother, that will likely never resolve due to the fact that Clemencia's mom is not around in the world anymore. Even though, her mother may not be in this world anymore, Clemencia will always wonder why her mom did marry her father.
The narrator does not hesitate to show how much Honoria and Charlie care for each other. Though Honoria was just a little girl, growing up without a father is still harsh. Still her love for Charlie is unconditional, and questions about the past are not brought up. Their strong relationship is alm...
The process of becoming an adult takes more time for children who enjoy freedom. When the kid is still young, one’s parents or guardians would not mind whatever the child does. But when one grows up, one’s hobby and attitude has to change according to one’s age. The Fall of a City is a short story written by Alden Nowlan to illustrate the forced maturation of the 11-year-old child under the influence of his relatives. It is a piece of writing full of pathos, where the protagonist ends up destroying the creation of his childish imagination because of his uncle and aunt’s judgment. Once they discovered what Teddy has been doing up in the attic, he decides to follow the course of his fate. He leaves his imaginary world, where he is the almighty king, to face the much more challenging real world. The Fall of a City is written by Alden Nowlan in order to express his vision of the transition from youth to manhood because of societal pressure, and the hardship is shown through the critique of Teddy’ uncle and aunt about their nephew’s character traits and the diverse conflicts which the protagonist faces within the story.
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
In conclusion, through these two characters Janie and Estrella, it is shown that social immobility is something that causes people to lose their innocence and become restricted. Through these two characters, the readers are able to women going through many instances of trouble, and overcoming the boundaries and restrictions. Janie shows the readers that materialistic marriages are bound to be inevitably unhappy in the end, and women can achieve happiness in a marriage through love and choice. Estrella in her own way shows how social immobility causes many problems for people in the migrant working social class but hope is something needed to overcome the demons and hardships in life.
Berkove claims that Chopin’s “The Story of an Hour” is about “heroine”, Louise Mallard, who’s not a hero. The view of her as a heroine is based on the interpretation of feminist. He argues there is no evidence to support the fact that Mrs. Mallard is repressed, nor that she had to sacrifice anything for her husband. Berkove analyzes the quote of Mrs. Mallard’s freedom and noted that when it came to love, Mrs. Mallard did not a significant amount of love towards her husband, but instead loved herself more. The wild abandonment that she experienced when realizing that she is “free” and will live “absolutely” for herself were indications that she is losing her mind because
“The story employs a dramatic point of view that emphasizes the fragility of human relationships. It shows understanding and agreemen...
Arredondo exposed Luisa as a dynamic character because during the story the readers can see the changes that her personality had over the time. At the beginning of the story the reader can see how Luisa takes care of her uncle with devotion and love, but after they married she considered it as a disgusting duty. Ines Arredondo described Luisa as woman who has the power of “purify everything” (81), but after suffering the physical abuse of her uncle, all her innocence disappear. She was an innocent girl that was reserving herself for marriage. However, after married her uncle, she started seen the things in a different way. Now, she thinks of herself as “the vilest of harlot” (87). The way that the author exposes Luisa is like happy young lady that thanks to the circumstances enter to a deep depression that changes her life and she “was not able to go back to who I [she] was”
The author tells the reader story of the teenage girl, who’s suffering from difficulties in the relationship with surrounding her people, such as her friends and wax copy of the president Roosevelt, – “the only man who has ever called her pretty” (Coyle 366). Through all the story the reader can be a witness of the violence against the girl, for example, when Franklyn D. Roosevelt makes her cry for no reason (“She’s kneeling in a wax museum on her first date, crying…”), communicates in not appropriate way (“Send me a pic of ur boobs, says the third [message]”) (Coyle 366,368). In this case we can see not only typical violator’s behavior, but also the reaction, which majority of the women have: belief that “no one will ever love [her]” (Coyle
Life is not a singular momentous journey; it is a multitude of experiences and events that shape not only one’s life, but one’s character. In Vida, Patricia Engel manages to construct a multilayered novel that produces a synergistic effect—the whole is much greater than the sum of its parts. By constructing Vida in non-chronological order, Engel manages to convey a realistic account of finding one’s self by reminiscing upon distinct life-changing moments and the subsequent realization of the individual self. Although the chapters seemingly have nothing in common, in the sum of their parts they form a complete portrayal of Sabina. In fact, as Engel asserts, it is not the momentous occasions in life that are the most profound to one’s personal development—the most consequential moments are “uneventful, the way most life-changing moments are. You don’t see them happening” (44). Ultimately, by employing a non-chronological narrative—along with other literary elements—Engel skillfully conveys the personal history of Sabina, while fragmenting time and place. Thus, each chapter is a representation of the person who Sabina was at that time—her feelings, her language, her tone—and that is constantly changing as a girl is growing into a women, and attempting to figure out who she is as an individual.
The persuasive attempts in both literary works produce different results. The effectiveness of the mother’s guidance to her daughter is questioned since the girl cannot recognize the essence of her mother’s lesson. Despite that, the mother’s beneficial instruction serves as a standard for the daughter to reflect her future behaviors in order to live up to the community’s expectations. On the other hand, Anne’s value of candid expression and lasting relationship dissuades her from obliging to her family’s meaningless duty to place her love and interest above to experience fulfillment in life.
All and all, any relationship you get into can greatly affect your life. No matter if it is with a person or an activity. Lucrezia is a very caring wife, who sometimes gets frustrated by her husband’s mental illness. Septimus is a veteran who is facing many of his problems. He is very dependent on Lucrezia and the reader can understand how he dominates her. On the other hand, Clarissa is seen as a hard worker to many of her friends and family, which is very accurate. However, Clarissa is dominated by her husband, because she us unsure if she made the right choice, and by her party planning ability. These dominations focus on how these can affect your everyday life. Love and activities take part in a person’s everyday life. Lucrezia and Clarissa both care about what they do everyday, and that is know because they put up with the men and drama in their life.