In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of aduthood of his unforgiving and candid life, set in the late 1970s "Punk" rock scene. Through pure determination and perserverance, Pearson is able to successfully see through his aspiration to become a musician. From the Graveyard of the Arousal Industry offers a valuable insight about what culture is, how it differs from ideology and how we interact with it in our lives while implicitly subverting the conventional vision of straightedge culture.
One of the implications of Pearson’s
In his novel Straight Edge, Ross Haenfler advocates that straightedge culture is centralized around the idea(s) of radical activism, such as abstinance from intoxicants and narcotics, vegetarianism, and safe sexual practice if one so chooses not to remain pure, stating "Straight edgers make a lifetime commitment to positive, clean living" (Haenfler 40). He goes on to emphasize that members of the "Straightedge community" hold true to thei...
In Justin Pearson's memoir, From the Graveyard of the arousal Industry, he recounts the events that occured from his early years of adolesence to the latter years of his adulthood telling the story of his unforgiving and candid life. Set in the late 1970s "Punk" rock era, From the Graveyard of the Arousal Industry offers a valuable perspective about the role culture takes in our lives, how we interact with it and how it differs from ideology.
After reading Richard Dyer’s “In Defense of Disco” I began to think about disco as a product of capitalism. This is something that I had never really thought of before. When I think about the hip-hop industry I think capitalism, but not necessarily disco. In this article Dyer goes on to defend disco by identifying its key characteristics, and relating them to ways in which these characteristics allow gay men to escape the pressures of the dominant heterosexual society. Characteristics such as eroticism, romanticism, and materialism are outlined within Dyer’s article. Even though Disco may have been driven in capitalistic ways, I think that it has created an environment that helps to redefine gender and sexuality. Disco, like many other genres of music, has allowed for the creation of many dynamic cultures. These various sub cultures continue to evolve and flourish over time.
Rock n’ roll gave people the voice they did not have in the early years. As the genre of music became more wide spread, people actually began to speak out. Altschuler touches on the exploration of how the rock n' roll culture roughly integrated with replaced and conflicted with preceding cultural values. Many of these values were very touch topics. Besides black civil rights, sexuality were one of the most sensitive t...
Although considered the day Rock ‘n’ Roll was born, many other events in American history have given foundation to this much loved idea. Rock ‘n’ Roll is much more than just music, rather it is the movement which underlines cultural imperialism. Rock had been promoting a culture of comfort and freedom from social constraints as well. Although the style of ‘Rock music’ is easily adaptable into many different sounds, it is still thoroughly identified by its definingly amplified rhythm. The sudden worldwide popularity of rock and roll resulted in an unparalleled social impact. Rock ‘n’ Roll influenced lifestyles, fashion, attitudes, and language in a way few other social developments have equaled. The social impact is so large that rock stars are worshipped worldwide. In its early years, many adults condemned the style of music, placing a stigma on its name, and forbid their children from listening and following its ways. Many considered Rock ‘n’ Roll culture as a bad influence to all people, but as the genre aged and the now not-so-young crowds had matured, Rock was respected and
First, the new psychedelic style of rock didn’t have to meet any previous restrictions that were seen as the “social norm.” Before the musical revolution of the 1960s, jazz music was the ostentation of the Roaring 20s. Americans were perceived to live elegant and luxurious lifestyles through this time. Therefore, music had to carry this purpose in its meaning. The emergence of Rock went against this style. “No longer obligated to elevate the spirit, to
Americans have long since depended on a falsified ideology of idealized life referred to as the American dream. The construct of this dream has become more elusive with the emergence of popular cultural advertisements that sell items promoting a highly gendered goal of achieving perfection. In “Masters of Desire: The Culture of American Advertising,” Jack Solomon states that ads are creating a “symbolic association between their products and what is most coveted by the consumer” to draw on the consumer’s desire to outwardly express high social standing (544). The American dream has sold the idea of equality between genders, races, and socioeconomic backgrounds, but advertisements have manipulated this concept entirely through representations
Rock ‘n’ roll and 20th Century Culture According to Philip Ennis, rock ‘n’ roll emerged from the convergence of social transformations which resulted from World War II (Ryan 927). Despite its pop culture origins, rock music is arguably one of the strongest cultural factors to develop in this century. Artists such as Lennon, McCartney and Dylan defined the emotions of a generation and, in the last decade, it as even been acknowledged by members of the establishment which it hoped to change as a major influence in the country. In order to understand how rock went from a sign of rebellion to a cultural icon, it is necessary to understand where it came from.
Defined by a popular culture that manages to thrive even in today’s society, the 1960s is a decade that refuses to die. Bell-bottoms, free love, incense, and psychedelic rock is a style that, although at the time was labeled as corrupt, anarchistic, and radi...
McLeese, Don. “The Spirit of a Rocker.” New York Times. 18 October 1987. Web. 11
Firstly, the group of friends and writers most commonly known as the Beats evolved dramatically in focal points such as Greenwich Village and Columbia University, and subsequently spread their political and cultural views to a wider audience. The three Beat figureheads William S. Burroughs, Allen Ginsberg and Jack Kerouac each perceived an agenda within American society to clamp down on those who were in some way different from the accepted ‘norm’, and in response deliberately flirted with the un-American practices of Buddhism, drug use, homosexuality and the avant-garde. Ginsberg courted danger by lending a voice to the homosexual subculture that had been marginalised by repressive social traditions and cultural patterns within the United States.
In society today, media such as movies and music share huge roles in the dynamics of culture especially concerning communication. In Dream Worlds 3: Desire, Sex, and Power in Music Video we see how famous singers and producers in the making of their music videos have the power of illustrating our language and beliefs. From the music we listen to and things we watch, we are constantly gaining new knowledge by the message that is being presented to us. The main focus of this specific documentary was how women in the music or media industry all together are treated. From this documentary and lectures in class we see that media objectifies, stereotypes, and degrades women and their bodies as advertisements and money makers. Themes in the film discussed
Looking at our past, there have been dramatic changes in the way humans view sex. Long before the 1900s individuals framed their views based on the religious institution. Due to the fact that they strongly centered their idea of sexual thought on religion, they believed that the only purpose of having sex was to procreate. As the 1920’s approached, there were various factors that changed the way individuals viewed sex. The “new women” known, as flappers were women who were confident in who they were. They changed their attire as well as their social attitude. In the 1920s, the flappers redefined sex; customs and traditions were broken and new norms were created by society.
The issue of pornography has been debated and argued among many about its effects on morality and society. The questions most raised are is pornography moral or immoral and what defines it as such. Also, what makes something be seen as pornographic and therefore immoral. Often when someone brings up the subject of pornography they often envision something dark and seedy which in no way could ever be justified as virtuous. However, there are others who see it’s as being a healthy outlet and without harm to others. When applying the sociological theories of utilitarianism and deontology we can understand the different ideas of pornography. We can also use the perspectives of Emotivism and ethical egoism to make a rational argument about
This article demonstatres how important Kurt Cobain was both as a rock and roll icon and a philosopher. His songs which he recorded himself are still popular today, over 20 years after his death. The author argues how Cobain influences other young artists and his effect on the direction of the music industry.
In High Fidelity, Rob, the protagonist and narrator, says “I find myself worrying away at that stuff about pop music again, whether I like it because I’m unhappy, or whether I’m unhappy because I like it” (168). It is obvious to the reader that Rob has a very strong relationship to pop music but also that this relationship is not as simple as the either-or dichotomy he describes it as. At first, it is an obsession that is almost pathological; by the end, it is an aid to his relationships and his idea of who he is. Rob’s relationship to music helps us understand Rob as a character through the different ways he uses it to interact in his environment – either as a crutch inhibiting his growth or as a way to aid his self-development.