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Hispanics in film
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Whenever we lose something, we seem to appreciate its value more than when we had that said item. This concept can also apply to people. It can be losing a valued employee and realizing how much your business relied upon that said individual. The 2004 film A Day Without A Mexican directed by Sergio Arau relies very much on this concept of losing a people or a whole population of people. Sergio Arau’s 2004 film A Day Without A Mexican demonstrates the value the Californian Mexican population for industries relating to food, taking a part certain stigmas that are attached to the Hispanic population, and displaying the use of the Mexican people as a prop for further capital gains. Sergio Arau’s 2004 film A Day Without A Mexican often highlights
‘A Fabricated Mexican’ is a novel by Ricky Rivera in which he chronicles his life as he grows from a child farm worker to a Ph.D. candidate. He takes us through his journey in his search for his personal identity. In the book we find that his journey has not been an easy one. This difficult journey is due to many factors, most importantly the people who have surrounded him during this journey.
In his essay "Selena’s Good Buy: Texas Mexicans, History, and Selena Meet Transnational Capitalism,” Coronado (2001) argues that Selena embodies displaced desires that need to be situated in their historical content. By looking at how Texans and marketers reacted to Selena’s death, Coronado was able to show us how Selena’s death can be looked at form a psychoanalytic lens. The working class’ obsession with Selena can be seen as a fetish of sorts. A fetish is caused by trauma and can be applied socially to a irritable social construct. In other words, Selena could be a social fetish; the Latinx working class abruptly lost someone who was representing them in mainstream media, leading to the trauma. In this theory, Selena is no longer seen as a person who contributed hugely to the rise of colored people in mainstream media, but as
In a country full of inequities and discriminations, numerous books were written to depict our unjust societies. One of the many books is an autobiography by Richard Wright. In Black Boy, Wright shares these many life-changing experiences he faced, which include the discovery of racism at a young age, the fights he put up against discriminations and hunger, and finally his decision of moving Northward to a purported better society. Through these experiences which eventually led him to success, Wright tells his readers the cause and effect of racism, and hunger. In a way, the novel The Tortilla Curtain by T.C Boyle illustrates similar experiences. In this book, the lives of two wealthy American citizens and two illegal immigrants collided. Delaney and Kyra were whites living in a pleasurable home, with the constant worry that Mexicans would disturb their peaceful, gated community. Candido and America, on the other hand, came to America to seek job opportunities and a home but ended up camping at a canyon, struggling even for cheapest form of life. They were prevented from any kind of opportunities because they were Mexicans. The differences between the skin colors of these two couples created the hugest gap between the two races. Despite the difficulties American and Candido went through, they never reached success like Wright did. However, something which links these two illegal immigrants and this African American together is their determination to strive for food and a better future. For discouraged minorities struggling in a society plagued with racism, their will to escape poverty often becomes their only motivation to survive, but can also acts as the push they need toward success.
The film, "Couple in the Cage", represents how indigenous people were taken around the United States like circus acts. Oboler and Flores had similar ideas about what it means to be Hispanic. The "Monroe Doctrine" proved Latinos have been seen as dependents in the United States since the beginning. Finally, Joseph and Roseberry investigated the term “culture” in their pieces. This essay will explore how the film “Couple in the Cage” illustrates concepts written by Flores, Oboler, Monroe, Joseph, and Roseberry about to Latinos in the United States. (90)
When the class was first asked to think of a topic for our reflective paper, this scenario was one that I could vividly remember as if it had just occurred yesterday. After I read Jose Antonio Vargas’s “Life as an Undocumented Immigrant” and Amy Tan’s “Mother Tongue”, I noticed a common theme across these two pieces that I could very much relate to. Jose Antonio Vargas’s mother reminded him to fit into the American way of living by saying “If anyone asked why I was coming to America, I should say I was
Gustavo Arellano, the author of Ask a Mexican said, “Your life depends on a random stranger who could kill you, will probably disrespect you, and will most likely pay you much less than you deserve. But even those prospects are better than the ones you used to have. This is the life of los jornaleros – the day laborers.”
Chicanos’ incorporation into the U.S. has been plagued by discrimination. Chicanos have been systematically oppressed, but they have not let themselves be victimized. Chicanos have not succumbed in the face of oppression, but rather resisted their incorporation into the United States. The Chicano Movement empowered the people to seek change in the inequality imposed on them. Much progress was made economically, politically, and socially in the movement, and now after the movement art continues to forge this identity of resistance in the U.S. Chicanos’ resistance and progress is evident in the film and media industry and in the reclamation of their cultural identity.
The film “Sleep Dealer“ caught my attention this week because it was an interesting way to look at the current issues happening today to migrants all over the world, and especially in Mexico. The comparison of the factory Memo works at is a good representation of the maquiladoras in northern Mexico. These maquiladoras are seen as a promise for a better life for themselves and their families. The downside is that the factory jobs in the maquiladoras are dangerous, straining on the body, and overworks the people working there. When the film stated that the Sleep Dealer factories were a dream for the United States because the U.S. gets all of the work and none of the workers it triggered something within me. The maquiladoras have the same goal by having the factories in Mexico, but it is controlled by foreign countries without the repercussion of taxes or tariffs. This film touched upon much of what this course teaches about, and makes a very good point about the journey immigrants and migrants throughout the world.
I sleep with this boy, their son. To make the boy love me the way I love his father”. Revenge is the way clemencia tried solving her problem. In the story Never Marry A Mexican, Sandra Cisneros discusses the theme of how hurting others, because you’re hurt, will not help you in anyway. Clemencia’s mom makes her think in a negative way towards men, Clemencia herself doesn’t have the best self esteem because she’s mexican.
America has been tough on Mexican Americans. The citizens had a hard time elevating their financial and social status in this country, as they were judged by color of their skin. However, color should not demonstrate a person’s social status, but the content of their character. These people are slowly emerging and breaking social barriers.
Harvest Of Shame, an interesting and touching black and white documentary from the early 1960’s, documents and exposes the deploring lives of thousands of American migrant cultural workers narrated and dissected by one of the best and first American broadcast journalists called Edward Roscoe Murrow. The principal objective of this movie is not only to show the poor and miserable lives that all of these people live, but to let all the other Americans who are above these workers on the social and wealth scale know that the people who pick up their fruits, vegetables, and grains have no voice, no power, and no help to battle the inequities and mistreatment they receive.
The Mexican is a film about a pistol named “The Mexican”. The pistol, which is believed to have a curse, is highly sought out on the black market. Throughout the film, many locals recognize the pistol and each one recalls a different story behind it. Although they are different, they all possess similar themes. Ultimately, it is revealed that a poor gunsmith made the pistol. It was supposed to be a wedding gift for a nobleman who sought to marry the gunsmith’s daughter. The protagonist, Jerry Welbach who played by Brad Pitt, is assigned to acquire the pistol for his employer Margolese, Gene Hackman. Months before, Welbach crashed into Margolese while he had a person tied up in the trunk. Since Margolese went to jail and it was technically Welbach’s fault, Margolese forced Welbach into a life crime. The film follows Welbach’s journey as he attempts to acquire the pistol. For the purpose of this blog, it is important to recognize the portrayal of Americans in a Mexican setting as well as the roles of Mexicans and Mexico.
Undocumented individuals have limited employment and career options and often are affected not only by the stigma of their status but by the fear and uncertainty they experience as they navigate different spaces (Abrego, 2011), this is perpetuated by the current political climate. Immigration is a historical foundation of the United States and thus has included continuous and shifting influx of immigrants throughout its history causing a shift in the acceptance and perception of immigration. Despite their “key role in shaping the American continent” (Adam, 2012) and their significant size, 11.2 million (Pew Research Center Hispanic Trends, 2015), this marginalized population is being ousted out of the United States. Indeed, throughout history
It was a day like any other day at El Retirito,El Salvador.Until my grandpa sent my aunt and cousin to get food from somewhere.On their way,,they had to go up a hill.The hill had a fence around it.Beside a pole of the fence,was a girl.She had blonde hair tied in low ponytails,and blue eyes.The girl motioned my cousin to go to her.As my cousin was walking her direction,my aunt looked at her.She could not see the girl,but she knew something was wrong.My aunt pulled my cousin’s hair and hit her to stop.My cousin said she didn’t feel anything.She just kept walking.Suddenly,she began to cry.She didn’t know what was going on.My aunt took her back home.My cousin told my grandma what she saw.My grandma did not believe her.But
This scene explains how biased many institutions can be, and how absurd it is to see that your racial ethnicity may determine whether or not you’re a profitable project to invest in. this scene may have helped spurring prop 209 which prohibit public institutions from discriminating on the basis of race, sex, or ethnicity. Then he goes inside a gun store that is owned by neo-Nazi enthusiast. The owner thinks D-fens is a member but was proven wrong. This scene may explain how whites think minorities/immigrants are taking over major cities turning whites into minorities. Furthermore, the scene highlights an explanation as why many Americans concerned about illegal immigrant, but this also leads to a mix up between legal and illegal immigrants when viewed by white majorities. Speaking in terms of our previous discussions, many Americans believe that legal/illegal immigrants are living off public benefits and do not contribute in any ways to the publics good. The subject may have helped spurring proposition