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why othello is relevant today
the similarities betwwen othello and the movie o
the similarities betwwen othello and the movie o
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“Othello Goes to High School,” (Welsh, 225) is an accurate description of the movie O as directed by Tim Blake Nelson. The O movie is a modification of Othello by William Shakespeare and is set in the 20th century in a high school, where Odin in contrast to Othello is a star basketball star and dating Desi, Desdemona in the play. Hugo, in contrast to Iago in the play is Odin’s best friend and teammate along the son of the coach. Hugo, like Iago pulls the strings behind the curtain which leads to Odin killing Desi because he assumes she is having an affair with Michael, Cassio in the play. This film was critiqued in the Literature Film Quarterly by James Welsh in which he is more critical of the film when he wrote, “Classic Demolition: Why …show more content…
However, in O Hugo has clear motives for manipulating Odin (Criniti 116). Hugo’s jealously steams from “an angry teenage cry for attention, especially for the attention of an emotionally distant father,” writes Criniti (Criniti 116). Hugo lacks definite motives within the play and for an accurate adaptation of the movie the viewer should conclude his motives themselves, without being guided on how to understand the characters. A benefit of Shakespeare is the ability for the reader to analyze and infer the motives of the characters, and this is not the case with the film O. Although, readers of Othello may deduce the motive of Iago is due to the fact Cassio was promoted, but this is not written clearly in the text. A way to correct this in the movie is to remove the father – son relationship between Hugo and the coach. Without that interconnection between the two characters, viewers are more apt to infer their own opinions about Hugo’s rationale, and this relates alongside of Shakespeare’s play …show more content…
Although, Criniti sees this as a positive of the movie, this does not align with the work of Shakespeare. At the end of Othello, Iago leaves without saying his motivations for manipulating Othello that leads to the desmise of Othello, Emily and Desdemona. In the play Cassio’s last words are, “From this time forth I never will speak word,” (Shakespeare 142) this leaves the reader in suspense, with questions of why Iago exploited Othello’s trusting nature towards men. In contrast to the play, the movie O gives Hugo a monologue at the end after Odin’s final word. Criniti writes that this departure is “more artistic” and the reason Hugo acted in the manner he did was a quest for attention (Criniti 117). The fact that the screenwriters gave Hugo a last monologue to state he did everything for attention aligns more with a high school drama and not the work of Shakespeare. Iago, a man that has been to war is not comparable to a teenager in high school craving attention from adults or those around him. This deviation is what makes the movie a poor adaption of Othello, a correction of this in the movie is to remove Hugo’s final monologue. The audience should be left to wonder why Hugo chose to be destructive to the people around him. A more accurate ending could end in Hugo asking questions to the audience on why he acts in the way he does,
In the play "Othello", Othello is a black, which is same as Odin (in the movie "O"). Also, Othello is a person who has won many battles, and everyone respects him. This is similar to the situation of Odin. In "Othello", all the characters are living in high class society, which have high reputation and rich. Moreover, in "O", a private school requires expensive school fees to study, this shows that the characters or their families are
In the film the director has made the mistake of giving Hugo motives such as the use of steroids and his father saying ‘I love Odin like he is my own son’. This causes Hugo to rage with anger and jealousy and therefore plan his devious revenge. This is the typical Hollywood film that spoon feeds the audience so they know exactly what is going on. In the original Iago is given know reason to act like this towards Othello, the audience is left to interpret
Jealousy is a dominating factor in both the modern day and Shakespearean Othello. In Othello, the jealousy develops from Iago, who thinks he has been overlooked as his flag officer and as Othello's loyal best friend. In "O", Hugo is jealous of his father's relationship with Odin. Hugo's father, Duke, is also the basketball coach of the team both Odin and Hugo play for. Odin is the team captain and receives the "most valuable player" award which he shares with his "go-to guy," Mike--not Hugo. Hugo believes that he is the M.V.P. of the Hawks and is filled with jealousy when his father gives the award to Odin and says, "I'm very proud to say this publicly, I love him like my own son" ("O").
These differences are created to relate to people in this generation. Iago is a very confident, devious, terrible person. For example Iago never doubts his plans. He always believes that his plans will work to convince Othello of the worst. What creates his almost perfect plan is how well he knows Othello. Iago knows what will make Othello second guess himself. What makes Iago devious is the way in which he performs his plans. He acts as if he is a best friend of Othello while he secretly attempts to ruin his life. Lastly, what makes Iago a terrible person in general is how he has no respect or care for who he hurts in the process of ruining Othello’s life. He kills his own wife, Emilia, which proves his lack of care for others. However, in a few scenes Iago can be humorous. For example in many scenes with Roderigo the audience sees a humorous way in which Iago manipulates people and lies through his teeth. On the other hand, Hugo has similar personality traits such as being devious and manipulative. In “O” Hugo sneaks around and discovers ways in which he can make Odin or others look bad without getting any blame. Hugo manipulates a boy name Roger, which like Roderigo is the one who does the dirty work. Unlike Iago, Hugo appears to have childish or jealous-like characteristics. He has ‘daddy issues’ which means he wishes that his father would approve of him the way that he does
For the production of “O” to advertise that the movie will be a modern translation of William Shakespeare’s tragic Othello creates a compelling inaccurate statement. Do to the fact that Odin’s character remains on a very different level than Othello in almost every situation of these two pieces of entertainment. The speech, racism, and the portrayal of the characters within their themes couldn’t have been more different. The level of importance and intensity within the play Othello will always be much more relevant to the main ideas of what Shakespeare really wanted in his play. Everything else seems to be a classic movie production attempting to make a lot of money off of someone else’s idea.
...n the end of the play. Iago is not really evil or the vice character he is the misunderstood and wonderful character who can only be seen through a certain lens before it all goes back to black and white and good and evil fights one another for the main stage again. Shakespeare pulled many themes into this story but in all truth I believe that Iago is true main character, not Othello or Cassio, but Iago with all of his problems and vices, he is the truest expression of being human.
“…And I’m not ashamed to say this in public but, I love him like a son.” The camera shows the dismay displayed on Hugo’s face. From this point on Hugo envies both Mike and Odin and pledges to do whatever required of him to ruin both their lives. Just as Othello prefers Cassio as his lieutenant rather than Iago. Iago also mentions in a soliloquy that,
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
Iago intends to orchestrate the demise of Cassio and Othello. On the surface, winning a promotion was the catalyst for Iago’s rage but bringing down only Cassio does not satisfy his bloodthirsty rage. Although Iago is cunning and ruthless in his pursuit to ruin Othello, the plot spins out of his control and only gains traction when his wife, Emilia unknowingly helps him. At this point Iago is poised to fail but the possession of Desdemona’s handkerchief provides a key piece of “ocular proof (Shakespeare)” that Othello requires to be convinced of Desdemona’s infidelity. Iago loses control of the situation. His stated purpose is to suppl...
Othello as A Tragedy of Outsiders The most obvious way of being an outsider in Othello is through being a foreigner, and a non-Venetian. Othello and Cassio are both outsiders in this sense, Othello is a black man, a "Moor", and Cassio is a "Florentine". Othello begins in Venice, in Shakespeare's time the great commercial centre of the western world. Venice was the place of great hustle and bustle, merchants and tradesmen from other lands were commonplace, and yet we see throughout the play how Othello and Cassio are ridiculed. Cassio is degraded as he is from Florence; Iago calls him "a great arithmetician".
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
Othello and Iago Comparison Othello and Iago are different in their characters as well as in their colours. It could be said also, however, that they are similar because of their fallibility. Iago is overcome with his desire for revenge to such an extent that he puts it into action. Othello's love and possessiveness of Desdemona take over him until he eventually would rather kill her than allow anyone else to have her. In this way, despite their contrasts, Iago and Othello both represent the extremity of the same thing - human emotion.
Of Shakespeare’s five greatest tragedies, Othello is by far the most passionate and gripping. It is a tale of love, deception, evil, honesty, and virtue. Othello himself is set apart from other Shakespearean tragic heroes by the absolute feeling of affection the audience feels for him even unto the very end of the play. Any discerning reader painfully recognizes the virtue and goodness of Othello throughout the entire play, in contrast to the general degeneration of character so typical of a tragic hero. It is this complete pity that makes the death of Othello so tragic as the audience lends their full hopeful support until the inevitable and unavoidable fall. The evil side of Othello’s tragic flaw came from without, in the form of Iago. The internal flaw exists only in his heartrendingly unshakable goodness and honor.
Shakespeare Othello was an act of many evil traits, including betrayal, manipulation and jealousy. Evil can be described as an act of someone who causes grievance, destruction, or impairment for one owns satisfaction; Iago, unquestionably, fits the description. Othello represented these traits through character, Iago, as he reveals his true nature of evil by diminishing people lives and becoming the downfall of many people around him. “Hell and night/ Must bring this monstrous birth to the world’s light” (I, iii, 394-396). Though Iago may not have a purpose of participating in many of his act of evil, he presents it as a self-obsessed driven supremacy. He plots to destroy Othello and to gain dominance by observing each weakness from Othello, and takes advantage of it. He uses his aid of human nature to help with his evil schemes and plots throughout the play. Because he identified Othello’s weaknesses and was able to use verbal persuasion to not only gain Othello’s trust, but to also use that as a benefit to what he wanted to accomplish. It is great importan...