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symbolism in lord of the rings
symbolism in lord of the rings
symbolism in lord of the rings
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A Comparison of the Techniques Used in the Opening Sequence of Two Films
The two films I have chosen to compare are the Lord of the Rings, the
Two Towers and Just Married. The Lord of the Rings was made in 2002,
directed by Peter Jackson, and it is fantasy/action film. I have
chosen these films as they are two of my favourite and I thought it
would be interesting to compare two films that are so contrasting.
The opening titles have a swelling theme tune running over them,
building in strength and power. The font of the opening credits is
written to create the effect of engravings on a tombstone, and it also
resembles elfish writing. It is written in grey on a black background
and has the effect of dark shadows passing over the letter. There is a
full orchestral score, which builds up to a crescendo followed by a
sustained note on horns and strings. The title of the film then
appears this also has an engraved effect and has a three dimensional
appearance. The title is in gold to represent the ring, the lighting
comes from the side of the screen and throws shadows across the title.
The 'O' in the word "Lord" appears later than the rest of the letters
to resemble the ring; this increases and intensifies the impact on the
viewer.
The first frame opens with a Long Shot. We are shown snow-capped
mountains and a sunrise with the sun shining on the snow, which
establishes where the action will take place. The first movement the
camera makes is a crane shot looking from above down onto the
mountains, showing the beauty of the mountains but also prepares the
viewer for the unforgiving territory which the harsh action will take
place in....
... middle of paper ...
...al light from glass walls,
windows and roofs. There are a lot of quick camera changes from one
character to another and although we can see the airport is still very
busy our focus is on the characters who have all the action.
In conclusion although the two films were very different, one being an
action/fantasy and the other a chick flick romantic comedy, the way
the camera and lighting were used in some shots were very similar.
Both directors obviously work in very different ways and have
different styles but the techniques used to create their effects were
the same. The scales of the films were on such a different level and
so contrasting, one was ore inspiring with a sense of fear and danger
all the way through whilst the other was comfortingly realistic,
although anger was shown it was easy to watch and ordinary.
down to the era it was filmed in and the way I can relate to it.
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
Film Techniques Used in Shrek to Ensure the Broadest Possible Appeal To Viewers. The animators of Shrek use many film techniques to make certain of. the broadest possible appeal to viewers. For example, its constant.
Analysis of the Methods Used to Make the Opening Battle Sequence of Saving Private Ryan Shocking and Realistic
studies will compare and contrast the two films presented. This essay will be discussing the
Analysis of The Cinematic Techniques That Are Used To Capture The Audience's Interest In The Opening Sequence Of The Film Of Mice And Men
The Dressmaker is a film based on the novel by Rosalie Ham and directed by Jocelyn Moorhouse that portrays the morals of the people living in the community of Dungatar in the rural Australia. The film mainly engages with the themes of bullying, isolation and grief and loss. The director’s unique and distinctive visual style that has focused on the strongest aspects of the conservative society of the countryside in the 1950’s explores the lives of people settled there. Moorhouse has used cinematic techniques of symbolism, cinematography and sound effects in the film to enhance the audience’s engagement.
The Wizard of Oz is a 1939 film directed by Victor Fleming, which follows Dorothy Gale on her journey through the magical land of Oz. Dorothy is swept away from a farm in Kansas to the land of Oz in a tornado and embarks on a quest to see the Wizard who can help her return to her home in Kansas. The director, uses a number cinematic techniques such as camera angles, lighting, colour and dialogue to portray a central theme of There’s no place like home.
With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.
Overall I feel that both films actually have something different and unique to offer. The older version though more closely resembles the actual accounted myth in the book. I do believe that both movies should be considered in the classical cannon of mythology because they both depicted the same myth with just different perspective and ideas of how to present the myth.
People are constantly being judged and pressured to change to fit society’s standards. In Tim Burton films, there is always one character that does not fit the mold. These outcast characters in the movies Charlie and The Chocolate Factory and Edward Scissorhands are strange and isolated from the world. Despite the outcast’s difficulties, misfit characters like Edward and Wonka go on to be the hero of the story. Therefore, Burton uses many different cinematic techniques to illustrate that one does not need to conform to society in order to have a happy and successful life.
In comparing and contrasting the Arthurian Legends and J.R.R. Tolkien’s book The Fellowship of the Ring, it is almost like a medieval contest between the two with many of the similarities coming from the customs of the Middle Ages. A look at the make up of the groups involved, the moral code, the protagonist, the antagonist, the use of supernatural elements and the knightly quest involved in each book shows how alike they are but yet different.
Analysis of the Opening Sequences of Three James Bond Films Analyse the opening sequences of three James Bond films and explain why they are constructed in this way. James Bond has been running for forty years and has released twenty movies. My essay will analyse the following three James Bond movies: · Dr No (Starring Sean Connery, first Bond movie made) · A view to kill (Roger Moore) · Golden Eye (Pierce Brosnan) For each of these movies I will analyse the opening scenes and explain why they are constructed in the manner that they are. In each of the three movies a different actor plays the Character of James Bond.
In the final scene from Thelma and Louise the cinematographic effects are astounding. Panning, reaction shot, and dissolve are all used in the last section of the movie clip extensively. These three cinematographic terms are perfect for this clip because of the intensity they add to the scene. Through the use of panning, reaction shot, and dissolve the actresses portray two extreme emotions of desperation and the tranquility of freedom.
Baz Luhrmann uses a postmodernist style throughout his films (Moulin Rouge, Strictly Ballroom, Romeo and Juliet, The Great Gatsby) to create a unique viewing experience. Baz Luhrmann creates films that reflect on real, emotional, moral stories that both excite and enthral his audience through a world so deceiving, while telling a story that inflicts on pain and the power of loss. He uses mis-en-scenes of shots, proxemics space and lighting that enhance his post-modern style. He embraces change through re-imaginings, capturing the youth through music and his very unique editing techniques. One simply cannot separate a director from his art. Therefore I strongly agree with this statement and I will elaborate on each film individually on his post modernistic style of directing.